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Thomas Rogers and his eldest son migrated to America in 1620 on the Mayflower. Thomas was born ca 1586-1587 probably in Dorcetshire or Wilshire. He married Grace __?__. Out of this union, a number of children were born. Thomaśs wife and younger children remained in England. He died in February 1621 at which time his wife married his brother William. After William died, his wife married Roger Porter and left England to come to America.
The book includes six chapters that cover Virginia history from initial settlement through the 20th century plus one that deals with the important role of underwater archaeology. Written by prominent archaeologists with research experience in their respective topic areas, the chapters consider important issues of Virginia history and consider how the discipline of historic archaeology has addressed them and needs to address them . Changes in research strategy over time are discussed , and recommendations are made concerning the need to recognize the diverse and often differing roles and impacts that characterized the different regions of Virginia over the course of its historic past. Significant issues in Virginia history needing greater study are identified.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
"After careful study of all sources for two years, the authors are of the opinion that [their Kennamer] forefathers were of High Dutch descent and lived in Holland near where that State borders with present-day Germany. ... They came to this country before the Revolutionary War and settled in the Carolinas."--Page 13. Some later went to Alabama. "Hans Kennamer, with a large family, and his eldest son, Jacob, who was married, came to the Cove and settled among the Indians in 1798, or not later than 1805. This place is now know as Kennamer Cove. ... The records of Madison County, Alabama, show that Samuel, Stephen and Jacob Kennamer bought land in that county in 1809. ... It is a well-known fact that the sons of Hans Kennamer settled ... in the western part of Jackson County, the eastern part of Madison County, and the northern part of Marshall County. David and Abram resided in Madison County, while John Kennamer lived at the place wher Paint Rock, Alabama, now is. ... Hans Kennamer died and was buried in Pisgah Cemetery, in Kennamer Cove, Alabama."--Page 14-15. Nothing is know of his wife. Son Jacob Kennemer (ca. 1776-1856) " ... moved from Alabama to Giles County, Tennessee where he acquired ... land of Sugar Creek. ... He was married twice, but the names of his wives could not be ascertained. He was buried on Anderson Creek, in Lauderdale County, Alabama, near Foster's Mill."--P. 17-18. Also includes Kennamer, Kennemore, Canamore, Kennemur, Kennemer, Kenimer families of Georgia. Descendants and relatives lived in Alabama, Tennessee, Texas, California, Oklahoma, New Mexico, Missouri, Iowa, Georgia and elsewhere
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This is an exhaustive cemetery-by-cemetery listing of Tennessee mortuary inscriptions, with a separate section of over 100 pages devoted to biographical and historical sketches.