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New York Times Bestseller Named a Best Book of the Year by NPR, Wall Street Journal, Publishers Weekly, Kirkus Reviews, and Library Journal "Hilarious…This book charmed my socks off." —Patricia O’Conner, New York Times Book Review Mary Norris has spent more than three decades working in The New Yorker’s renowned copy department, helping to maintain its celebrated high standards. In Between You & Me, she brings her vast experience with grammar and usage, her good cheer and irreverence, and her finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.
The most irreverent and enjoyable book on language since Eats, Shoots & Leaves. Mary Norris has spent more than three decades guarding the New Yorker's grand traditions of grammar and usage. Now she brings her vast experience and sharpened pencil to help the rest of us, in a charming language book as full of life as it is of practical advice. Between You & Me features Norris's hilarious exhortations about exclamation marks and emoticons, splice commas and swear words; her memorable exchanges with writers such as Pauline Kael, Philip Roth, and George Saunders; and her loving meditations on the most important tools of the trade. Readers - and writers - will find in Norris neither a scold nor a softie but a wise new friend in love with language. Mary Norris began working at the New Yorker in 1978. Originally from Cleveland, she now lives in New York. This is her first book. Her favourite pencil used to be the Dixon Ticonderoga No. 1, but she now makes do with the Palomino Blackwing. ‘Informative, witty and very funny: a must for anyone who cares about what they write.’ BookMooch ‘A delightful mix of autobiographer, New Yorker lore, and good language sense.’ Ben Yagoda ‘[The] verbal diagnostician I would turn to for a first, second, or third opinion on just about anything.' John McPhee, New Yorker ‘Countless laugh-out-loud passages...A funny book for any serious reader.’ Kirkus ‘Mary Norris is a grammar geek with a streak of mischief, and her book is obscenely fun.' Marilyn Johnson ‘Between You & Me is as entertaining as grammar can be. Very very. Read it and savor it.’ Garrison Keillor ‘Mary Norris’s Between You & Me is so smart and funny and soulful and effortlessly illuminating. Well, she herself is so generous and great—what else would she do?' Ian Frazier ‘Very funny, lucid, and lively...[Norris’] love of language transcends all, reconnecting the alienated pieces of this world—from the micromachinery of the serial comma up to the cosmic mystery of story.‘ New Republic ‘I enjoyed Mary Norris’s book so much. It’s exactly my idea of a good read.’ Kate Grenville, in correspondence ‘This book charmed my socks off...Norris is a master storyteller.’ New York Times ‘If you loved Eats Shoots and Leaves you will ADORE this marvellously intelligent and witty disquisition on the finer points of punctuation and grammar.’ Booktopia Buzz 'This enchanting little tome is a journey through her world of punctuation and grammar, with some very cool anecdotes...If you like words, language or puzzles, this is the book for you – or that friend or mother who always corrects you.' Readings ’So warm and un-fusty that the pages just slip by. Yet it manages in its final few to sneak in thoughtful discussions of, among other disputes, swearing, commas, colons and semi-colons.’ New Zealand Listener ‘Enlightening, useful, and often outright hilarious...From exclamation marks to emoticons, swear words to split infinitives, Mary Norris is the bomb.’ Australian Women’s Weekly
The most irreverent and enjoyable book on language since Eats, Shoots & Leaves. Mary Norris has spent more than three decades guarding the New Yorker’s grand traditions of grammar and usage. Now she brings her vast experience and sharpened pencil to help the rest of us, in a charming language book as full of life as it is of practical advice. Between You & Me features Norris’s hilarious exhortations about exclamation marks and emoticons, splice commas and swear words; her memorable exchanges with writers such as Pauline Kael, Philip Roth, and George Saunders; and her loving meditations on the most important tools of the trade. Readers—and writers—will find in Norris neither a scold nor a softie but a wise new friend in love with language.
“One of the most satisfying accounts of a great passion that I have ever read.” —Vivian Gornick, New York Times Book Review Mary Norris, The New Yorker’s Comma Queen and best-selling author of Between You & Me, has had a lifelong love affair with words. In Greek to Me, she delivers a delightful paean to the art of self-expression through accounts of her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, and reveals the surprising ways in which Greek helped form English. Greek to Me is filled with Norris’s memorable encounters with Greek words, Greek gods, Greek wine—and more than a few Greek men.
A Funny Gift for Grammar Lovers NATIONAL BESTSELLER "A fresh and democratic take on language by a gifted teacher." —Mary Norris "[Jovin] never hectors, never finger-points; she enlightens and illuminates. This is lovely work." —Benjamin Dreyer An unconventional guide to the English language drawn from the cross-country adventures of an itinerant grammarian. When Ellen Jovin first walked outside her Manhattan apartment building and set up a folding table with a GRAMMAR TABLE sign, it took about thirty seconds to get her first visitor. Everyone had a question for her. Grammar Table was such a hit—attracting the attention of the New York Times, NPR, and CBS Evening News—that Jovin soon took it on the road, traveling across the US to answer questions from writers, lawyers, editors, businesspeople, students, bickering couples, and anyone else who uses words in this world. In Rebel with a Clause, Jovin tackles what is most on people’s minds, grammatically speaking—from the Oxford comma to the places prepositions can go, the likely lifespan of whom, semicolonphobia, and more. Punctuated with linguistic debates from tiny towns to our largest cities, this grammar romp will delight anyone wishing to polish their prose or revel in our age-old, universal fascination with language.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.
From iconic American humorist James Thurber, a celebrated and poignant memoir about his years at The New Yorker with the magazine’s unforgettable founder and longtime editor, Harold Ross “Extremely entertaining. . . . life at The New Yorker emerges as a lovely sort of pageant of lunacy, of practical jokes, of feuds and foibles. It is an affectionate picture of scamps playing their games around a man who, for all his brusqueness, loved them, took care of them, pampered and scolded them like an irascible mother hen.” —New York Times With a foreword by Adam Gopnik and illustrations by James Thurber At the helm of America’s most influential literary magazine from 1925 to 1951, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woollcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber, whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do. Offering a peek into the lives of two American literary giants and the New York literary scene at its heyday, The Years with Ross is a true classic, and a testament to the enduring influence of their genius.
Ben Yagoda's How to Not Write Bad illustrates how we can all write better, more clearly, and for a wider readership. He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs—with attention to cadence, consistency of tone, sentence transitions, and paragraph length. In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting—and just plain better.
"A provocative and jaunty romp through the dos and don'ts of writing for the internet" (NYT)--the practical, the playful, and the politically correct--from BuzzFeed copy chief Emmy Favilla. A World Without "Whom" is Eats, Shoots & Leaves for the internet age, and BuzzFeed global copy chief Emmy Favilla is the witty go-to style guru of webspeak. As language evolves faster than ever before, what is the future of "correct" writing? When Favilla was tasked with creating a style guide for BuzzFeed, she opted for spelling, grammar, and punctuation guidelines that would reflect not only the site's lighthearted tone, but also how readers actually use language IRL. With wry cleverness and an uncanny intuition for the possibilities of internet-age expression, Favilla makes a case for breaking the rules laid out by Strunk and White: A world without "whom," she argues, is a world with more room for writing that's clear, timely, pleasurable, and politically aware. Featuring priceless emoji strings, sidebars, quizzes, and style debates among the most lovable word nerds in the digital media world--of which Favilla is queen--A World Without "Whom" is essential for readers and writers of virtually everything: news articles, blog posts, tweets, texts, emails, and whatever comes next . . . so basically everyone.