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This is the first of a new series, offering a poetic snapshot of the year that was, 1 July 2020-30 June 2021--featuring 100 poets and 100 poems across an astonishing range of poetic voice, approaches and themes.
Best of Australian Poetry is an annual anthology collecting previously published and unpublished poems to create a poetic snapshot of the year that was. Capturing the richness and diversity of Australian poetry, across a timeframe of 1 July 2021 - 7 August 2022, the series, now in its second year, will explore how poetic responses to the contemporary moment develop with each passing year. The book opens with an introduction by its 2022 editors, award-winning and highly respected poets and editors, Jeanine Leanne and Judith Beveridge. Both Jeanine, a Wiradjuri poet, and Judith have extensive experience as poetry teachers, academics and poetry anthologists previously.The Best of Australian Poetry (BoAP) series is published by Australia's national poetry organisation, Australian Poetry, and will feature two different guest editors each year, to amplify the range of voices selected. It is funded by the Australia Council for the Arts and individual patrons.
Award-winning poet, critic, editor and academic Sarah Holland-Batt takes the helm again as editor of this year’s Best Australian Poems. Previous contributors include Judith Beveridge, Stephen Edgar, Fiona Wright, Clive James, Lisa Gorton, Robert Adamson, Dorothy Porter, John Kinsella, David Malouf, Cate Kennedy and Les Murray. Sarah Holland-Batt is the author of The Hazards (UQP, 2015), which won the poetry prize at the 2016 Prime Minister's Literary Awards, and Aria (UQP, 2008), which won the Thomas Shapcott Poetry Prize, the Arts ACT Judith Wright Award, and the FAW Anne Elder Award and was shortlisted in both the New South Wales and Queensland Premiers’ Literary Awards. She is presently a Senior Lecturer in Creative Writing at the Queensland University of Technology and the poetry editor of Island.
The poems in Human Looking speak with the voices of the disabled and the disfigured, in ways which are confronting, but also illuminating and tender. They speak of surgical interventions, and of the different kinds of disability which they seek to 'correct'. They range widely, finding figures to identify with in mythology and history, art and photography, poetry and fiction. A number of poems deal with unsettling extremes of embodiment, and with violence against disabled people. Others emerge out of everyday life, and the effects of illness, pain and prejudice. The strength of the speaking voice is remarkable, as is its capacity for empathy and love. 'I, this wonderful catastrophe', the poet has Mary Shelley's monstrous figure declare. The use of unusual and disjunctive - or 'deformed' - poetic forms, adds to the emotional impact of the poems.
'A very fine anthology, with exemplary introductions. It is refreshing to see how much has been done so well.' - Peter Pierce Wide in scope and bold in ambition, this exciting anthology covers the range of Australian poetic achievement, from early colonial verse through to contemporary work, with a strong recognition of Indigenous voices. This collection brings together great and familiar names with those that deserve better recognition. Including valuable introductory essays by John Kinsella, and biographical notes for all the poets, The Penguin Anthology of Australian Poetry presents the full measure of Australian poetic talent in all its richness and diversity.
we are all just one small disaster away from sinking, and sometimes you only realise when you're gasping for air On a daylight street in Minneapolis Minnesota, a Black man is asphyxiated - by callous knee of an officer, by cruel might of state, and under crushing weight of colony. In Melbourne the body of another woman has been found - this time, after catching a late tram home. The Atlantic has run out of the English alphabet, when christening hurricanes this season. The earth is on fire - from the redwoods of California, to Australia's east coast. The sea draws back, and tsunamis lash out in Samoa and Sumatra. Water rises in Sulawesi and Nagasaki. Bloated cod are surfacing, all along the Murray Darling. The virus arrives, and the virus thrives. Authorities seal the public housing towers up, and truck in one cop to every five residents. Notre Dame is ablaze - the cathedral spire blackened, and teetering. Out in Biloela, the deportation vans have arrived. Every Friday, in cities all across the world, children are walking out of school. The wolves are circling. The wolves are circling. These poems speak of the world that is, and sing for a world that may one day be. 'One of the most compelling voices in Australian poetry this decade' Overland Literary Journal 'a powerful and fearless storyteller' Dave Eggers 'Readers are left with the sense they have been seen, heard and understood' Books + Publishing
Byobu reveals a rich inner world, one driven by its meticulous attention to our rich outer one. "a story’s existence, even if not well defined or well assigned, even if only in its formative stage, just barely latent, emits vague but urgent emanations." Byobu's every interaction trembles with possibility and faint menace. A crack in the walls of his house, marring it forever, means he must burn it down. A stoplight asks what the value of obedience is, what hopefulness it contains, and what insensible anarchy it defies. In brief episodes, aphorisms, and moments of spiritual turbulence and gentle scrutiny, reside a wealth of habits, worries, curiosities, pleasures, peculiarities, and efforts to understand. Representative of the modesty and complexity of Ida Vitale’s poetic universe, Byobu flushes the world with meaning and playfully offers another way of inhabiting the every day.
O could one write as one makes love when all is given and nothing kept, then language might put by at last its coy elisions and inept withdrawals, yield, and yielding cast aside like useless clothes the crust of worn and shabby use, and trust its candour to the urgent mind its beauty to the searching tongue. Gwen Harwood's work is defined by a moving sensuality, a twinkling irreverence and a sly wit. This anthology brings together the best 100 of her poems, as selected and compiled by her son, the writer John Harwood. “The outstanding Australian poet of the twentieth century” - Peter Porter “Gwen Harwood’s poetry is widely recognised for its stark intimacy and brilliant resonance” - The Sydney Morning Herald Gwen Harwood, one of Australia’s most celebrated poets and librettists, published over 420 works in her lifetime, many of which continue to be studied widely in schools and universities across Australia. She received numerous awards and prizes, including the Patrick White Award and the Victorian Premier’s Literary Award, and became an Officer of the Order of Australia (AO) in 1989. She died in 1995, aged seventy-five.
A Line In The Sand draws together over 80 of Australia's leading poets and public figures commissioned by Red Room Poetry across the last 20 years. These poems illuminate space and time, giving us ways to speak and listen to loss, dream, connection, truths and traces. As a celebration of the groundbreaking work Red Room Poetry does, to read these pages is to enter the alchemic process – where poetry transforms us, reawakening wonder and ways of being. Featuring poems from Yassmin Abdel-Magied, Maxine Beneba Clarke, Grace Tame, Jazz Money, Bruce Pascoe, Tony Birch, Maria Tumarkin, Sarah Holland-Blatt, Eloise Grills, Omar Musa and Uncle Archie Roach.
The long-awaited second collection from the winner of the 2015 Arts Queensland Thomas Shapcott Poetry Prize. In his stunning collection of new poetry, Stuart Barnes reimagines the poetic form and fearlessly explores topics of illness, death, rape, remembrance, ecology and love. Like To The Lark is Stuart Barnes's accumulation of lifetime fascinations with music and sound, form and transformation. Beginning with an apparition of a doomed world brooding over itself and ending with a kvelling globe, this collection plunges into seas, scoots across countries and hurtles towards space.