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Gossman (French, Princeton U.) illuminates the problematic relationship between history and literature, and shows how each discipline both challenges and undermines the other's absolutist pretensions. In particular, he address the essential historicity of literature and the essentially literary-textual nature of history through an inquiry into the work of the Romantic historians, especially Thierry and Michelet. Annotation copyrighted by Book News, Inc., Portland, OR
Literature as History represents a unique way to rethink history. Mario T. García, a leader in the field of Chicano history and one of the foremost historians of his generation, explores how Chicano historians can use Chicano and Latino literature as important historical sources.
From The Epic of Gilgamesh to Harry Potter, this rollicking romp through the world of literature reveals how writings from all over the world can transport us and help us to make sense of what it means to be human.
Ivan Jablonka’s History Is a Contemporary Literature offers highly innovative perspectives on the writing of history, the relationship between literature and the social sciences, and the way that both social-scientific inquiry and literary explorations contribute to our understanding of the world. Jablonka argues that the act and art of writing, far from being an afterthought in the social sciences, should play a vital role in the production of knowledge in all stages of the researcher’s work and embody or even constitute the understanding obtained. History (along with sociology and anthropology) can, he contends, achieve both greater rigor and wider audiences by creating a literary experience through a broad spectrum of narrative modes. Challenging scholars to adopt investigative, testimonial, and other experimental writing techniques as a way of creating and sharing knowledge, Jablonka envisions a social science literature that will inspire readers to become actively engaged in understanding their own pasts and to relate their histories to the present day. Lamenting the specialization that has isolated the academy from the rest of society, History Is a Contemporary Literature aims to bring imagination and audacity into the practice of scholarship, drawing on the techniques of literature to strengthen the methods of the social sciences.
Ideas of history: Ktema es aiei : Thucydides' concept of "learning through history" and its realization in his work / Kurt A. Raaflaub -- The distribution of character judgments in Thucydides / Matthieu de Bakker -- Ascribing motivation in Thucydides : between historical research and literary representation / Melina Tamiolaki -- The causes of the Athenian pestilence and the plague / Paul Demont -- Representations of time and space: The presence of the past in Thucydides / Jonas Grethlein -- The Cylon conspiracy : Thucydides and the uses of the past / Tim Rood -- Katâ ethne kai kata poleis : from the catalogues to the archaeologies / Roberto Nicolai -- In the shadow of Pericles: Athens' Samian victory and the organization of the Pentekontaetia / Marek Węcowski -- Transformations of landscapes in Thucydides / Vassiliki Pothou -- Thucydides and politics: "Reading" Athens : foreign perceptions of the agency of leaders and demos in Thucydides / Sarah Brown Ferrario -- Thucydides and the masses / Suzanne Saad -- Thucydides' Pericles : between historical reality and literary representation /Panos Christodoulou -- Aspects of the narrative: The balance of power and compositional balance: Thucydides, book I / June Allison -- Blurring the boundaries of speech: Thucydides and indirect discourse / Paula Debnar -- The narrative strategy: observations on the 7th book of Thucydides / Anna Lamari -- "The dot on the i" : Thucydidean epilogues / Hans-Peter Stahl -- The narrative legacy of Thucydides: Polybius book 1 / Nikos Miltsios -- The language of Thucydides: The litotes of Thucydides / Pierre Pontier -- History as presence : time, tense and narrative modes in Thucydides / Rutger J. Allan -- Textual structure and modality in Thucydides' military exhortations / Antonis Takmakis, Charalambos Themistokleous -- Attributive discourse in the speeches of Thucydides / Maria Pavlou -- Difficult statements in Thucydides / Jonathan Price -- The language of Pericles / Daniel P. Tompkins.
Who – and what – are the Bourgeois? “The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. ‘I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals,’ wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois ‘opinions and ideals’—what are they?” Thus begins Franco Moretti’s study of the bourgeois in modern European literature—a major new analysis of the once-dominant culture and its literary decline and fall. Moretti’s gallery of individual portraits is entwined with the analysis of specific keywords—“useful” and “earnest,” “efficiency,” “influence,” “comfort,” “roba”—and of the formal mutations of the medium of prose. From the “working master” of the opening chapter, through the seriousness of nineteenth-century novels, the conservative hegemony of Victorian Britain, the “national malformations” of the Southern and Eastern periphery, and the radical self-critique of Ibsen’s twelve-play cycle, the book charts the vicissitudes of bourgeois culture, exploring the causes for its historical weakness, and for its current irrelevance.
In History, Literature, Critical Theory, Dominick LaCapra continues his exploration of the complex relations between history and literature, here considering history as both process and representation. A trio of chapters at the center of the volume concern the ways in which history and literature (particularly the novel) impact and question each other. In one of the chapters LaCapra revisits Gustave Flaubert, pairing him with Joseph Conrad. Other chapters pair J. M. Coetzee and W. G. Sebald, Jonathan Littell's novel, The Kindly Ones, and Saul Friedlander's two-volume, prizewinning history Nazi Germany and the Jews. A recurrent motif of the book is the role of the sacred, its problematic status in sacrifice, its virulent manifestation in social and political violence (notably the Nazi genocide), its role or transformations in literature and art, and its multivalent expressions in "postsecular" hopes, anxieties, and quests. LaCapra concludes the volume with an essay on the place of violence in the thought of Slavoj Zizek. In LaCapra's view Zizek's provocative thought "at times has uncanny echoes of earlier reflections on, or apologies for, political and seemingly regenerative, even sacralized violence."
In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as “The Portrait of Mr. W. H.,”The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources,Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Théophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.
'A New History of German Literature' offers some 200 essays on events in German literary history.