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"Brook is someone prepared to dream, take risks, fail and then try again, succeed and still try again: a genius, and a creative one." Benedict Nightingale, Times Literary Supplement This unusually candid volume of Brook in dialogue provides an uninhibited encounter with contemporary theatre's most influential director. The result of 12 hours of spontaneous question and answer sessions, Between Two Silences shows Brook responding to points raised by students and lecturers about his work and ideas. Ranging widely over many topics, he talks about his innovative and award-winning production of The Marat/Sade, his film and stage versions of King Lear, and his nine-hour production of the Indian epic The Mahabharata. With passion and clarity he discusses acting, directing, auditions, film versus the stage, his responses to the work of other theatre figures such as Grotowski and Artaud, and the multiculturalism which characterises his most recent work. Between Two Silences offers a rare insight into Brook's beliefs and thoughts on theatre, giving straightforward answers to the often complex questions which his work and writings have raised.
Fiction. Latino/Latina Studies. Caribbean Studies. Translated by Judith Kerman. Bilingual Edition. BETWEEN TWO SILENCES / ENTRE DOS SILENCIOS is a book of remarkable short stories by the great Dominican writer Hilma Contreras. These short stories (some very short) are often mysterious and quirky, with a shimmer of heat and fire, a glisten of water and a frisson which comes from not quite knowing where you are or what's about to happen. Many stories have a sly humor and surprise endings. The reader is sometimes left with a feeling of regret, sometimes a feeling of elation and often a sense of something just out of reach. Mayapple Press is proud to publish the first United States edition of BETWEEN TWO SILENCES / ENTRE DOS SILENCIOS. This collection of sixteen stories reflects the original contents and order of the 1987 book, originally published in Santo Domingo by Editora Taller.
Washington Post columnist Alexandra Petri turns her satirical eye on her own life in this hilarious new memoir... Most twentysomethings spend a lot of time avoiding awkwardness. Not Alexandra Petri. Afraid of rejection? Alexandra Petri has auditioned for America’s Next Top Model. Afraid of looking like an idiot? Alexandra Petri lost Jeopardy! by answering “Who is that dude?” on national TV. Afraid of bad jokes? Alexandra Petri won an international pun championship. Petri has been a debutante, reenacted the Civil War, and fended off suitors at a Star Wars convention while wearing a Jabba the Hutt suit. One time, she let some cult members she met on the street baptize her, just to be polite. She’s a connoisseur of the kind of awkwardness that most people spend whole lifetimes trying to avoid. If John Hodgman and Amy Sedaris had a baby…they would never let Petri babysit it. But Petri is here to tell you: Everything you fear is not so bad. Trust her. She’s tried it. And in the course of her misadventures, she’s learned that there are worse things out there than awkwardness—and that interesting things start to happen when you stop caring what people think.
This collection of case studies from around the world uses a new approach in historical anthropology, one that focuses on heterogeneity within cultures rather than coherence to explain how we commemorate certain events, while silencing others.
An in-depth look at revolutionary new ways to handle sexual assaults. Every two minutes someone in the US is sexually assaulted, and each year there are nearly 300,000 victims of sexual assault. But victims are no longer silent, and new practices by police, prosecutors, nurses, and rape crisis professionals are resulting in more humane and compassionate treatment of victims and more aggressive pursuit and prosecution of perpetrators. Shattering Silencesa is the first book to cover these new approaches and partnerships. Christopher Johnston shows how the people and organizations implementing these new approaches are having far-reaching impacts on helping victims heal and making it more likely that predators will be arrested and sentenced. His in-depth portrayals of the altruistic and hard-working people behind these radical approaches—based on seven years of interviews—provide a template of best practices for other organizations and communities to follow. With sexual assault taking center stage these days, Shattering Silences is more important than ever.
African Silences is a powerful and sobering account of the cataclysmic depredation of the African landscape and its wildlife. In this critically acclaimed work Peter Matthiessen explores new terrain on a continent he has written about in two previous books, A Tree Where Man Was Born -- nominated for the National Book Award -- and Sand Rivers. Through his eyes we see elephants, white rhinos, gorillas, and other endangered creatures of the wild. We share the drama of the journeys themselves, including a hazardous crossing of the continent in a light plane. And along the way, we learn of the human lives oppressed by bankrupt political regimes and economies, and threatened by the slow ecological catastrophe to which they have only begun to awaken.
"[An] illuminating memoir." —Corinna da Fonseca-Wollheim, The New York Times The story of a composer's life in the Alaskan wilderness and a meditation on making art in a landscape acutely threatened by climate change In the summer of 1975, the composer John Luther Adams, then a twenty-two-year-old graduate of CalArts, boarded a flight to Alaska. So began a journey into the mountains, forests, and tundra of the far north—and across distinctive mental and aural terrain—that would last for the next forty years. Silences So Deep is Adams’s account of these formative decades—and of what it’s like to live alone in the frozen woods, composing music by day and spending one’s evenings with a raucous crew of poets, philosophers, and fishermen. From adolescent loves—Edgard Varèse and Frank Zappa—to mature preoccupations with the natural world that inform such works as The Wind in High Places, Adams details the influences that have allowed him to emerge as one of the most celebrated and recognizable composers of our time. Silences So Deep is also a memoir of solitude enriched by friendships with the likes of the conductor Gordon Wright and the poet John Haines, both of whom had a singular impact on Adams’s life. Whether describing the travails of environmental activism in the midst of an oil boom or midwinter conversations in a communal sauna, Adams writes with a voice both playful and meditative, one that evokes the particular beauty of the Alaskan landscape and the people who call it home. Ultimately, this book is also the story of Adams’s difficult decision to leave a rapidly warming Alaska and to strike out for new topographies and sources of inspiration. In its attentiveness to the challenges of life in the wilderness, to the demands of making art in an age of climate crisis, and to the pleasures of intellectual fellowship, Silences So Deep is a singularly rich account of a creative life.
A meditation on the infinite search for meanings in silence, from Wallis Wilde-Menozzi, the author of The Other Side of the Tiber and Mother Tongue. We need quiet to feel nothing, to hear silence that brings back proportion and the beauty of not knowing except for the outlines of what we live every day. Something inner settles. The right to silence unmediated by social judgment. Sitting at a table in an empty kitchen, peeling an apple, I wait for its next transformation. For a few seconds, the red, mottled, dangling skin unwinds what happened to it on earth. Wallis Wilde-Menozzi set out to touch silence for brief experiences of what is real. In images, dreams, and actions, the challenge leads to her heart as a writer. The pages of Silence and Silences form a vast tapestry of meanings shaped by many forces outside personal circumstance. Moving closer, the reader notices intricacies that shift when touched. As the writer steps aside, there is cosmic joy, biological truth, historical injustice. The reader finds women’s voices and women’s silences, sees Agnes Martin’s thin, fine lines and D. H. Lawrence’s artful letters, and becomes a part of Wilde-Menozzi’s examination of the ever-changing self. COVID-19 thrusts itself into the unbounded narrative, and isolation brings with it a new kind of stillness. As Wilde-Menozzi writes, “Reading a book is a way of withdrawing into silence. It is a way of seeing and listening, of pulling back from what is happening at that very moment.” The author has created a record of how we tell ourselves stories, how we think and how we know. Above all, she has made silence a presence as rich as time on the page and given readers space to discover what that means to a life.
Gathers memories of the detention camps