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This eighth illustrated spanking erotica novel of the Bexhill School series follows the F/F, M/F and F/M school corporal punishment adventures of misbehaving (18+ year old of course) women at the school. For those of you who have been following the series, this latest book has 44 internal illustrations (please note there is no nudity) which should go far in helping the reader flesh out the story. If you can find another corporal punishment erotica book with this quality of illustration at a better price than any of the books in the Bexhill School series - please let us know!
This sixth illustrated spanking erotica novel of the Bexhill School series follows the F/F and M/F schoolgirl corporal punishment adventures of misbehaving (18+ year old of course) women at the school. "Sporting Stripes" contains 55 illustrations (please note there is no nudity!). The cover has a scene from Chapter 6, Team Spirit: Anna was the first to stretch out across the leather top. Her backside stuck up above the padded leather of the horse, the white shorts taut.
Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world.
The Bexhill School series follows a collection of 18+ year old young women who are spoiled and otherwise misbehaving - who have been turned away or kicked out of other institutions. In this first introductory book of the nine book series, we meet the fictional characters and challenges taking place at The Bexhill School. Debbie, Catherine, Sally, Linda and Anna all have their stories about how they came to be at Bexhill. Then there's Headmaster Masterson who has to cope with their behavior, and Miss Holloway, the attractive school secretary, who finds herself
This third illustrated spanking erotica novel of the Bexhill School series follows the F/F and M/F schoolgirl corporal punishment adventures of a collection of spoiled and otherwise misbehaving (18+ year old of course!) women at the school. "Six Across" contains 31 illustrations (please note that 7 of them are fogged out in the Amazon version). The cover is a scene from Chapter 2: Flo's Assizes. Per Flo: "We don't expect girls at Bexhill to run wild when they think no-one's looking. You'll get six for your foolish behavior. Go to a chair and bend over."
'Angus Wilson is one of the most enjoyable novelists of the 20th century... Anglo-Saxon Attitudes (1956) analyses a wide range of British society in a complicated plot that offers all the pleasures of detective fiction combined with a steady and humane insight.' Margaret Drabble First published in 1956, Anglo-Saxon Attitudes draws upon perhaps the most famous archaeological hoax in history: the 'Piltdown Man', finally exposed in 1953. The novel's protagonist is Gerald Middleton, professor of early medieval history and taciturn creature of habit. Separated from his Swedish wife, Gerald is increasingly conscious of his failings. Moreover, some years ago he was involved in an excavation that led to the discovery of a grotesque idol in the tomb of Bishop Eorpwald. The sole survivor of the original excavation party, Gerald harbours a potentially ruinous secret...
A harrowing and moving memoir about childhood and coming to terms with the past 'Simple yet shocking ... Sad and disturbing, it's unexpectedly uplifting too' Elle 'A searing account of the emotional and physical cruelty meted out at the orphanage' Sunday Times In the 1950s, shortly after her father's death, Judith Kelly was left in the care of nuns at a Catholic orphanage while her mother searched for a place for them to live. She was eight years old. But far from being cared for, Judith found herself in a savage and terrifying institution where physical, emotional and sexual abuse was the daily norm and the children's lives were reduced to stark survival. As the months became years and no word came from her mother, she sought comfort from the girls around her, and especially the bright, angel-voiced Frances. When a tragic accident robbed Judith of her dearest friend, the memories were too traumatic to confront. It was not until years later, on a Kibbutz in Israel, that a friendship with an elderly Holocaust survivor gave Judith the strength to revisit her past - and the orphanage of her broken childhood.
Combining exploration, sea faring adventure, and natural history, this splendidly illustrated book tells Darwin's exciting story.
A “brilliant . . . classic of the field” generation ship adventure from the Golden Age of Science Fiction by the author of the Helliconia Trilogy (Encyclopedia of Science Fiction). Non-Stop is Grand Master of Science Fiction and Hugo and Nebula Award–winning author Brian W. Aldiss’s debut novel. Written in response to Robert Heinlein’s Orphans of the Sky and published in the late 1950s, it is set in a primitive world, home to tribes of inhabitants who endure their harsh and stunted lives in a maze of corridors. Though legends exist that they’re actually on a ship traveling through the universe, no one really believes it. But that conviction doesn’t stop a group of people from embarking on a mission to find the rumored “Forwards” section and its control room. Through a tangled, hydroponic jungle, they’ll encounter telepathic animals, giants, outcasts, and mutants in an epic race to uncover the truth—and survive . . . “A breakneck ride filled with some truly disturbing and chaotic imagery . . . Aldiss’ world is visceral and powerful.” —Science Fiction and Other Suspect Ruminations “Worth reading, and quite a significant contribution to the long SF history of generation ship novels.” —SF Site Praise for Brian W. Aldiss “A major figure in world SF . . . Whatever else Aldiss may be, predictable he is not.” —The Guardian “One of the most influential—and one of the best—SF writers Britain has ever produced.” —Iain M. Banks, award-winning author of the Culture series “One of the most important SF writers of the 20th century.” —Publishers Weekly
A study of nursing care during the Civil War, the problems with caring for the sick and the injured, and the medical advances that have been made after the war.