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From the creator of the Cuck Philosophy YouTube channel comes this timely and explosive re-evaluation of Marx and Nietzsche for the 21st-century left. Modernity has been defined by humanity's capacity for self-destruction. Over the last century, the means which threaten not only life's joy but its very existence have only multiplied. At the same time, as a new wave of nationalism and right-wing politics spreads across the world, fewer and fewer people are being convinced that socialism could improve their everyday lives, let alone save us from our own destruction. In this timely and explosive book, philosopher and YouTuber Jonas Čeika (aka Cuck Philosophy) re-invigorates socialism for the twenty-first century. Leaving behind its past associations with bureaucracy and state tyranny, and it's lifeless and drab theoretical accounts, Čeika instead uses the works of Marx and Nietzsche to reconnect socialism with its human element, presenting it as something not only affecting, but created by living, breathing, suffering human individuals. At a time when ecological collapse is hurtling towards us, and capitalism offers no solution except more growth and exploitation, How to Philosophise with a Hammer and Sickle shows us the way forward to a socialism grounded in human experience and accessible to all.
Leon Trotsky and his wife Natalia Sedova have fled Joseph Stalin's reign of terror in 1930s Russia. As fugitives, they arrive in Mexico under the protection of the country's most famous artistic couple, Frieda Kahlo and Diego Rivera. As Trotsky barely escapes attempts on his life, he and Kahlo fall under the spell of a tempestuous infatuation. They commence their affair under the noses of their spouses. Intellectually astute but emotionally driven, all their lives spin beyond reason toward the inevitable assassination of Trotsky.
This book reveals how the Hammer and Sickle is a monogram of the three Greek letters, which number 616the number of the beast according to some ancient authorities and how the red star, hammer, and sickle actually represent the name Marx. The satanic roots of communism are explored, its persecution and manipulation of religion, and its perversion of the Gospel through liberation theology. The book examines how the communists are trying to create a socialist world government using environmentalism to restructure the West, having deceived it with perestroika.
Tell me some more about your nice friends in the army. You always seem to have adventures. Graphic artist by profession and avid motorcycle enthusiast, young Hans Schaefer is conscripted into Hitler's war as a soldier in the Signal Corps. Thus the reluctant yet courageous soldier bears witness to the horrors of war on the infamous Eastern Front. An articulate opponent of Hitler and his Nazi regime, Hans is relentlessly torn between loyalty to his fellow soldiers as they fight for the Führer's megalomaniac ideas and his own conscience. As a soldier he suffers extreme hardships under the German command and later, as a prisoner of war, he is both victim of and eyewitness to the Red Army's particular brand of cruelty and punishment. Yet Hans is a survivor, living by his wits and by his art. Wily and talented, he draws portraits for both the Nazis and the Russians, gaining admiration and respect from high-ranking German officers and from his Russian enemies alike. Throughout, this tenacious man never loses his moral compass. He survives the Soviet labour camps to return safely home to his family in Kiel when war finally ends in 1945. Moving to Canada to make a fresh start in a new world, Hans lives to chronicle his harrowing adventures during some of the darkest and bloodiest years in Europe's history. The collaboration of Mr. Spezzano's writing and Hans Schaefer's war experiences has produced an epic account of a German soldier's flight from the pathological Nazi regime. This novel echoes the reservations of the many Germans who harboured conflicting loyalties during the ascendancy of the Third Reich. It's also a very human story about love and loss. A courageous masterpiece and a testament to one man's struggle to retain his dignity and individuality in a world torn apart by tyrants. Jack Baret Screenwriter
It is important to remember the crucial era of modern history dominated by Soviet Russia and Red China, symbolized by Stalin and Mao, through Communist-style humor. The jokes were created mainly in the West, but also within the Communist system, which produced a rich sample of humor about political rule, music, oppression of the common man, and other realities of Communism. After tensions were thought dissipated between the superpowers, and capitalism was declared the winner, Communism was thought to have disappeared. But with the renewal of world difficulties, there is a need to reminisce on how Communism was conceived through Soviet jokes. Red Humor is divided into the Czarist period to Stalin’s era, supplemented by memorable one-liners that immortalize that seven-decade harsh era. The author wrote this joke collection “to collect those bits of humor before they are forgotten.” A Jew was dying in his bed during a bitterly cold and snowy night in Russia. He called his wife to his side and faintly murmured: - Sarah! The time has come! Call the Priest! - The Priest? Are you crazy Abraham? You mean Rabbi! - No, Sarah, I mean the Priest. I don’t want to disturb the Rabbi in such terrible weather as this.
These drawings were produced between 1976 and 1977, during the Cold War, when the hammer and sickle was the best known symbol for the enemy, the USSR. By using this symbol of communism as an object for sale in a capitalist economy, the drawings were seenas an ironic commentary on the war.
The history of Soviet strategic bombers after the Second World War is a fascinating one: from the reverse-engineering of interned American Boeing B-29 bombers into the first Soviet strategic bomber, the Tu-4; to the huge jet and turbo-prop powered aircraft of today's Russian Air Force. This comprehensive history of these aircraft will deal not just with the development of aircraft that entered service, but of experimental aircraft as well, and projects that were never even built will also be explored. The service life of these bombers will be covered, including both active and retired aircraft, and their use outside of the Soviet Union, in places such as the Middle East and Afghanistan, will be described in detail. The Soviet Union built some of the first jet-powered strategic bombers, and the Tu-95 Bear, the only swept-winged turbo-prop bomber to ever enter service, remains in service to this day. Less successful aircraft, like the graceful but problem-plagued supersonic Tu-22 Blinder, and the Mach 3 Sukhoi T-4 will also be examined.
On October 27, 1991, the Turkmen Soviet Socialist Republic declared its independence from the Soviet Union. Hammer and sickle gave way to a flag, a national anthem, and new holidays. Seven decades earlier, Turkmenistan had been a stateless conglomeration of tribes. What brought about this remarkable transformation? Tribal Nation addresses this question by examining the Soviet effort in the 1920s and 1930s to create a modern, socialist nation in the Central Asian Republic of Turkmenistan. Adrienne Edgar argues that the recent focus on the Soviet state as a "maker of nations" overlooks another vital factor in Turkmen nationhood: the complex interaction between Soviet policies and indigenous notions of identity. In particular, the genealogical ideas that defined premodern Turkmen identity were reshaped by Soviet territorial and linguistic ideas of nationhood. The Soviet desire to construct socialist modernity in Turkmenistan conflicted with Moscow's policy of promoting nationhood, since many Turkmen viewed their "backward customs" as central to Turkmen identity. Tribal Nation is the first book in any Western language on Soviet Turkmenistan, the first to use both archival and indigenous-language sources to analyze Soviet nation-making in Central Asia, and among the few works to examine the Soviet multinational state from a non-Russian perspective. By investigating Soviet nation-making in one of the most poorly understood regions of the Soviet Union, it also sheds light on broader questions about nationalism and colonialism in the twentieth century.
PULITZER PRIZE WINNER • This magisterial and acclaimed history offers the first fully documented portrait of the Gulag, from its origins in the Russian Revolution, through its expansion under Stalin, to its collapse in the era of glasnost. “A tragic testimony to how evil ideologically inspired dictatorships can be.” –The New York Times The Gulag—a vast array of Soviet concentration camps that held millions of political and criminal prisoners—was a system of repression and punishment that terrorized the entire society, embodying the worst tendencies of Soviet communism. Applebaum intimately re-creates what life was like in the camps and links them to the larger history of the Soviet Union. Immediately recognized as a landmark and long-overdue work of scholarship, Gulag is an essential book for anyone who wishes to understand the history of the twentieth century.