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A powerful novel about friendship, basketball, and one teen's mission to create a better life for his family. Written in the tradition of Jason Reynolds, Matt de la Pe a, and Walter Dean Myers, After the Shot Drops now has three starred reviews * "Belongs on the shelf alongside contemporary heavy-hitters like Angie Thomas's The Hate U Give, Brendan Kiely and Jason Reynolds's All-American Boys, and Nic Stone's Dear Martin."--School Library Journal, starred review Bunny and Nasir have been best friends forever, but when Bunny accepts an athletic scholarship across town, Nasir feels betrayed. While Bunny tries to fit in with his new, privileged peers, Nasir spends more time with his cousin, Wallace, who is being evicted. Nasir can't help but wonder why the neighborhood is falling over itself to help Bunny when Wallace is in trouble. When Wallace makes a bet against Bunny, Nasir is faced with an impossible decision--maybe a dangerous one. Told from alternating perspectives, After the Shot Drops is a heart-pounding story about the responsibilities of great talent and the importance of compassion.
As wild and sexy and over the top as the decade it brings to life, author, William Stadiem, tells the inside story of Hollywood producers in the 80s. From hits like Beverly Hills Cop, Top Gun and Batman to flops like Heaven's Gate, Howard the Duck and Leonard Part 6, Hollywood was never more excessive than it was in the 1980s. In this, the Moneywood era, the purse strings were not controlled by reasonably consenting adults but by pop culture cowboys who couldn't balance their own checkbooks. What they could do was sweet talk the talent, seduce the starlets, snowball the Japanese and slither out of Dodge when the low grosses trickled in. Their out of control lifestyles and know-nothing, raging narcissistic personalities make the original brutal studio heads like Sam Goldwyn and Jack Warner seem like Oxford dons. Yet, for all their flops, these Scoundrels of Spago turned Hollywood into a Big Business that was catnip to Wall Street. They were The Producers, and they were way beyond anything Mel Brooks could dream up. The Moneywood cast of characters includes: -Simpson and Bruckheimer; Guber and Peters; Eisner/Katzenberg/Ovitz: An unusual fresh take on the usual subjects. -Ray Stark, the wizard of Holmby Hills, the most powerful producer of the 80s. -Mario Kassar and Andy Vajna, the Rambo boys, who went from making wigs to making blockbusters. -Menahem Golan-Yoram Globus, the Israeli schlockmeisters who proved that every star had a price. -David Begelman, the embezzler, gambler and sex addict who was rewarded for his sins by getting to run both Columbia and MGM. -Roland Betts, the aristocratic Silver Screen Partners founder and former Yale frat-mate of George W. Bush who was a master at playing the Reagan White House card. -Giancarlo Parretti, the Italian cannery worker who bought MGM, with a little help from his (Sicilian) friends. -David Puttnam The high-toned English advertising whiz who was supposed to raise the Hollywood bar, but ended up barred from Hollywood. Moneywood is the ultimate expose of the real hit men of Hollywood's go-go decade.
Shirley is a little girl who keeps thinking of reasons to get out of bed. But once she learns the secret to make morning time come, she can't wait for bedtime to roll around again. Beautifully written and illustrated by the creators of The Boy Who Cried Over Everything, this story is sure to become a favorite with parents and children alike.
An Edgar Award–winning author’s true crime account of a grisly string of killings in Kentucky—and the shocking spectacle of greed that followed. Kentucky never deserved its Indian appellation “A Dark and Bloody Ground” more than when a small-town physician, seventy-seven-year-old Roscoe Acker, called in an emergency on a sweltering evening in August 1985. Acker’s own life hung in the balance, but it was already too late for his college-age daughter, Tammy, savagely stabbed eleven times and pinned by a kitchen knife to her bedroom floor. Three men had breached Dr. Acker’s alarm and security systems and made off with the fortune he had stashed away over his lifetime. The killers—part of a three-man, two-woman gang of the sort not seen since the Barkers—stopped counting the moldy bills when they reached $1.9 million. The cash came in handy soon after when they were caught and needed to lure Kentucky’s most flamboyant lawyer, the celebrated and corrupt Lester Burns, into representing them. Full of colorful characters and desperate deeds, A Dark and Bloody Ground is a “first-rate” true crime chronicle from the author of Murder in Little Egypt (Kirkus Reviews). “An arresting look into the troubled psyches of these criminals and into the depressed Kentucky economy that became fertile territory for narcotics dealers, theft rings and bootleggers.” —Publishers Weekly “The smell of wet, coal-laden earth, white lightning, and cocaine-driven sweat arises from these marvelously atmospheric—and compelling—pages.” —Kirkus Reviews “A fascinating portrait of the mountain way of life and thought that forged the lives of these criminals.” —Library Journal
The Caldecott Honor winner and New York Times bestselling author of Bats at the Beach “pays homage to the pleasures to be found within libraries and books” (School Library Journal). Another inky evening’s here—the air is cool and calm and clear. Can it be true? Oh, can it be? Yes!—Bat Night at the library! Join the free-for-all fun at the public library with these book-loving bats! Shape shadows on walls, frolic in the water fountain, and roam the book-filled halls until it’s time for everyone, young and old, to settle down into the enchantment of story time. Brian Lies’s joyful critters and their nocturnal celebration cast library visits in a new light. Even the youngest of readers will want to join the batty book-fest! “As with its predecessor, this book’s richly detailed chiaroscuro paintings find considerable humor at the intersection where bat and human behavior meet. But the author/artist outdoes himself: the library-after-dark setting works a magic all its own, taking Lies and his audience to a an intensely personal place.”—Publishers Weekly (starred review) “The rhymed narrative serves primarily as the vehicle for the appealing acrylic illustrations that teem with bats so charming they will even win over chiroptophobes.”—Booklist “There is enough merriness here to keep the story bubbling . . . Pictures light-handedly capture the Cheshire Bat, Winnie the Bat and Little Red Riding Bat.”—Kirkus Reviews
Robert Zemeckis has risen to the forefront of American filmmaking with a string of successes: Romancing the Stone, Back to the Future I, II, & III, Who Framed Roger Rabbit?, Forrest Gump, and Castaway. Herein, Norman Kagan unlocks the mind behind the making of these diverse and groundbreaking hits—appraising each work’s public and critical appeal while placing the films in the context of Zemeckis’s career.