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If there’s one good thing about the end of the world, it’s that Jillian wasn’t alone when it happened. Her neighborhood is still populated and more importantly, no one is trying to eat anyone else. The rest of the world isn’t so lucky. Where the Awakened roam, terror follows. A medical miracle turned bad is the cause of it all. What’s worse, almost everyone has some form of the medicine in their system. Medical nanites changed the landscape is wonderful ways, but when those medical miracles went haywire, it was the end of the world. Within the safety of their small waterfront neighborhood, Jillian and her neighbors must forge a new path, one that will keep them safe...keep them alive. Within each of them lies the seeds of destruction, but also the will to survive. Dead Woman’s Journal is a prequel to the thrilling Between Life and Death series. This full-length novel stands alone and is without cliffhangers. While there are some descriptions of violence, the novel is appropriate for ages 16 and up.
Sam’s first year of teaching is over and life is smooth sailing. He couldn’t be happier if he tried. Then everything changes in one terrible day and he’s not ready for any of it. The world has gone mad. Millions of people run the streets, ravenous and filled with an unthinking rage. The government almost immediately falls, leaving survivors entirely on their own. Left with one student and no safe place to turn, mild-mannered Sam must learn to be strong if he’s to survive and keep the young child in his care safe. As the world unravels and grows dark, he strives to keep one bright spark of humanity alive. Others are drawn to that light and a new kind of family develops. Through it all, only Sam stands between this new, small ray of hope and the eternal nightmare beyond their walls. If he fails, they’ll all be trapped forever between life and death. Readers asked for more Sam and now he’s here. Adventure with beloved Sam and feisty Veronica from the beginning of the nanite apocalypse. Between Life and Death: The Book of Sam is the exciting prequel to the main Between Life and Death trilogy. It can be read as a stand-alone, as a prequel to the main series, or after the main series.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
A feminist media history of quantification, uncovering the stories behind the tools and technologies we use to count, measure, and weigh our lives and realities. Anglo-American culture has used media to measure and quantify lives for centuries. Historical journal entries map the details of everyday life, while death registers put numbers to life's endings. Today we count our daily steps with fitness trackers and quantify births and deaths with digitized data. How are these present-day methods for measuring ourselves similar to those used in the past? In this book, Jacqueline Wernimont presents a new media history of western quantification, uncovering the stories behind the tools and technologies we use to count, measure, and weigh our lives and realities. Numbered Lives is the first book of its kind, a feminist media history that maps connections not only between past and present-day “quantum media” but between media tracking and long-standing systemic inequalities. Wernimont explores the history of the pedometer, mortality statistics, and the census in England and the United States to illuminate the entanglement of Anglo-American quantification with religious, imperial, and patriarchal paradigms. In Anglo-American culture, Wernimont argues, counting life and counting death are sides of the same coin—one that has always been used to render statistics of life and death more valuable to corporate and state organizations. Numbered Lives enumerates our shared media history, helping us understand our digital culture and inheritance.
Revealing the cross utility potential of multiple disciplines to advance knowledge in crime studies, History & Crime showcases new research into crime from across the interdisciplinary perspectives of early modern and modern history, criminology, forensic psychology, and legal studies.
A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramón Gómez de la Serna is the most representative writer of the interwar Spanish avant-garde. This book explores Gómez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of humans to the material world and the reduction of all experience to a singular individuality. Bringing Gómez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.
At a time when a woman speaking before a mixed-gender audience risked acquiring the label “promiscuous,” thousands of women presented their views about social or moral issues through sentimental poetry, a blend of affect with intellect that allowed their participation in public debate. Bridging literary and rhetorical histories, traditional and semiotic interpretations, Antebellum American Women's Poetry: A Rhetoric of Sentiment explores an often overlooked, yet significant and persuasive pre–Civil War American discourse. Considering the logos, ethos, and pathos—aims, writing personae, and audience appeal—of poems by African American abolitionist Frances Watkins Harper, working-class prophet Lydia Huntley Sigourney, and feminist socialite Julia Ward Howe, Wendy Dasler Johnson demonstrates that sentimental poetry was an inportant component of antebellum social activism. She articulates the ethos of the poems of Harper, who presents herself as a properly domestic black woman, nevertheless stepping boldly into Northern pulpits to insist slavery be abolished; the poetry of Sigourney, whose speaker is a feisty, working-class, ambiguously gendered prophet; and the works of Howe, who juggles her fame as the reformist “Battle Hymn” lyricist and motherhood of five children with an erotic Continental sentimentalism. Antebellum American Women's Poetry makes a strong case for restoration of a compelling system of persuasion through poetry usually dismissed from studies of rhetoric. This remarkable book will change the way we think about women’s rhetoric in the nineteenth century, inviting readers to hear and respond to urgent, muffled appeals for justice in our own day.
The newly built Kingdom Hospital in Lewiston, Maine, is one of the most technologically advanced hospitals in the country. Unfortunately, it was erected on the site of a terrible tragedy -- a textile mill fire that killed dozens of workers, mostly children. And it appears that beneath the sheen of the new construction and scientific innovations of The Kingdom, an indecipherable and primal evil lurks -- and the soul of a trapped and helpless child cries out for solace.