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Bettina Brentano-von Arnim, the first book in English devoted to Brentano-von Arnim's controversial views on gender, politics, and language theory, continues the process of recent rediscovery of this complex and brilliant author. The book opens with an essay by Christa Wolf on Brentano-von Arnim, revealing connections between the two writers. Other chapters address the issues central in her texts: gender, anti-semitism, social inequity, female bonding, and women in relation to traditional literary genres, language, music, religion, nature, and utopia.
This exciting and comprehensive anthology?the first anthology of German women's fairy tales in English?presents a variety of published and archival fairy tales from 1780 to 1900. These authors of these stories used fairy tales to explain their own lives, to teach children, to examine history, and to critique society and the status quo. Powerful and conflicted females are queens, girls on quests, mothers, daughters, magical wisewomen, and midwives to the fairies; they love, hate, murder, save children, fight tyranny, overcome cannibals, and rescue the working poor. ø Jeannine Blackwell's introduction places the tales in their historical, social, and critical context, and Shawn C. Jarvis's afterword presents a thematic analysis of the texts and approaches to reading them in conjunction with other European and American tales.
In 1812, Ludwig van Beethoven wrote three letters to an unnamed woman, whom he called "Immortal Beloved." The letters were discovered after Beethoven's death and ever since their discovery, there has been speculation regarding whom that Immortal Beloved might have been. In Beethoven's Immortal Beloved: Solving the Mystery, Edward Walden carefully and meticulously presents his case that the woman who Beethoven loved was Bettina Brentano, an artistic and talented musician in her own right. Setting the foundation for his argument, Walden begins the book with a general historical and sequential narrative that interweaves the lives of the three principle protagonists: Beethoven, the writer Johann Wolfgang von Goethe, and Bettina Brentano. Walden explores in detail the key elements of the factual narrative and shows how those elements support his claim that Bettina was the Immortal Beloved. In addition, Walden addresses the attacks other Beethoven scholars have made against Bettina and reveals how such attacks were mistaken or unjustified. Thoroughly and rigorously researched, yet presented in a clear and engaging style, Beethoven's Immortal Beloved will appeal to Beethoven scholars, music lovers, and general readers alike, who will be captivated by the solving of this fascinating mystery.
In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it shapes the bonds of fraternal, familial, and eventually national identity. Simpson defines the erotics of war as discursive attempts to assert the priority of ethical identity and citizenship over individualized desire. The seemingly ancillary problem of female desire emerges not as a marginal issue, but as the focal point of a debate about identity.
Franz Brentano's classic study Psychology from an Empirical Standpoint was the most important of Brentano's works to be published in his lifetime. A new introduction by Peter Simons places Brentano's work in the context of current philosophical thought. He is able to show how Brentano has emerged since the 1970s as a key figure in both contemporary European and Anglo-American traditions and crucial to any understanding the recent history of philosophy and psychology.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten
The second collection of writings by the German poet, dramatist, and philosopher Karoline von Günderrode (1780–1806), Poetic Fragments was published in 1805 under the pseudonym "Tian." Günderrode's work is an unmined source of insight into German Romanticism and Idealism, as well as into the reception of Indian, Persian, and Islamic thought in Europe. Anna C. Ezekiel's introductions highlight the philosophical significance of the texts, demonstrating their radical and original consideration of the nature of the universe, death, religion, power, and gender roles. The dramas "Hildgund" and "Muhammad, the Prophet of Mecca" are two of Günderrode's most important works for her accounts of agency, recognition, and the status of women. The three poems included in the collection, "Piedro," "The Pilgrims," and "The Kiss in the Dream," represent the wide range of forms in which Günderrode wrote. They reflect themes of erotic longing and union with the divine, and point to her radical reimagining of death. This bilingual English-German edition is the first volume of Günderrode's work to appear in English, and will help unearth this rich, complex, and innovative writer for English readers.