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Alek Khederian should have guessed something was wrong when his parents took him to a restaurant. Everyone knows that Armenians never eat out. Why bother, when their home cooking is far superior to anything "these Americans" could come up with? Between bouts of interrogating the waitress and criticizing the menu, Alek's parents announce that he'll be attending summer school in order to bring up his grades. Alek is sure this experience will be the perfect hellish end to his hellish freshmen year of high school. He never could've predicted that he'd meet someone like Ethan. Ethan is everything Alek wishes he were: confident, free-spirited, and irreverent. When Ethan gets Alek to cut school and go to a Rufus Wainwright concert in New York City's Central Park, Alek embarks on his first adventure outside the confines of his suburban New Jersey existence. He can't believe a guy this cool wants to be his friend. And before long, it seems like Ethan wants to be more than friends. Alek has never thought about having a boyfriend—he's barely ever had a girlfriend—but maybe it's time to think again. Michael Barakiva's One Man Guy is a romantic, moving, laugh-out-loud-funny story about what happens when one person cracks open your world and helps you see everything—and, most of all, yourself--like you never have before.
"A Summer Without Dawn is an epic family saga that unfolds against the true story of the Armenians deported from the Ottoman Empire and massacred during the First World War. In the summer of 1915, days after the government orders the deportation of the Armenians, the charismatic Armenian journalist Vartan Balian is separated from his family and imprisoned by politicians hoping to silence him. After a daring escape, he becomes a fugitive and embarks on an odyssey across the vast empire. Not only is he running for his life; he is also searching for his wife, Maro, and their young son, Tomas. Forced into one of the deportee convoys headed for the Syrian desert, their numbers thinning every day, Maro and Tomas are saved from certain death when the Ottoman governor overseeing their deportation shelters them in the cloistered splendour of his palace, where Maro is reluctantly drawn into his harem's web of betrayals and alliances. In the four years that will pass before they are reunited, the Balians will each confront the calamities of war and the secrets of their own heart. With settings ranging from the exotic opulence of a Turkish harem and the cosmopolitan streets of Constantinople, to the blistering desolation of the Syrian desert, this sweeping novel immerses the reader in a time, a place, and a political moment that have rarely, if ever, been portrayed in the pages of a novel. "A Summer Without Dawn is a rich tapestry of lives, a compelling human drama about a family swept up in one of history's darkest moments, and a moving portrait of a people's unbreakable will to survive.
The rich and bountiful poetry of Armenia is presented in this collection, adeptly and sensitively translated to English to preserve the expressive beauty in the verses. Armenian poems are rich with passionate expression, sometimes voicing pride in the national culture, history and identity. Some of the poems are outright romantic; celebrating the beauty, aesthetics and emotive intensity of youthful courtship. Other verses celebrate Armenia's martial prowess; with differing cultures on multiple sides, the land often saw battle. The importance of the country's location at the border between the European and Asian continents finds allusion, as authors nod to past glories, and predict future prowess. Reference to the scenic lands of Armenia, its local dances and the way of life abound in the verse, the poetry often brimming with cultured allusions. Significantly, this anthology includes the most famed and celebrated works by the lauded national poets, together with older poetry and hymns dating back as far as the early-Medieval era. The reader thus acquires an acute impression of how Armenian poetic works evolved through the centuries.
This collection of papers from the conference "The World of Late Antiquity: The Challenge of New Historiographies" 1999 looks at the implications of modern historiography on the transformation of the classical world. While it is easy to recognise that the works of past historians are partly products of the world of the author - Edward Gibbon's The Decline and Fall of the Roman Empire for example, is a reflection of the troubled times of the late British Empire - it is somewhat harder to understand the influences of our time on more recent works on Late Antiquity. The contributors reflect on the larger tradition of historical writing on the Classical period, and look at the development of their own work in relation to this.
This volume commemorating the late Armenian scholar Karen Yuzbashyan comprises studies of mediaeval Armenian culture, including the reception of biblical and parabiblical texts, theological literature, liturgy, hagiography, manuscript studies, Church history and secular history, and Christian art and material culture. Special attention is paid to early Christian and late Jewish texts and traditions preserved in documents written in Armenian. Several contributions focus on the interactions of Armenia with other cultures both within and outside the Byzantine Commonwealth: Greek, Georgian, Syriac, Coptic, Ethiopic, and Iranian. Select contributions may serve as initial reference works for their respective topics (the catalogue of Armenian khachkars in the diaspora and the list of Armenian Catholicoi in Tzovk').
In the Shadow of Great Powers is the second volume of Christoph Baumer's History of the Caucasus. It covers the period from the Seljuk domination of the Southern Caucasus around 1050 CE to the present day. After the Kingdom of Georgia's golden age of independent power and cultural blossoming in the 12th and early 13th centuries, the Caucasus was overrun by the Mongols and soon disintegrated into innumerable smaller kingdoms, principalities and khanates. At the same time, an Armenian kingdom in exile maintained a precarious independence in Cilicia, today's southern Turkey, by applying a three-way diplomatic policy balanced between the Mongol Il-Khanate, the Crusader states and, to a lesser degree, the Mameluke Empire. Then followed four centuries during which the highly fragmented polities of the North and South Caucasus became political pawns of the regional great powers, above all the Ottomans, Iran and Russia. In the wake of World War I the South Caucasus enjoyed a short-lived independence whereas its northern neighbours were engulfed by the Russian civil wars. But by 1921 the Soviet Union had re-established Russian dominance over the whole region and, from a Western perspective, the region 'disappeared' behind the Iron Curtain. Nevertheless, the Caucasian nations kept their pronounced identities even under Soviet rule, giving rise at the dissolution of the Soviet Union to a number of internecine conflicts. Whereas the Russian Federation managed to maintain its supremacy over the North Caucasus – albeit at the cost of bloody wars and insurrections – Armenia, Azerbaijan and Georgia succeeded in more or less gaining control over their destiny. Of these three republics, only Azerbaijan secured a wide-ranging independence thanks to its fossil fuel resources. Following Russian interference, Georgia lost control over two of its provinces while Armenia remains dependent on Russian support in the face of its notoriously antagonistic relations with neighbouring Azerbaijan and Turkey over the unresolved issue of Karabakh. In the Shadow of Great Powers includes some 200 full-colour images and maps which further bring the turbulent history of this region to light.