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Why, if Alger Hiss was guilty of espionage, did he invite close scrutiny of his life and career by devoting so much of his time to proving his innocence? And how, without producing any new evidence, was he able to convince many he was not a spy? This book examines his life in the light of the evidence of his complicity.
Vols. for 1970-79 include an annual special issue called IEE reviews.
Includes annual report of its council (1941-48, in pt. 1).
An overview of melodrama and its distinct characteristics, historical development with intellectual commentary on how to present it most effectively including how to: stage a production, warm up the audience, introduce characters, use melodramatic gestures, and incorporate olios. Includes easy-to-read music for 12 songs from the era.
Flawlessly prepared by the Mossad, a lethal, undercover Israeli hit-man is masquerading as a well-dressed, polished and refined epicure in pursuit of his assigned target. Dov, the hit-man elite, searches the capitals of the world for his prey, Abu Hamid. Hamid, sinister, revered and most acclaimed by his people, is quite unlike his cosmopolitan pursuer. The Arab, born in squalid surroundings, is conversely a no-nonsense, hard, athletic, and formidable foe. This man’s dedication to the Palestinian cause knows no boundaries. Hamid can't afford the luxury of any personal relationships; the so-called "creature comforts" are not a part of his life. And, thus begins the odyssey. Adventure, romance, excitement, sex and violence intrude and impose their prerequisites in the inevitable showdown. In this deadly game it’s kill or be killed. There is no other way.