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One dead body. One century-old haunted opera house. One zombie musical. One pissed-off detective. Will Violet “Spooky” Parker keep her tail out of trouble or will she end up as one of Deadwood’s walking dead?
Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this “haunted” house was recently the stage for a two-act, murder-suicide tragedy. Ghost or no ghost, Violet knows this can’t be as bad as the last house of horrors she tried to sell, but sexy Doc Nyce has serious doubts. Her only hope of hanging on to her job is to prove that the so-called, ghostly sightings are merely the eccentric owner’s optical delusions. But someone—or something—in the house wants Violet stopped...dead.
“Hell is empty and all the devils are here.” ~William Shakespeare Violet Parker knows better than to play with devils. They always cheat, especially when lives are at stake. Deadwood’s charming, troublemaking, and soul-sucking devils are no different, and they’re biting at her heels. But the clock is ticking and Violet has no choice—she must risk her life to save her treasured Aunt Zoe. With any luck, she might be able to trick the devils and beat the old terrors at their own game. If not, Deadwood could end up short one Executioner. “Executioners don't duck, they swing.” ~Violet Parker
DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.
“Nothing good ever happens at the butt-crack of dawn. No doubt, the headless corpse on the autopsy table in front of me would agree.”—Violet Parker Real estate agent, Violet “Spooky” Parker stumbles upon a body-part theft ring at the local funeral parlor and suspects her caustic coworker has a hand in it—or maybe a foot. Can Violet discover what’s in the crates the crooks are sneaking out of the mortuary in the dark of night? Or will she end up in one of them herself … in pieces?
Thirteen-year-old Prometheus Jones and his eleven-year-old cousin Omer flee Tennessee and join a cattle drive that will eventually take them to Texas, where Prometheus hopes his father lives, and they find adventure and face challenges as African Americans in a land still recovering from the Civil War.
All Violet Parker wants is a day off. Better yet, just a “normal” day. But things never go as planned, especially in Deadwood. Someone—or rather something—broke into the local taxidermy shop and took bites out of the critter displays before racing off into the dark. But this is no random crime and Violet knows it. With a bounty on her head and troublemakers zeroing in on her, she soon goes from being the hunter to the hunted. “Burly muscled and rawhide tough don’t matter. Never tangle with a Scharfrichter!” ~Violet Parker
"The first time I came to Deadwood, I got shot in the ass."--Violet Parker Little girls are vanishing from Deadwood, South Dakota, and Violet Parker's daughter could be next. She's desperate to find the monster behind the abductions. But if she's not careful, Violet just might end up as one of Deadwood's dearly departed
The legendary Jack Crabb takes another riotous romp through the Old West in an acclaimed novel that’s “impressive and delightful . . . very Mark Twain” (Daily News, New York). Jack Crabb is now 112 years old, and he isn’t done spinning yarns. In this sequel to Berger’s beloved novel Little Big Man, one of literature’s wiliest survivors continues his breathtaking tall tales of the Old West. Crabb claims to have witnessed most of the great historical events of the western frontier: hiding behind a wagon after a drunken Doc Holliday provokes the shootout at the OK Corral; joining Buffalo Bill Cody and Annie Oakley on tour with their international Wild West show; even taking tea with Queen Victoria when she came out of seclusion after a quarter century. No matter where Crabb lays his hat, he keeps his wizened, wry, and sharp commentary at the ready. The Return of Little Big Man is a sidesplitting novel of surprising emotional depth. This ebook features an all-new introduction by Thomas Berger, as well as an illustrated biography of the author including rare images and never-before-seen documents from his personal collection.
#1 NEW YORK TIMES BESTSELLER • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER Jack Reacher is back! The “utterly addictive” (The New York Times) series continues as acclaimed author Lee Child teams up with his brother, Andrew Child, fellow thriller writer extraordinaire. “One of the many great things about Jack Reacher is that he’s larger than life while remaining relatable and believable. The Sentinel shows that two Childs are even better than one.”—James Patterson As always, Reacher has no particular place to go, and all the time in the world to get there. One morning he ends up in a town near Pleasantville, Tennessee. But there’s nothing pleasant about the place. In broad daylight Reacher spots a hapless soul walking into an ambush. “It was four against one” . . . so Reacher intervenes, with his own trademark brand of conflict resolution. The man he saves is Rusty Rutherford, an unassuming IT manager, recently fired after a cyberattack locked up the town’s data, records, information . . . and secrets. Rutherford wants to stay put, look innocent, and clear his name. Reacher is intrigued. There’s more to the story. The bad guys who jumped Rutherford are part of something serious and deadly, involving a conspiracy, a cover-up, and murder—all centered on a mousy little guy in a coffee-stained shirt who has no idea what he’s up against. Rule one: if you don’t know the trouble you’re in, keep Reacher by your side.