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An amazing, amusing collection of musty, dusty old epitaphs.
The feature film Sweet Land was based on this short story about a Norwegian American farmer and his German immigrant common-law bride. Excerpted from Sweet Land: New and Selected Stories.
Cartoonist Elan Fleisher has a problem--he can't stop thinking about death. He's obsessed with death. He is consumed with death. His one problem is that he is perfectly healthy, so he draws deathly things instead. Illustrated.
Laugh in the face of death! That’s what this bold, brash, and often irreverent collection of epitaphs encourages readers to do. It offers more than just the deceased’s name and dates of birth and death, plus a touching phrase in memorial. Instead, every fascinating quote presents an unexpectedly cheeky perspective on the tragic, like this one from Uniontown, New Jersey: "Here lies the body of Jonathan Blake; stepped on the gas pedal instead of the brake.” Some come from the gravestones of the famous: Bette Davis’s proudly notes that "she did it the hard way.” Each thought-provoking line makes an indelible contribution to our folklore.
When Glory Day accidentally shoots an interfering stranger who gets in between her and the outlaw she plans to bring in for the reward money, she realizes Luke McClain is no ordinary cowboy. Turns out she's collared the man of her dreams. Original.
The most important speeches of America's "Great Communicator": Here, in his own words, is the record of Ronald Reagan's remarkable political career and historic eight-year presidency.
Allen Foster lives in on a farm in Enfield, Co Meath. When not tending to his cattle or walking his beloved dogs he finds the time to be a freelance journalist and researcher. He is the author of eight other books, including Foster’s Irish Oddities, Foster’s Even Odder Irish Oddities and Around the World with Citizen Train: The Sensational Adventures of the Real Phileas Fogg.
Second Grave on the Left is the second installment in Darynda Jones' award-winning paranormal series that's "hilarious and heartfelt, sexy and surprising." (J.R. Ward) When Charley Davidson and Cookie (her best friend/receptionist) have to track down a missing woman, the case isn’t as open and shut as they anticipate. A friend of Cookie's named Mimi disappeared five days earlier. The case turns cryptic as the only clue to Mimi's disappearance is a woman's name scrawled on the bathroom wall of a coffee shop. Meanwhile, Reyes Alexander Farrow (otherwise known as the Son of Satan. Yes. Literally) has left his corporeal body and is haunting Charley. He's left his body because he's being tortured by demons who want to lure Charley closer. But Reyes can't let that happen. Because if the demons get to Charley, they'll have a portal to heaven. And if they have a portal to heaven...well, let's just say it wouldn't be pretty. Will Charley make it out unscathed, or will the forces of darkness overshadow her? Will the strength of Charley's steaming cup of determination be enough to tide her over the menacing storm?
The blogger behind Confessions of a Funeral Director—what Time magazine called a "must read"—reflects on mortality and the powerful lessons death holds for every one of us in this compassionate and thoughtful spiritual memoir that combines the humor and insight of Smoke Gets in Your Eyes with the poignancy and brevity of When Breath Becomes Air. We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and—when it can be avoided no longer—letting the professionals take over. Sixth-generation funeral director Caleb Wilde understands this reticence and fear. He had planned to get as far away from the family business as possible. He wanted to make a difference in the world, and how could he do that if all the people he worked with were . . . dead? Slowly, he discovered that caring for the deceased and their loved ones was making a difference—in other people’s lives to be sure, but it also seemed to be saving his own. A spirituality of death began to emerge as he observed: The family who lovingly dressed their deceased father for his burial The act of embalming a little girl that offered a gift back to her grieving family The nursing home that honored a woman’s life by standing in procession as her body was taken away The funeral that united a conflicted community Through stories like these, told with equal parts humor and poignancy, Wilde offers an intimate look into the business and a new perspective on living and dying