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This book covers the most noteworthy situation comedies ever to cross the pond. Each entry has a show summary and descriptions of standout episodes and behind-the-scenes details. This revised edition contains 7 new chapters on programs that have aired in the U.S. since the original edition and includes the later developments of older series' storylines and detailed information on specials and cast reunions!
With crisp dialog, outrageous characters, and an absurd sense of humor, it's no wonder British sitcoms are so well-loved! Best of the Britcoms covers the most noteworthy situation comedies ever to cross the pond. Each entry combines a show summary with descriptions of standout episodes and behind-the-scenes details, plus gives you production data and full cast listings. And now, the revised edition of this Britcom classic contains seven new chapters on programs that have aired in the U.S. since the original edition was published, such as The Office, Extras, and My Family. Fans of old-school Britcoms won't be disappointed either, as the revised edition also includes the later developments of older series' storylines and detailed information on specials and cast reunions that have occurred in the intervening years. Pick up this book, kick back, and get to know a Britcom!
"Eric Idle, John Inman, Penelope Keith, Stephanie Cole, Clive Swift, Lenny Henry, Gordon Kaye, Craig Charles, Robert Llewellyn, Blythe Duff, Geraldine Somerville, John Mortimer, Beryl & Sue Vertue"--Cover.
"Keeping Up Appearances is one of the best-loved British sitcoms and has now been seen in more than sixty countries around the globe, with a particularly huge following in the USA. The show, originally broadcast on the BBC from 1990 to 1995, starred Patricia Routledge as the unforgettable Hyacinth Bucket pronounced 'Bouquet!' the incorrigible snob whose desperate attempts at social climbing always end in disaster and humiliation. Throughout the sitcom's five series (plus four Christmas specials), the producer and director was Harold Snoad, whose directing credits already included such classics as Dad's Army and The Dick Emery Show. In this hugely entertaining memoir of the series, Snoad takes us behind the scenes and into the hurly-burly world of TV production - from location shooting in the city streets of Britain's Midlands and the glamorous lounges of the QE2, to the daily grind of schedules and rewrites and the shenanigans and foibles of the actors ... Witty and revealing, It's Bouquet - Not Bucket! offers both an exclusive insight into a great British institution - the situation comedy - and a comprehensive guide to one of its greatest examples, Keeping Up Appearances, with full plot synopses, cast lists and locations."--Publisher description.
“We’re Going to See the Beatles!” presents the story of Beatlemania in America as experienced by their most devoted fans. “We’re Going to See the Beatles!” includes anecdotes from those who cheered the group as they arrived at Kennedy Airport in 1964, who kept vigil for them outside the Plaza Hotel, and who sat in the studio audience of The Ed Sullivan Show for the band’s landmark first live TV broadcast. Other fans detail what it was like to see the Beatles in one of their rare concerts at such famous venues as Shea Stadium and Candlestick Park. From the earliest whispers about the band to the Beatles’ appearance on The Ed Sullivan Show, and from their subsequent tours and albums to their breakup, author Garry Berman has collected stories from the fans who witnessed the hysteria firsthand. Contributors from around the United States also share photographs and mementos to help create a richly detailed and entertaining oral history. What emerges is a highly personal account of the Beatles and their incredible impact on music and popular culture.
Journalist, presenter, broadcaster, husband, father, vigorous all-rounder - Alan Partridge - a man with a fascinating past and an amazing future. Gregarious and popular, yet Alan's never happier than when relaxing in his own five-bedroom, south-built house with three acres of land and access to a private stream. But who is this mysterious enigma? Alan Gordon Partridge is the best - and best-loved - radio presenter in the region. Born into a changing world of rationing, Teddy Boys, apes in space and the launch of ITV, Alan's broadcasting career began as chief DJ of Radio Smile at St. Luke's Hospital in Norwich. After replacing Peter Flint as the presenter of Scout About, he entered the top 8 of BBC sports presenters. But Alan's big break came with his primetime BBC chat show Knowing Me, Knowing You. Sadly, the show battled against poor scheduling, having been put up against News at Ten, then in its heyday. Due to declining ratings, a single catastrophic hitch (the killing of a guest on air) and the dumbing down of network TV, Alan's show was cancelled. Not to be dissuaded, he embraced this opportunity to wind up his production company, leave London and fulfil a lifelong ambition to return to his roots in local radio. Now single, Alan is an intensely private man but he opens up, for the second time, in this candid, entertaining, often deeply emotional - and of course compelling - memoir, written entirely in his own words. (Alan quickly dispelled the idea of using a ghost writer. With a grade B English Language O-Level, he knew he was up to the task.) He speaks touchingly about his tragic Toblerone addiction, and the painful moment when unsold copies of his first autobiography, Bouncing Back, were pulped like 'word porridge'. He reveals all about his relationship with his ex-Ukrainian girlfriend, Sonja, with whom he had sex at least twice a day, and the truth about the thick people who make key decisions at the BBC. A literary tour de force, I, Partridge: We Need to Talk About Alan charts the incredible journey of one of our greatest broadcasters.
Perfect Fool: The Life and Career of Ed Wynn is the first-ever biography of the master comedian, chronicling a legendary career that spanned over half a century. It was Ed who coined this famous definition: "A comedian is not a man who says funny things; a comedian is a man who says things funny." Ed did both, first as a vaudeville and Ziegfeld Follies star, then as the "Perfect Fool" (so named from one of his many self-produced Broadway revues), as radio's "Fire Chief" on the popular Texaco-sponsored program, and as an early pioneer at the dawn of network television. He attained a level of praise and respect from his comedy peers, critics, and, of course, the public, rarely matched by any other comedian since. In his later years, he became a highly acclaimed dramatic character actor, much to the surprise and joy of all who didn't know he had it in him (including Ed himself). Yet for all his impressive achievements, this comedian/actor/director/writer has been too often overlooked in the years since his death in 1966. Perfect Fool is meant to help correct this injustice, with reviews, interviews, and never before published photos, some courtesy of grandson Tracy Keenan Wynn. This book is an appreciation of Ed Wynn's talents, foresight, and highly regarded ability to make people laugh virtually at will. About the Author: Garry Berman is an entertainment historian and freelance writer. His previous books include Best of the Britcoms, a celebration of the finest British situation comedies to appear on American television, and We're Going To See The Beatles!, an oral history of the Beatlemania era as told by the original generation of fans who lived it first-hand. Berman has also published a comic novel, Old Wave, and writes comedy scripts in between book projects. He lives in New Jersey with his wife Karen and their two spoiled dogs.
Examines social and cultural phenomena through the lens of different television shows We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it ‘good’ or ‘bad.’ Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television brings together forty original essays from today’s leading scholars on television culture, writing about the programs they care (and think) the most about. Each essay focuses on a particular television show, demonstrating one way to read the program and, through it, our media culture. The essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast and cable, providing a broad representation of the programs that are likely to be covered in a media studies course. While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered. Addressing television series from the medium’s earliest days to contemporary online transformations of television, How to Watch Television is designed to engender classroom discussion among television critics of all backgrounds.
The complete and unexpurgated scripts of 'Fawlty Towers' - the most celebrated television sit-com of all time. (From back cover).
He takes a knitting class (it was that or his father?s mechanic class) under the impression that it's taught by the hot teacher all the boys like. Turns out, it?s not. Perfect.