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A nostalgic look at the golden years of Russiaphobia, red-baiting, and other Commie madness. Both amusing and a sobering reminder of the way we were, this book showcases America reveling in the golden age of Russiaphobia, an age in which our patriotic passions -- and naivet} -- were never stronger. But a unique kind of national fear also ran high -- in ways that now seem nearly unbelievable, but which forever altered attitudes and lives. An enlightening, startling, and often hilarious selection of the day's magazines, editorials, films, ads, paperback novels, comic books, TV shows, and even bubble gum cards, exemplifying America's xenophobia at its greatest excess.
"Red Scared! offers valuable lessons from the vault on how to identify Communists, media reports on the jolly side of Stalin, guidelines for bomb shelter chic, and much more. As they did in their other lively pop-culture histories, Teenage Confidential and Wedding Bell Blues, Michael Barson and Steven Heller once again bring the nearly forgotten details of American culture into full relief with Red Scared!"--BOOK JACKET.
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Taking a new look at two controversial topics, American anti-Communism and the Cold War, this book reveals the little known history of anti-Communism in the US from the point of view of ethnic refugee/émigré groups, and also offers insight into the lives of minority groups that have hitherto not received scholarly attention.
Bill Hughes recounts the quirky, humorous stories of his life in I'd Rather be Dead Than Red on the Head. From the intimidating rides on the Greyhound bus to visit his college-age daughter, to nearly capsizing in a canoe with his less than capable canoe mates, Hughes shows us that it is during the difficult and memorable times of our lives that we must remember that God is the one in control, no matter how hard we try to claim it ourselves.
A New York Times Editors' Choice "[T]he stuff of great literature." —The New York Times | "Red or Dead is a winner." —The Washington Post The place where the swinging sixties started – Liverpool, England, birthplace of the Beatles – wasn’t so swinging. Amid industrial blight and a bad economy, the port town’s shipping industry was going bust and there was widespread unemployment, with no assistance from a government tightening its belt. Even the Beatles moved to London. Into these hard times walked Bill Shankly, a former Scottish coal miner who took over the city’s perpetually last-place soccer team. He had a straightforward work ethic and a favorite song – a silly pop song done by a local band, “You’ll Never Walk Alone.” Soon he would have entire stadiums singing along, tens of thousands of people all dressed in the team color red . . . as Liverpool began to win . . . And soon, too, there was something else those thousands of people would chant as one: Shank-lee, Shank-lee . . . In Red or Dead, the acclaimed writer David Peace tells the stirring story of the real-life working-class hero who lifted the spirits of an entire city in turbulent times. But Red or Dead is more than a fictional biography of a real man, and more than a thrilling novel about sports. It is an epic novel that transcends those categories, until there’s nothing left to call it but – as many of the world’s leading newspapers already have – a masterpiece.
Nathan Heller tangles with Joe McCarthy in Max Allan Collins's thrilling novel Better Dead: "Collins combines the historical and the hard-boiled thriller into a new genre-uniquely American, and uniquely his own."--Andrew Vacchss It's the early 1950's. Joe McCarthy is campaigning to rid America of the Red Menace. Nate Heller is doing legwork for the senator, though the Chicago detective is disheartened by McCarthy's witch-hunting tactics. He's made friends with a young staffer, Bobby Kennedy, while trading barbs with a potential enemy, the attorney Roy Cohn, who rubs Heller the wrong way. Not the least of which for successfully prosecuting the so-called Atomic Bomb spies, Julius and Ethel Rosenberg. When famous mystery writer Dashiell Hammett comes to Heller representing a group of showbiz and literary leftists who are engaged in a last minute attempt to save the Rosenbergs, Heller decides to take on the case. Heller will have to play both sides to do this, and when McCarthy also tasks Heller to find out what the CIA has on him, Heller reluctantly agrees. His main lead is an army scientist working for the C.I.A. who admits to Heller that he's been having misgivings about the work he's doing and elliptically referring to the Cold War making World War II look like a tea party. And then the scientist goes missing. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A New York Times bestseller, this is the “outstanding” (The Atlantic), insightful, and authoritative account of Dwight Eisenhower’s presidency. Drawing on newly declassified documents and thousands of pages of unpublished material, The Age of Eisenhower tells the story of a masterful president guiding the nation through the great crises of the 1950s, from McCarthyism and the Korean War through civil rights turmoil and Cold War conflicts. This is a portrait of a skilled leader who, despite his conservative inclinations, found a middle path through the bitter partisanship of his era. At home, Eisenhower affirmed the central elements of the New Deal, such as Social Security; fought the demagoguery of Senator Joseph McCarthy; and advanced the agenda of civil rights for African-Americans. Abroad, he ended the Korean War and avoided a new quagmire in Vietnam. Yet he also charted a significant expansion of America’s missile technology and deployed a vast array of covert operations around the world to confront the challenge of communism. As he left office, he cautioned Americans to remain alert to the dangers of a powerful military-industrial complex that could threaten their liberties. Today, presidential historians rank Eisenhower fifth on the list of great presidents, and William Hitchcock’s “rich narrative” (The Wall Street Journal) shows us why Ike’s stock has risen so high. He was a gifted leader, a decent man of humble origins who used his powers to advance the welfare of all Americans. Now more than ever, with this “complete and persuasive assessment” (Booklist, starred review), Americans have much to learn from Dwight Eisenhower.
Better Red is an interdisciplinary study addressing the complicated intersection of American feminism and the political left as refracted in Tillie Olsen's and Meridel Le Sueur's lives and literary texts. The first book-length study to explore these feminist writers' ties to the American Communist Party, it contributes to a re-envisioning of 1930s U.S. Communism as well as to efforts to promote working-class writing as a legitimate category of literary analysis. At once loyal members of the male-dominated Communist Party and emerging feminists, Olsen and Le Sueur move both toward and away from Party tenets and attitudes - subverting through their writing formalist as well as orthodox Marxist literary categories. Olsen and Le Sueur challenge the bourgeois assumptions - often masked as classless and universal - of much canonical literature; and by creating working-class women's writing, they problematize the patriarchal nature of the Left and the masculinist assumptions of much proletarian literature, anticipating the concerns of second wave feminists a generation later.
Blood, rust, lava, wine—the flush of passion and the glow of approaching night—no color arrests our attention more than the color red. Today it is the flag of danger and seduction, of spirit and revolution, but throughout nearly all of human history it has held a special place in our aesthetics. In this book, Spike Bucklow brings us into the heart of this fiery hue to better understand the unique powers it has had over us. Bucklow takes us from a thirty-four-thousand-year-old shaman burial dress to the iPhone screen, exploring the myriad of purposes we have put red to as well as the materials from which we have looked to harvest it. And we have looked for it everywhere, from insects to tree resin to tar to excitable gasses. Bucklow also details how our pursuit of the color drove medieval alchemy and modern chemistry alike, and he shows us red’s many symbolic uses, its association with earth, blood, and fire, its coloring of caves and the throne rooms of goddesses, as well as national flags, fire trucks, power grids, and stoplights. The result is a material and cultural history that makes one see this color afresh, beating with vibrancy, a crucial part of the human visual world.