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Praise for earlier editions:"Unlike novelists and bad-boy memoirists, emerging poets are unlikely to sprawl on Oprah's couch, date starlets, or rouse bidding wars. With an alert ear for new voices, this anthology offers a different kind of validation: that of being well heard. The result is a vibrant smorgasbord.... [ Best New Poets] bears evidence of the insistent inquiries of self and the world that drive poetry."-- Foreword "[One] comes to realize that the adjectives 'new' and 'emerging' are mere technicalities in this instance. Although none of the poets included here have published a full-length book of poetry, many are MFA students or graduates, and chapbook authors, and most have already seen some of their poems published in the most renowned and exclusive journals in North America.... The result is a remarkably diverse mix of poems."-- BookPleasures "It's a nervy thing for an anthology to label itself Best New Poets, but once again this collection lives up to its name. It's a rich and readable selection, reflecting no party-line aesthetic, and attesting to the formidable promise of the emerging generation."--David Wojahn In just three years Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country's top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it's being practiced today.
The twentieth edition of theBest American Poetryseries celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor.Graced with McHugh's fascinating introduction, the book includes the poets' valuable comments on their work, as well as series editor David Lehman's engaging foreword that limns the necessity of poetry.The Best American Poetry 2007is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.
A multicultural selection of contemporary poems by Puerto Rican and other poets who meet at the Nuyorican Poets Cafe in New York City.
The twentieth edition of The Best American poetry series celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor. From the thousands of poems published or posted in one year, McHugh has chosen seventy-five that fully engage the reader while illustrating the formal and tonal diversity of American poetry. With new work by established poets such as Louise Glück, Robert Hass, and Richard Wilbur, The Best American Poetry 2007 also features such younger talents as Ben Lerner, Meghan O'Rourke, Brian Turner, and Matthea Harvey. Graced with McHugh's fascinating introduction, the anthology includes the ever-popular notes and comments section in which the contributors write about their work. Series editor David Lehman's engaging foreword limns the necessity of poetry. The Best American Poetry 2007 is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.
North American Women Poets in the 21st Century: Beyond Lyric and Language is an important new addition to the American Poets in the 21st Century series. Like earlier anthologies, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. This unique organization makes these books invaluable teaching tools. Broadening the lens through which we look at contemporary poetry, this new volume extends our reading of each poet beyond the constraints of any one aesthetic, school, or movement; this volume pushes readers to see beyond the binary of lyric and language. What unites the varied approaches of these writers, is a commitment to creating new fields, new idioms, new vernaculars, and new forms. Key areas of conflict and concern, among the eleven poets, include genre and the nature of the lyric, connections between gender and aesthetics, and the nature of poetic language. Among the insightful pieces included in this volume are essays by Catherine Cucinella on Marilyn Chin, Meg Tyler on Fanny Howe, Elline Lipkin on Alice Notley, Kamran Javadizadeh on Claudia Rankine, Brian Teare on Martha Ronk, Michael Cross on Leslie Scalapino, Lynn Keller on Cole Swensen, Khadijah Queen on Natasha Trethewey, Lisa Russ Spaar on Jean Valentine, Julie Brown on Cecilia Vicuña, and Richard Greenfield on Rosmarie Waldrop. A companion web site will present audio of each poet's work.
New European Poets presents the works of poets from across Europe. In compiling this landmark anthology, Wayne Miller and Kevin Prufer enlisted twenty-four regional editors to select 270 poets whose writing was first published after 1970. These poets represent every country in Europe, and many of them are published here for the first time in English and in the United States. The resulting anthology collects some of the very best work of a new generation of poets who have come of age since Paul Celan, Anna Akhmatova, Federico García Lorca, Eugenio Montale, and Czeslaw Milosz.
The poems in Morgan Lucas Schuldt’s debut collection, Verge, speak at once both brokenly and reparably of the body, of its lusts and devotions, its violences and “satisflictions.” Schuldt’s lyrics exploit the phonetic suppleness of the English language in a way that teases out (mischievously so, earnestly so) an ecstatic, carnal, tender kind of poetics that pays homage–in both name and spirit–to poets like Hopkins, Celan, Crane and Berryman, as well as ekphrastically to painters Francis Bacon, Joan Miro, and Hironymous Bosch.
This anthology follows the highly successful Oxford Poets anthologies of 2000 and 2001 and introduces a number of poets who are beginning to make their way, such as Joe Sheerin and Rebecca Elson. The collection celebrates the diversity of the Oxford list.
0° , 0° is where the equator and prime meridian cross, but it is also, in Amit Majmudar’s poetic cartography, "the one True Cross, the rood’s wood warped and tacked / pole to pole." Unlikely intersections lie at the heart of Amit Majmudar's first collection of poetry. Mythical, biblical, political, and scientific allusion thrive side by side, inspiring surprise and wonder. Majmudar’s training as a medical doctor is clearly at work as he is able to balance poetic forms requiring surgical precision—including the exceedingly difficult ghazal—with warmth and compassion for the world. Majmudar understands suffering on the large scale and the small, whether he is speaking up for the biblical character Job and "answering the whirlwind," or tallying the human cost of war at Walter Reed Army Medical Center.