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THE IRISH BESTSELLER 'Ferriter has richly earned his reputation as one of Ireland's leading historians' Irish Independent 'Absorbing ... A fascinating exploration of the Civil War and its impact on Ireland and Irish politics' Irish Times In June 1922, just seven months after Sinn Féin negotiators signed a compromise treaty with representatives of the British government to create the Irish Free State, Ireland collapsed into civil war. While the body count suggests it was far less devastating than other European civil wars, it had a harrowing impact on the country and cast a long shadow, socially, economically and politically, which included both public rows and recriminations and deep, often private traumas. Drawing on many previously unpublished sources and newly released archival material, one of Ireland's most renowned historians lays bare the course and impact of the war and how this tragedy shaped modern Ireland.
Hard-nosed scholarship and moral passion underpin Diarmaid Ferriter's work. Now he turns to the key years of the 70s, when after half a century of independence, questions were being asked about the old ways of doing things. Ambiguous Republic considers the widespread social, cultural, economic and political upheavals of the decade, a decade when Ireland joined the EEC; when for the first time a majority of the population lived in urban areas; when economic challenges abounded; which saw too an increasingly visible feminist moment, and institutions including the Church began to be subjected to criticism.Diarmaid Ferriter's earlier books have been described as 'a landmark' and 'an immense contribution'; making 'brilliant use of new sources'; 'prodigiously gifted', and 'ground-breaking'. All those words apply to this important book based on recently opened archives and unique access to the papers of Jack Lynch and Liam Cosgrave.
Not since Hunter Thompson's seminal Hells Angels: A Strange & Terrible Saga of the Outlaw Motorcycle Gangs in 1967 has there been such a thorough account of the Angels. This book documents the gang's bumpy ride from its origins as a Stateside club for WWII fighter pilots to its freewheeling terror tactics of the early sixties, to its absurd flirtation with the hippie scene, to its current status as one of the most powerful underground organisations in North America, rivalling even the Mafia.
In July 1942, the French police in Paris, acting for the German military government, arrested Victor Ripp’s three-year-old cousin, Alexandre. Two months later, the boy was killed in Auschwitz. In Hell’s Traces, Ripp examines this act through the prism of family history. In addition to Alexandre, ten members of Ripp’s family on his father’s side died in the Holocaust. His mother’s side of the family, numbering thirty people, was in Berlin when Hitler came to power. Without exception they escaped the Final Solution. Hell’s Traces tells the story of the two families’ divergent paths. To spark the past to life, he embarks on a journey to visit Holocaust memorials throughout Europe. “Could a stone pillar or a bronze plaque or whatever else constitutes a memorial,” he asks, “cause events that took place more than seven decades ago to appear vivid?” A memorial in Warsaw that includes a boxcar like the ones that carried Jews to Auschwitz compels Ripp to contemplate the horror of Alexandre’s transport to his death. One in Berlin that invokes the anti-Jewish laws of the 1930s allows him to better understand how his mother’s family escaped the Nazis. In Paris he stumbles across a playground dedicated to the memory of the French children who were deported, Alexandre among them. Ultimately, Ripp sees thirty-five memorials in six countries. He encounters the artists who designed the memorials, historians who recall the events that are memorialized, and survivors with their own stories to tell. Resolutely unsentimental, Hell’s Traces is structured like a travelogue in which each destination enables a reckoning with the past.
The Union of Arcana has become the most powerful civilization in human history, expanding through the portals linking parallel universes and laying claim to one uninhabited planet after another. But now the Union's scouts have discovered a new portal, on the far side of which lies a shattering revelation.
In this Western series debut,Fort Worth is the deadliest place on the Texas frontier. Good thing the new sheriff isn’t afraid to die—or kill. “Stay the hell out of Fort Worth.” Those were the last words uttered by the boomtown’s last sheriff. Rail-thin and half starved, desperate cowpuncher Jess Casey ignores the travel advice. Instead, Casey not only enters Fort Worth, he takes the dead man’s job. Now it’s up to him to keep the peace in a body-riddled slice of heaven known as Hell’s Half Acre—home of notorious outlaws like Kurt Koenig and his merciless gang. For Koenig, the only good lawman is a dead one, and he puts a pretty price on Casey’s head. For Casey, that means war. Against him are the frontier’s fastest draw and a host of murderous triggers. On his side are decades of rock-hard Texas living, a couple of ne’er-do-well deputies, and the good sense to do all his talking behind the barrel of a fast-blazing gun . . .
GATEWAY TO HELL'S FURY The Union of Arcana has expanded through the portals linking parallel universes for over a century and a half. In that time, its soldiers and sorcerers have laid claim to one uninhabited planet after another¾all of them Earth, and in the process, the Union has become the most powerful, most wealthy civilization in all of human history. But now the Union's scouts have discovered a new portal, and on its far side lies another human society, Sharona, which has also been exploring the Multiverse, and the first contact between them did not go well. Arcana is horrified by the alien weapons of its sudden opponents, weapons its sorcerers cannot explain, weapons based upon something called . . . science. But Sharona is equally horrified by Arcana's "magical" weapons. Neither side expected the confrontation and each thinks the other fired first. But as the initial disastrous contact snowballs into all-out warfare, both sides can agree on one thing. The portal which brought them together is Hell's Gate itself! At the publisher's request, this title is sold without DRM (Digital Rights Management). "Magic and high tech collide in this exciting military SF novel from bestseller Weber and Evans, the first of a new series. . . . The authors treat both societies sympathetically and realistically, with human vices and virtues evenly distributed."¾Publishers Weekly
The renowned Irish historian delivers “an excellent scholarly reevaluation” of the 1916 Easter Rebellion and the turbulent decade that followed (Library Journal). On Easter Monday of 1916, the Irish Republican Brotherhood launched an armed uprising against British rule that would continue for six days. But Easter Rising was only the beginning of an ongoing revolutionary struggle. In A Nation and Not a Rabble, Diarmaid Ferriter presents a fresh look at Ireland from 1913-1923, drawing from newly available historical sources as well as the testimonies of the people who lived and fought through this extraordinary period. Ferriter highlights the gulf between rhetoric and reality in politics and violence, the role of women, the battle for material survival, the impact of key Irish unionist and republican leaders, as well as conflicts over health, land, religion, law and order, and welfare.
A meticulous, compellingly readable reconstruction of those three summer days that ignited the civil war – the defining event of modern Irish politics. The Irish Civil War began at around four o'clock in the morning on June 28, 1922. An 18-pounder artillery piece began to fire on the thick granite walls of the Four Courts – a beautiful eighteenth-century complex of buildings that housed Ireland's highest legal tribunals. Inside the courts a large party of IRA men were barricaded – a clear sign that the treaty ending the war of independence would never be accepted by passionate republicans. After three days of fighting, with the buildings in ruins, the garrison surrendered. But the Four Courts also housed Ireland's historical archives, and these irreplaceable documents were destroyed, with burnt paper raining down over the city. This was a cultural disaster for the new state and its historical memory. Michael Fewer has a sure command of the political and military history of those years, and a mastery of the architectural and technological aspects of the battle. His recreation of this tragic episode is an intimate, detailed and essential addition to the literature of the Irish Revolution.