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A Science Friday Best Science Book of the Year A Kirkus Reviews Best Nonfiction Book of the Year A Library Journal Best Science and Technology Book of the Year A Tampa Bay Times Best Book of the Year A stunning history of seashells and the animals that make them that "will have you marveling at nature…Barnett’s account remarkably spirals out, appropriately, to become a much larger story about the sea, about global history and about environmental crises and preservation" (John Williams, New York Times Book Review). Seashells have been the most coveted and collected of nature’s creations since the dawn of humanity. They were money before coins, jewelry before gems, art before canvas. In The Sound of the Sea, acclaimed environmental author Cynthia Barnett blends cultural history and science to trace our long love affair with seashells and the hidden lives of the mollusks that make them. Spiraling out from the great cities of shell that once rose in North America to the warming waters of the Maldives and the slave castles of Ghana, Barnett has created an unforgettable history of our world through an examination of the unassuming seashell. She begins with their childhood wonder, unwinds surprising histories like the origin of Shell Oil as a family business importing exotic shells, and charts what shells and the soft animals that build them are telling scientists about our warming, acidifying seas. From the eerie calls of early shell trumpets to the evolutionary miracle of spines and spires and the modern science of carbon capture inspired by shell, Barnett circles to her central point of listening to nature’s wisdom—and acting on what seashells have to say about taking care of each other and our world.
Every family has its secrets. Josephina Harris wouldn't mind if her family still had a few of their own after a lawsuit tarnishes their name. When an opportunity opens to become a temporary keeper of a decommissioned lighthouse on a North Carolina island, she jumps at the chance to escape her small town to oversee its restoration. As the work begins, "Joey" discovers strange notes tucked deep in the crevices of the old stone walls--pages torn from a lighthouse keeper's log signed by someone named Mae who recounts harrowing rescues at sea. Fascinated by a woman lighthouse keeper, Joey digs into the past only to discover there's never been a record of a lighthouse keeper by that name. When things start to go amiss on the island, locals are convinced that it is the ghost of the lighthouse keeper and his daughter who were lost at sea during World War II. As Joey sifts through decades of rumors and legends and puts together the pieces of the past, what emerges is a love story--one that's not over yet. Multiple Christy Award winner Amanda Cox is your guide upon the raging seas of young love, heartbreaking loss, and learning to risk it all for a chance at happiness in this timeless novel.
In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family. Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
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A gothic thriller romance, set against a creepy summer backdrop. Nothing much exciting rolls through Violet White's sleepy, seaside town . . . until River comes along. River rents the guesthouse behind Violet's crumbling estate, and as eerie, grim things start to happen, Violet begins to wonder about the boy living in her backyard. Is River just a crooked-smiling liar with pretty eyes and a mysterious past? Or could he be something more? Violet's grandmother always warned her about the Devil, but she never said he could be a dark-haired boy who takes naps in the sun, who likes coffee, who kisses you in a cemetery . . . who makes you want to kiss back. Violet's already so knee-deep in love, she can't see straight. And that's just how River likes it. With shades of Stephen King and F. Scott Fitzgerald, this is a must-read for fans of Beautiful Creatures, The Unbecoming of Mara Dyer, and Anna Dressed in Blood. “Looking for dark and eerie read...? Look no further than April Genevieve Tucholke’s YA debut, Between the Devil and the Deep Blue Sea.” —EntertainmentWeekly.com “Deliciously creepy.” —TheAtlanticWire.com *“A stunning debut with complex characters, an atmospheric setting, and a distinct voice… Tucholke has real talent.” —VOYA, starred review
This moving tale explores the relationship between a young boy, Samuel Sullivan, and his mother. Samuel is remembering the precious times he spent with his mother before she became ill and went away. With the love and support of his grandparents, Samuel gradually starts to understand and little by little realises that although his mother is gone, she is with him always.Jacqueline Harvey wrote this story one evening after an afternoon fishing trip to South Golden Beach, north of Byron Bay. A young boy about nine years old arrived with his fishing rod in hand accompanied by his very pregnant mother, and the pair evoked in her feelings of the incredible, often unspoken love, between a parent and child. Jacqueline began to think about a young boy she had known who had lost his mother at a young age, and the poignancy of his devastation and ultimate survival.Samuel s anger, grief and eventual acceptance of his mother s death are brilliantly depicted in Warren Crossett s beautiful illustrations.
A New York Times Notable Book of the Year “Brilliantly breathes life not only into the perils of living at sea, but also into the hidden dangers of domesticity, parenthood, and marriage. What a smart, swift, and thrilling novel.” —Lauren Groff, author of Florida Juliet is failing to juggle motherhood and her stalled-out dissertation on confessional poetry when her husband, Michael, informs her that he wants to leave his job and buy a sailboat. With their two kids—Sybil, age seven, and George, age two—Juliet and Michael set off for Panama, where their forty-four foot sailboat awaits them. The initial result is transformative; the marriage is given a gust of energy, Juliet emerges from her depression, and the children quickly embrace the joys of being at sea. The vast horizons and isolated islands offer Juliet and Michael reprieve – until they are tested by the unforeseen. A transporting novel about marriage, family and love in a time of unprecedented turmoil, Sea Wife is unforgettable in its power and astonishingly perceptive in its portrayal of optimism, disillusionment, and survival.
A daughter's quest for her father; a father's yearning for forgiveness; and a timeless story of the beauty and cruelty of the ocean. Athene Brown's earliest memory - of the storm that ravaged Samuel's Bay, leaving the fish piled gasping on the beach - is also her last of her father. For it is on this day that Isaiah turns his back on the home of his ancestors, believing all he held dear is lost. Leaving the bay for the city, she cannot put behind her the haunting scenes of her past.
In its relentless pursuit of further knowledge, science tends to compartmentalize. Over the years the pursuit of What might be called geophysical acoustics of the sea-surface has languished. This has occured even through there are well-developed and active research programs in underwater acoustics, ocean hydrodynamics, cloud and precipitation physics, and ice mechanics - to name a few - as well as a history of engineering expertise built on these scientific fields. It remained to create a convergence, a dialogue across disciplines, of mutual benefit. The central theme of the Lerici workshop, perhaps overly simplified, was 'What are the mechanisms causing ambient noise at the upper surface of the ocean?' What could hydrodynamicists contribute to a better understanding of breaking wave dynamics, bubble production, ocean wave dynamics, or near-surface turbulence for the benefit of the underwater acoustics community? What further insights could fluid dynamicists gain by including acoustic measurements in their repertoire of instrumentation? While every attendee will have his or her percep tions of details, it was universally agreed that a valuable step had been taken to bring together two mature disciplines and that significant co-operative studies would undoubtedly follow. The scope of the workshop was enlarged beyond its original intent to also include the question of ice-noise generation. The success of this decision can be seen in high quality of the presentations. the contribution of its disciples in the other workshop discussions and the heightened awareness and interest of we other novices.
Coastal living to island living- Simply by the Sea is a beautiful collection of interiors by Tracey Rapasardi. Comfortable interiors welcome family and friends at these stunning coastal retreats that sit along the natural beauty of the coastlines.