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Articles evaluating the contribution of some vocalists belonging to the Hindustani classical music tradition; includes author's memoirs of the musical milieu in Maharashtra.
This book addresses the acoustic signal analysis and spectral dynamics of the tanpura, an Indian plucked string instrument. In addition, it strives to provide a logical and objective explanation of Indian classical musicians’ cognitive experience. Issues of relevance in this regard include the rich, mellifluous sound; the undulation of the loudness; the somewhat cyclical variation of the timbre, which is strongly related to these undulations; and the occasional perception of virtual notes to which no strings are tuned. The book analyses the materials used in the tanpura, the instrument’s simple structure, the intricacies of the lower bridge, and the theory of string vibration with variable string length. Cognitive experiments to provide the basis for perceptual quality assessment, as well as a methodology for ranking, are described. This is followed by acoustic analyses, both temporal and spectral, for sounds produced by male and female tanpuras, for each individual string and the combined one. An important aspect related to the naturalness of perceived sound, namely the intrinsically associated random perturbations, is also discussed. The apparent irregularities perceived in the acoustic signal produced by the tanpura reveal the importance of examining the signal from the perspective of non-linear analysis, an aspect that is also covered in the book. Given its scope, the book will appeal to students and researchers in the fields of music acoustics, artificial intelligence, and cognitive science, as well as musicians and musicologists around the world.
In Musicophilia in Mumbai Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century as the city moved from being a seat of British colonial power to a vibrant postcolonial metropolis. Drawing on historical archives, newspapers, oral histories, and interviews with musicians, critics, students, and instrument makers as well as her own personal experiences as a student of Hindustani classical music, Niranjana shows how the widespread love of music throughout the city created a culture of collective listening that brought together people of diverse social and linguistic backgrounds. This culture produced modern subjects Niranjana calls musicophiliacs, whose subjectivity was grounded in a social rather than an individualistic context. By attending concerts, learning instruments, and performing at home and in various urban environments, musicophiliacs embodied forms of modernity that were distinct from those found in the West. In tracing the relationship between musical practices and the formation of the social subject, Niranjana opens up new ways to think about urbanity, subjectivity, culture, and multiple modernities.
A collection of essays which address and critically examine issues in contemporary ethnomusicology. It explores ethnomusicology's shifting disciplinary relationships and plots a range of potential developments for its future
Presents an account of the development of national culture in India using classical music as a case study. This book demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices. It deals with how a nation's imaginings - from politics to culture - reflect rather than transform societal divisions.
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
An Introduction to Hindustani Classical Music: A Guidebook for Beginners is Vijay Singha's comprehensive guide to savour and appreciate classical music. Written in a simple and easy-to-comprehend style, this book delves into the understanding of raga sangeet, semi-classical and fusion music, raga sangeet in Hindi films, as well as the future of classical music in India.
When I first began to plan this book, I thought that I would begin the preface with the words ―the purpose of this book is.‖ I am glad to present this book, especially designed to serve the needs of the students. There are so many listeners of Gangubai Hangal who knows her as a renowned classical vocalist but through this work, I tried to show Gangubai Hangal as a role model of humanity whether it is as a daughter, mother, grandmother, or friend. No one walks alone in the quest of attaining knowledge and I am no exception, I must start by thanking all those who joined me in my journey, those who walked beside me, those helped me along the way by continuously urging me to write this thesis and to put my thoughts down. My thanks to all the people who I have met and worked with and shared my insights and problems. This Book and its pages are thanks to all my near ones who have helped me shape it. Sometimes words get limited when it comes to express deep and hearty regards for an inspirational experience of life. I feel myself lucky to come near the milestone which I desperately wanted and finalizing this research is one of those rare beautiful moments of my life.
Sheila Dhar`S Autobiographical Stories, Essays And Memoirs Are Classics Of Modern Indian Prose Many Out Of Print For Some Time. The Present Book Provides, For The First Time Within The Covers Of A Single Volume, Her Collected Shorter Writings, Including All Her Memorable Stories And Essays.