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DIVComprehensive overview of modern Colombian history considers why Colombia's long-established, stable political institutions have not been able to prevent frequent and extreme violence./div
DIVComprehensive overview of modern Colombian history considers why Colombia's long-established, stable political institutions have not been able to prevent frequent and extreme violence./div
Colombia: Fragmented Land, Divided Society is a comprehensive history of the third most populous country of Latin America. It offers the most extensive discussion available in English of the whole of Colombian history-from pre-Columbian times to the present. The book begins with an in-depth look at the earliest years in Colombia's history, emphasizing the role geography played in shaping Colombia's economy, society, and politics and in encouraging the growth of distinctive regional cultures and identities. It includes a thorough discussion of Colombian politics that looks at the ways in which historical memory has affected political choices, particularly in the formation and development of the country's two traditional political parties. The authors explore the factors that have contributed to Colombia's economic troubles, such as the delay in its national economic integration and its relative ineffectiveness as an exporter. The three concluding chapters offer an authoritative and up-to-date examination of the impact of coffee on Colombia's economy and society, the social and political effects of urban growth, and the multiple dimensions of the violence that has plagued the country since 1946. Written in clear, vigorous prose, Colombia: Fragmented Land, Divided Society is essential for students of Latin American history and politics, and for anyone interested in gaining a deeper understanding of the history of this fascinating and tumultuous country.
DIVThis study of one of the most deadly conflicts this hemisphere has ever experienced, the Colombian Violencia (1945-1958), demonstrates links between past and present violence and its connection to political democracy, racism, regionalism, and state format/div
This book brings together scholarship on three different forms of state violence, examining each for what it can tell us about the conditions under which states use violence and the significance of violence to our understanding of states. This book calls into question the legitimacy of state uses of violence and mounts a sustained effort at interpretation, sense making, and critique. It suggests that condemning the state's decisions to use lethal force is not a simple matter of abolishing the death penalty or – to take another exemplary example of the killing state – demanding that the state engage only in just (publicly declared and justified) wars, pointing out that even such overt instances of lethal force are more elusive as targets of critique than one might think. Indeed, altering such decisions may do little to change the essential relationship of the state to violence.
We live in a time when we are overwhelmed with talk and images of violence. Whether on television, the internet, films or the video screen, we can’t escape representations of actual or fictional violence - another murder, another killing spree in a high school or movie theatre, another action movie filled with images of violence. Our age could well be called “The Age of Violence” because representations of real or imagined violence, sometimes fused together, are pervasive. But what do we mean by violence? What can violence achieve? Are there limits to violence and, if so, what are they? In this new book Richard Bernstein seeks to answer these questions by examining the work of five figures who have thought deeply about violence - Carl Schmitt, Walter Benjamin, Hannah Arendt, Frantz Fanon, and Jan Assmann. He shows that we have much to learn from their work about the meaning of violence in our times. Through the critical examination of their writings he also brings out the limits of violence. There are compelling reasons to commit ourselves to non-violence, and yet at the same time we have to acknowledge that there are exceptional circumstances in which violence can be justified. Bernstein argues that there can be no general criteria for determining when violence is justified. The only plausible way of dealing with this issue is to cultivate publics in which there is free and open discussion and in which individuals are committed to listen to one other: when public debate withers, there is nothing to prevent the triumph of murderous violence.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
This book argues that terrorism in the modern world has occurred in four "waves" of forty years each. It offers evidence-based explanations of terrorism, national identity, and political legitimacy by leading scholars from various disciplines with contrasting perspectives on political violence. Whether violence is local or global, it tends to be both patterned and innovative. It elicits chaos, but can be understood by the application of new models or theories, depending upon the methods and data experts employ. The contributors in this volume apply their experiences and studies of terrorists, mob violence, fashions in international and political violence, religion’s role in terrorism and violence, the relationship between technology and terror, a recurring paradigm of terrorist waves, nation-states struggling to establish democratic/elective governments, and factions competing for control within states - in order to make sense of both national and international acts of political violence and to ask and answer some of the most disturbing questions these phenomena present. This book will be of much interest to students of terrorism, religion and violence, nationalism, sociology, war and conflict studies and IR in general.
The terrifying new role of technology in a world at war