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?Insouciant? and ?irreverent? are the sort of words that come up in reviews of Dinty W. Moore?s books?and, invariably, ?hilarious.? Between Panic and Desire, named after two towns in Pennsylvania, finds Moore at the top of his astutely funny form. A book that could be named after one of its chapters, ?A Post-Nixon, Post-panic, Post-modern, Post-mortem,? this collection is an unconventional memoir of one man and his culture, which also happens to be our own. ø Blending narrative and quizzes, memory and numerology, and imagined interviews and conversations with dead presidents on TV, the book dizzily documents the disorienting experience of growing up in a postmodern world. Here we see how the major events in the author?s early life?the Kennedy assassination, Nixon?s resignation, watching Father Knows Best, and dropping acid atop the World Trade Center, to name a few?shaped the way he sees events both global and personal today. More to the point, we see how these events shaped, and possibly even distorted, today?s world for all of us who spent our formative years in the ?50s, ?60s, and ?70s. A curious meditation on family and bereavement, longing and fear, self-loathing and desire, Between Panic and Desire unfolds in kaleidoscopic forms?a coroner?s report, a TV movie script, a Zen koan?aptly reflecting the emergence of a fractured virtual America.
"Insouciant" and "irreverent" are the sort of words that come up in reviews of Dinty W. Moore's books--and, invariably, "hilarious." Between Panic and Desire, named after two towns in Pennsylvania, finds Moore at the top of his astutely funny form. A book that could be named after one of its chapters, "A Post-Nixon, Post-panic, Post-modern, Post-mortem," this collection is an unconventional memoir of one man and his culture, which also happens to be our own. Blending narrative and quizzes, memory and numerology, and imagined interviews and conversations with dead presidents on TV, the book dizzily documents the disorienting experience of growing up in a postmodern world. Here we see how the major events in the author's early life--the Kennedy assassination, Nixon's resignation, watching Father Knows Best, and dropping acid atop the World Trade Center, to name a few--shaped the way he sees events both global and personal today. More to the point, we see how these events shaped, and possibly even distorted, today's world for all of us who spent our formative years in the '50s, '60s, and '70s. A curious meditation on family and bereavement, longing and fear, self-loathing and desire, Between Panic and Desire unfolds in kaleidoscopic forms--a coroner's report, a TV movie script, a Zen koan--aptly reflecting the emergence of a fractured virtual America. Dinty W. Moore is a professor of English at Ohio University and the author of several books, including Dear Mister Essay Writer Guy: Advice and Confessions on Writing, Love, and Cannibals, The Truth of the Matter: Art and Craft in Creative Nonfiction, and The Accidental Buddhist: Mindfulness, Enlightenment, and Sitting Still.
“Insouciant” and “irreverent” are the sort of words that come up in reviews of Dinty W. Moore’s books—and, invariably, “hilarious.” Between Panic and Desire, named after two towns in Pennsylvania, finds Moore at the top of his astutely funny form. A book that could be named after one of its chapters, “A Post-Nixon, Post-panic, Post-modern, Post-mortem,” this collection is an unconventional memoir of one man and his culture, which also happens to be our own. Blending narrative and quizzes, memory and numerology, and imagined interviews and conversations with dead presidents on TV, the book dizzily documents the disorienting experience of growing up in a postmodern world. Here we see how the major events in the author’s early life—the Kennedy assassination, Nixon’s resignation, watching Father Knows Best, and dropping acid atop the World Trade Center, to name a few—shaped the way he sees events both global and personal today. More to the point, we see how these events shaped, and possibly even distorted, today’s world for all of us who spent our formative years in the ’50s, ’60s, and ’70s. A curious meditation on family and bereavement, longing and fear, self-loathing and desire, Between Panic and Desire unfolds in kaleidoscopic forms—a coroner’s report, a TV movie script, a Zen koan—aptly reflecting the emergence of a fractured virtual America.
Unmasteredis a new kind of book that allows us to think afresh about desire. Incisive, moving, and lyrical, it opens up a larger space for the exploration of feelings that can be difficult to express. Touching on experiences of desire and pleasure, as well as grief and pain, the book probes the porousness between masculine and feminine, thought and sensation, self and culture, power and pliancy. Katherine Angel reflects on the history of her own feelings, on her encounters and beliefs, and shows how our lives can be shaped by sexuality and feminism; by the words we use, and the stories we tell. The result is a book letting light into places that are often dark and constrained - a searching, erotic work that shifts in meaning and resonance even as it is read.
Beginning in the summer of 2004, Scott Nadelson’s life fell apart. His fiancée left him a month before their planned wedding for another woman who made her living performing as a drag king. He moved into a drafty attic. His car’s brakes went out. He learned that his cat was dying. Over the next two years, he’d struggle, with equivocal and sometimes humiliating results, to get back on his feet, in the process re-examining his past to understand his present circumstances. The Next Scott Nadelson: A Life in Progress is a literary self-portrait that revolves around the dissolution of a relationship but encompasses the long process of a young man’s halting self-discovery. Exploring episodes from the life of its author/narrator marked by failure, suffering, and hope, as well as literary and cultural influence, the book weighs the things that make us want to give up against the things that keep us going. Though many of the pieces are comic and self-deprecating—some self-lacerating—they are above all meditations on the nature of the self and the way it can be constructed through memory, desire, and the imagination. Together they form a larger narrative, a search for fulfillment and identity in a life often governed by fear. With humor and unflinching honesty, Scott Nadelson scrutinizes his life to discover who he is and finds just how elusive such a discovery can be. To read the resulting book is to join him on a personal journey that is thoughtful, surprising, occasionally hilarious, and unapologetically human.
A searing anatomy of a New Orleans murder trial and a system of justice gone wrong. In a New Orleans supermarket parking lot in the fall of 1984 ,two disparate lives become inextricably bound for the next fourteen years. The first, the life of Delores Dye, a white housewife and grandmother. The second, a young black man with a gun in hand. Moments following their maybe not so chance encounter, Mrs. Dye lay dead on the sunbaked macadam, and the killer had made off with her purse, her groceries, and her car. Four days later, following a tip, authorities arrested a known drug dealer and father of five named Curtis Kyles. Kyles would then be tried for Mrs. Dye's murder an unprecedented five times, though he maintained his innocence throughout each trial. Convicted and sentenced to death in his second trial, he would spend fourteen years on death row. After a fifth jury was unable to reach a verdict, New Orleans Parish District Attorney Harry Connick, Sr., finally conceded defeat and dropped the murder charge. But the case slowly yielded a deeper drama: The crime turned out to have been the side effect of an intricately plotted act of revenge. That police and prosecutors may have been complicit in the vengeance that framed Kyles cuts to the heart of a system of justice for Southern blacks in the era since lynch mobs were shamed into obsolescence. A compellingly written legal drama that has at its heart passionate intrigue and justice gone awry. Desire Street is a 2006 Edgar Award Nominee for Best Fact Crime.
The act of reproduction, and its variants, never change much, but our ideas about the meaning of sex are in constant flux. Switch a decade, cross a border, or traverse class lines and the harmless pleasures of one group become the gravest crimes in another. Combining meticulous research and lively storytelling, The Boundaries of Desire traces the fast–moving bloodsport of sex law over the past century, and challenges our most cherished notions about family, power, gender, and identity. Starting when courts censored birth control information as pornography and let men rape their wives, and continuing through the "sexual revolution" and into the present day (when rape, gay rights, sex trafficking, and sex on the internet saturate the news), Berkowitz shows how the law has remained out of synch with the convulsive changes in sexual morality. By focusing on the stories of real people, Berkowitz adds a compelling human element to what might otherwise be faceless legal battles. The law is made by people, after all, and nothing sparks intolerance – on the left and right –– more than sex. Ultimately, Berkowitz shows the emptiness of sanctimonious condemnation, and argues that sexual questions are too subtle and volatile for simple, catch–all solutions.
When a seemingly routine medical procedure results in her mother's premature death, Anne Panning is left reeling. In her first full-length memoir, the celebrated essayist and short story writer draws on decades of memory and experience, piecing together hard truths about her own past and her mother's. We follow Panning's winding path from rural Minnesota to the riverbanks of Vietnam's Mekong Delta. A stark, poignant tale of two women deeply connected, yet forever apart, Dragonfly Notes is a testament to the prevailing nature of love, whether in the form of a rediscovered note, a sudden moment of unexpected recall, or sometimes, simply, the sight a dragonfly flitting past.
Dinty W. Moore asks: What would the world be like if eternal damnation was not hanging constantly over our sheepish heads? Why do we persist in believing something that only makes us miserable?
At the time of its first appearance in 1985 Between Men was viewed as an important intervention into Feminist as well as Gay and Lesbian studies. It was an important book because it argued that "sexuality" and "desire" were not a historical phenomenon but carefully managed social constructs. This insight (that actually originated with Michael Foucault) is often viewed as anti-humanist or post-humanist because it argues that men and women are simply the products of patriarchal power relations over which they have no control. By mobilizing Foucault's theories of the history of sexuality Sedgwick re-fashions Feminism and Gay and Lesbian Studies to make it seem as though Feminism and Gay and Lesbian studies are ideally situated to continue those interventions into the history of sexuality begun by Foucault.