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A new edition of an exquisitely crafted homage to the Massachusetts coast In this new edition of Between Land and Sea: The Great Marsh (first published by Braziller in 2007), the award-winning, Ipswich, MA-based landscape photographer Dorothy Kerper Monnelly conveys the surprising, ever-changing drama of the vast tidal wetlands known as the Great Marsh. For over 40 years, Monnelly has come to know this region intimately, one of the last unspoiled wilderness areas in the urban Northeast. Her timeless, visionary photographs are joined in this edition by an essay from acclaimed author Terry Tempest Williams reflecting on our relationship to liminal spaces like the marsh. Although salt marshes are among the most productive ecosystems on earth, these wetlands are threatened throughout the world by human activity and have disappeared from much of the American seacoast. The Great Marsh, despite threats from development, pollution, and now rising seas, is a pristine remnant of this ancient coastal environment.
Award-winning photographer Dorothy Monnelly captures the yet-unspoiled beauty of one of the last natural ecosystems in the Northeast. In this collection of 57 large format, black and white photographs, the salt marsh is a solemn force rendered dramatically with crisp scans of Monnelly's original gelatin silver prints. As a native of Ipswich, Massachusetts, Monnelly executes her work with a familiarity and grace evocative of Ansel Adams. Her work is described in the forward by Jeanne Adams, director of the Ansel Adams Trust as capturing the marsh's "amazing sculptural quality." "Between Land and Sea" is grounded with an essay by journalist Doug Stewart, a regular contributor to "Smithsonian" and other magazines. Stewart's words provide a rich context for the images, as well as a strong case for preserving the marshlands. "Standing in an upland clearing overlooking a vast prairie of marsh grass, you can easily believe that a salt marsh is the closest thing a landscape comes to eternity. Even the Grand Canyon is eroding, after all, but a healthy salt marsh is renewed with each rising tide." Monnelly's book is indispensable to those who are conscious of the threat to our planet's sustainability. 57 black and white illustrations.
Renown landscape photographer Dorothy Monnelly discovered a box of her mother's poems in the attic of their home when she was still a teenager. Those poems are presented here in a sequence that follows her mother's life - from memories of childhood on through maturity, marriage, children and struggles with breast cancer. Her mother left these poems as her "creative" legacy for her daughters. They are shown here to evidence a dialogue between a mother and a daughter - each pursuing their own art forms. Dorothy Kerper Monnelly is a well known photographer whose last publication, Between Land & Sea: The Great Marsh(Braziller, 2007) earned her the following rave review: 'No landscape photographer at work today has done more to focus attention on the spectacular beauty of New England's threatened coastal marshes than Dorothy Kerper Monnelly.' Legendary naturalist Edward O. Wilson had called her 'the Ansel Adams of the wetlands.' SELLING POINTS: *A beautiful pairing of a mother's poetry, written for her daughters, with photographs inspired by the poems, taken by her daughter, Dorothy Monnelly ILLUSTRATIONS: 35 b/w photographs
This early work on the art of taxidermy, Montagu Browne, was originally published in 1896. It is designed as an instructive manual on the various methods and processes involved in taxidermy, and includes chapters such as 'The Tools Used in Taxidermy and Modelling', 'The Collecting of Mammals, Birds, and Other Vertebrates, and Invertebrates, by Various Methods', 'The Skinning and Setting-Up of Birds by Various Methods', 'The Mounting of Animals in an Artistic Manner', and much more. Accompanied by many illustrations, this is a fantastic read for anyone with an interest in learning the skills of taxidermy. To compliment the republication of this work, a brand new introduction on the history of Taxidermy has been included.
The environmental importance of the marshes lies in their capacity to filter pollutants, retard erosion, and help maintain a natural balance among the critters.
Offers information on the history, accommodations, culture, dining, and shopping for Baltimore, Annapolis, and the Chesapeake Bay Region.
Justin goes to Britain to serve the Roman army as a surgeon, and when he discovers that the finance minister is betraying them to the local tribes, Justin asserts himself and gains self confidence in his decisions.
If you enjoy the delights of the ocean and revelatory stories found in people's lives, you will want to read Shore Lines: Life Lessons from the Sea. Edwin Lynn draws from his varied careers and a lifetime near the sea to reflect upon our everyday patterns while also capturing the beauty and glory of times at the beach, where our mind is free and our senses liberated. In 27 short essays divided into three sections --Attitude, Adversity, and Gratitude --he creates a connection between the seaside environment and human experiences from which we can all learn important life lessons. He describes what it means to live with change in Crests and Troughs, ways of getting unstuck in Barnacles and Other Grabbers, and reshaping adversity in Greenheads in Season, No Refunds. The giant Under Toad, the tern's aggressive bombardment, and a dreaded shark attack can teach us about our fears, vulnerabilities, and assumptions. Lynn imaginatively and playfully examines the shifting sand dunes, breaking waves, and mysterious cormorants as well as other shore life to discover the lessons they reveal to us. Each story is tied to a seaside image --patterns in the sand reveal a grandmother's kindly wisdom about lasting love, the waters of a marshy maze echo the failures in using the wrong map, and the gull's grittiness and acceptance demonstrate what skills a young couple needs to survive 118 days at sea. Sharing honestly and intimately about family, friendships, and personal experiences, Lynn's writing is accessible and inspirational. His stories are permeated with an exuberance, grace, and gratitude for each day, embodied in his daily mantra that he has embraced from Winslow Homer: The sun will not rise or set without my notice and thanks.