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This book examines the careers and writings of five inquisitors, explaining how the theory and regulations of the Spanish Inquisition were rooted in local conditions.
This book is the only book-length monograph comparing the impact of confessional identity on both halves of the Wittelsbach dynasty which provided Bavarian dukes and German emperors as well as its implications for late Renaissance court culture. It demonstrates that religious conflict led to the development of distinctly confessional court cultures among the main Wittelsbach courts. Likewise, it illuminates how these confessional court cultures contributed significantly to the splintering of Renaissance humanism along religious lines in this era. Concomitantly, it sheds new light on the impact of late medieval dynastic competition on shaping the early modern Wittelsbach courts as well as the important role of Wittelsbach women in the creation and continuation of dynastic piety in their roles as wives, mothers, and patronesses of the arts.
This book examines the intersection between religious belief, dynastic ambitions, and late Renaissance court culture within the main branches of Germany's most storied ruling house, the Wittelsbach dynasty. Their influence touched many shores from the "coast" of Bohemia to Boston.
Literature has often understood the problematic nature of confession better than the law, as Brooks demonstrates in perceptive readings of legal cases set against works by Roussean, Dostoevsky, Joyce, and Camus, among others."--BOOK JACKET.
This rich volume by an interdisciplinary group of American and European scholars offers an innovative portrait of the complex formation of clerical and confessional identities within the context of the radically changed religious and political situations in sixteenth- and seventeenth-century Europe.
Confessional Crises and Cultural Politics in Twentieth-Century America revolutionizes how we think about confession and its ubiquitous place in American culture. It argues that the sheer act of labeling a text a confession has become one of the most powerful, and most overlooked, forms of intervening in American cultural politics. In the twentieth century alone, the genre of confession has profoundly shaped (and been shaped by) six of America’s most intractable cultural issues: sexuality, class, race, violence, religion, and democracy.
"In Isadore's Secret, Mardi Link shines a journalist's lamp on this dark, quiet corner of Michigan's history, assuring that the tragic story of Sister Janina is not forgotten. Link's telling is fascinating and thorough, making a story you will not soon forget." ---Steve Lehto, author of Death's Door A gripping account of the mysterious 1907 disappearance of a young nun in a northern Michigan town and the national controversy that followed when she turned up dead and buried in the basement of her own church. Swinging planks of lantern light shine through the musty air and onto the dirt floor of the church basement. The oddly glowing rectangles syncopate over the damp ground and illuminate even the darkest, stooped-down corners of the space beyond. The only sound is the ragged breathing of two men, a young parish priest and a much older laborer. Aboveground these men belong completely to this place, in both body and soul. A glimpse of their faces anywhere in the sanctuary, the rectory, the school, the barn, or the gardens would be a welcome sight. But here below, these men of Isadore are interlopers. Only trespassers would sneak silently into the church's sloped underbelly without witness to carry out such a sinful and secret errand as this one. Despite their tools, and their lantern, and their resolve, neither is equipped for the task at hand or for what is to come. Mardi Link, a former crime reporter, was named Antioch's Betty Crumrine Scholar for Creative Nonfiction in 2007. Her first book, When Evil Came to Good Hart, also published by the University of Michigan Press, spent four months on the Heartland Indie Bestseller List. This true story was the basis for the Broadway play The Runner Stumbles and the film of the same name. Front cover: Photograph of cemetery © John L. Russell, Great Lakes Images; image of face ©iStockphoto.com/duncan1890.
When a Bible-quoting Sunday School teacher, Jimmy Carter, won the 1976 presidential election, it marked the start of a new era of presidential campaign discourse. The successful candidates since then have followed Carter's lead in publicly testifying about their personal religious beliefs and invoking God to justify their public policy positions and their political visions. With this new confessional political style, the candidates have repudiated the former perspective of a civil-religious contract that kept political leaders from being too religious and religious leaders from being too political. Presidential Campaign Rhetoric in the Age of Confessional Politics analyzes the religious-political discourse used by presidential nominees from 1976-2008, and then describes key characteristics of their confessional rhetoric that represent a substantial shift from the tenets of the civil-religious contract. This new confessional political style is characterized by religious-political rhetoric that is testimonial, partisan, sectarian, and liturgical in nature. In order to understand why candidates have radically adjusted their God talk on the campaign trail, important religious-political shifts in American society since the 1950s are examined, which demonstrate the rhetorical demands evangelical religious leaders have placed upon our would-be national leaders. Brian T. Kaylor utilizes Michel Foucault's work on the confession_with theoretical adjustments_to critique the significant problems of the confessional political era. With clear analyses and unsettling relevance, Kaylor's critique of contemporary political discourse will rouse the interest and concern of engaged citizens everywhere.
Diocesan Justice in Late Fifteenth-Century Carpentras uses notarial records from the 1480s to reconstruct the procedures, caseload, and sanctions of the bishop’s court of Carpentras and compare them to other secular and ecclesiastical courts. The court provided a robust forum for debt litigation utilized by a wide variety of people. Its criminal proceedings focused on recidivist clerics who engaged in fights, disobedience, anti-Jewish activities, and sexual transgressions. Its justice varied depending on whether cases involved violence, sex, or contracts. The judge applied sanctions gingerly and protected litigants’ rights carefully, in ways we might not expect: his role was to intervene in, explore, and document conflicts, and to elicit confessions and mediate disputes. Participants exploited this narrative and archival space well.
Intermarriage from Central Europe to Central Asia examines the practice and experience of interethnic marriage in a range of countries and eras, from imperial Germany to present-day Tajikistan. In this interdisciplinary volume Adrienne Edgar and Benjamin Frommer have drawn contributions from anthropologists and historians. The contributors explore the phenomenon of intermarriage both from the top down, in the form of state policies and official categories, and from the bottom up, through an intimate look at the experience and agency of mixed families in modern states determined to control the lives and identities of their citizens to an unprecedented degree. Contributors address the tensions between state ethnic categories and the subjective identities of individuals, the status of mixed individuals and families in a region characterized by continual changes in national borders and regimes, and the role of intermarried couples and their descendants in imagining supranational communities. The first of its kind, Intermarriage from Central Europe to Central Asia is a foundational text for the study of intermarriage and ethnic mixing in Eastern Europe and Eurasia.