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"I wasn’t alone...the entire time." ​In the middle of the battle against the rank-S cryptid Shebiti, Asuka's missing mother, Honoka, suddenly appears. At the sight of her, joy, bewilderment, and rage all battle for control on Asuka’s face. Why is she here? And as something lurking deep in the shadows begins to stir, the truth of what happened on that day ten long years ago will finally come to light in the climactic series finale of Bestia!
"I will take care of you!" Asuka and Edgar put their lives on the line to safely subdue Fafnir, the mighty Golden Dragon. The rank-SSS cryptid's rampage threatens the entire city of London, but somehow they know that what motivates Fafnir is not malice-just overwhelming loneliness. Can the two of them bind her to save her life, or will failure mean death for all three...?
"Asuka, you are my keeper."Asuka Tsukasa has an irrational fear of animals, especially dogs-which makes studying abroad in London, city of dog lovers, a bit of a challenge for him. There, in his vanished mother's hometown, he hopes to find a clue to her whereabouts and to meet the mysterious smiling girl from his dreams. But life only gets harder for this zoophobe when he's invited to join a secret organization that seeks to coexist with fantastical beasts and protect the world from the ones that go out of control. At least he gets to meet that girl-though she turns out to be a giant, snarling dog, who wants nothing more than to tear him to shreds!
Horae Apocalypticae is a commentary on the apocalypse, critical and historical; including also an examination of the chief prophecies of Daniel. It is doubtless the most elaborate work ever produced on the Apocalypse. Editors Note, 2018 Quin. Ed. E. B Elliot finished his great work about the year 1860. The nature of the Historicist method of interpretation is such that the line of fulfilled prophecy is continually moving with the passage of time. The interpretation of which necessarily requires a certain amount of speculation which must be verified before accepted as true. As well intentioned as many are the passage of time will overthrow the best of expositors on some points of which time would reveal to be mere speculation. Though the bulk of Mr. Elliot's work still stands the test of time, time has unveiled a more likely or true interpretation on some points. The editors herein have made some updates commensurate.
• A New York Times Book Review Editors’ Choice • The third volume of Simon Callow’s acclaimed Orson Welles biography, covering the period of his exile from America (1947–1964), when he produced some of his greatest works, including Touch of Evil In One-Man Band, the third volume in his epic and all-inclusive four-volume survey of Orson Welles’s life and work, the celebrated British actor Simon Callow again probes in comprehensive and penetrating detail into one of the most complex, contradictory artists of the twentieth century, whose glorious triumphs (and occasional spectacular failures) in film, radio, theater, and television introduced a radical and original approach that opened up new directions in the arts. This volume begins with Welles’s self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money raising. By 1964, he had filmed Othello, which took three years to complete; Mr. Arkadin, the most puzzling film in his output; and a masterpiece in another genre, Touch of Evil, which marked his one return to Hollywood, and like all too many of his films was wrested from his grasp and reedited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, of which his 1955 London Moby-Dick is considered by theater historians to be one of the seminal productions of the century. His private life was as spectacularly complex and dramatic as his professional life. The book reveals what it was like to be around Welles, and, with an intricacy and precision rarely attempted before, what it was like to be him, answering the riddle that has long fascinated film scholars and lovers alike: Whatever happened to Orson Welles?
Presents 12,860 entries listing scholarly publications on Greek studies. Research and review journals, books, and monographs are indexed in the areas of classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greek studies., but no annotations are included. After the general listings, entries are also indexed by journal, text, name, geography, and subject. The CD-ROM contains an electronic version of the book. Annotation copyrighted by Book News, Inc., Portland, OR
Chise has come face to face with the person responsible for the brutal killings at a nearby churchyard–and to her shock, it's someone she recognizes from her visions of the tragedy at Ulthar! Appalled by the realization that the alchemist who wrought such horrors is still up to his old tricks, Chise must act to stop him. But in order to control her dangerous powers as a sleigh beggy, she'll need all the help she can get.