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Description: American Red Cross, New Orleans Chapter to Miss Betty Jacobs, New Orleans, Louisiana. Red Cross letter announcing completion of Red Cross Home Nursing Program; includes card of certification.
Description: American Red Cross certification card for Betty Adele Jacobs stating that she has completed the school course in Red Cross Home Nursing at Isidore Newman School.
Elizabeth Richardson was a Red Cross volunteer who worked as a Clubmobile hostess during World War II. Handing out free doughnuts, coffee, cigarettes, and gum to American soldiers in England and France, she and her colleagues provided a touch of home.--From publisher description.
Like many American women during World War II, Dorothy F. Trebilcox (Eiland) wanted to be a part of the war effort. She found her opportunity by serving in the Red Cross in England. This book contains her numerous letters home, exactly as she wrote them, describing her life and adventures from 1944 to 1946. Leaving Sacramento by train, she describes the journey eastward, crossing the Atlantic under threat of U-boats, and daily life in the Red Cross in England during these tumultuous times.
Harp
Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959, alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became one of the first jazz albums to be certified platinum, while its featured track, "Take Five," became the best-selling jazz single of the twentieth century, surpassing one million copies. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track "Blue Rondo à la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative uses of the more common 3/4 and 4/4 meters on other tracks, Time Out has played an important role in the development of modern jazz. In this book, author Stephen A. Crist draws on nearly fifteen years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural contexts, he offers fascinating insights into the composition and development of some of the album's best-known tunes. From Brubeck's 1958 State Department-sponsored tour, during which he first encountered the Turkish aksak rhythms that would form the basis of "Blue Rondo à la Turk," to the backstage jam session that planted the seeds for "Take Five," Crist sheds an exciting new light on one of the most significant albums in jazz history.