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As irreverent and sexy as last year's edition, Best Lesbian Erotica 1997 promises stories that may even outshine works by that list of contenders, w hich included such luminaries as DOrothy Allison, Pat Califia, Kate Bornstein, Lucy Jane Bledsoe and lots of hot, new voices.
Selected and Introduced by Crystos
What are lesbians longing for? Playwright, event host, and editor Kathleen Warnock helps answer this question in her newest edition of this much-loved, best-selling series. Featuring work from some of the best-known erotic writers as well as the debuts of startling new talent, Best Lesbian Erotica 2011 welcomes back some familiar faces, including Stella Sandberg. Her story, "Manchester, 2000," follows the European adventures of two studs on a long ride. Perennial favorite Betty Blue returns with "The Garden of Earthly Delights," an encounter between a firespirit and a lost boi on the celestial plane. Cheyenne Blue’s "A Story About Sarah" travels to the antipodes, telling the story of a life-long love between a rancher’s daughter and a half-Aboriginal woman. There’s more... right under the covers of Best Lesbian Erotica 2011.
Selected and introduced by Joan Nestle.
Twenty-one mostly non-academic contributors explore sex in public--performed, depicted, or discussed outside "appropriate" bedrooms and doctor's offices. Annie Sprinkle is interviewed as a "metamorphosexual," Sally Trash writes on porn videos' effect on lesbians, Lawrence Schimel offers "Pumping Iron, Pumping Cocks: Sex at the Gym," and T.A. King writes on masochism. One of the more interesting articles concerns the "backsplash" over an advertising campaign conducted on urinal screens printed with the following affirmation: "You hold the power to stop rape in your hand."Annotation copyrighted by Book News, Inc., Portland, OR.
Men from a variety of sexual orientations and ethnic backgrounds overturn myths about male sexuality and desire! Male sexuality comes of age in this provocative collection of personal essays and poetry. Male Lust's nearly 60 contributors explore emotional, social, and political aspects of sex and desire from a diversity of backgrounds, perspectives, and sexual orientations. Answering the long-standing challenge for men to finally theorize the complexity of their own sexual desires, Male Lust (a 2001 Lambda Gay Studies Literary Award Finalist) delves into topics such as commercial sex, sadomasochism, feminism, and white supremacy without lapsing into reactionary, knee-jerk or misogynist stances. This book offers a positive sexual vision that moves far beyond the narrow messages offered in mainstream media. Male Lust reveals thoughtful, detailed realities of gay, straight, bisexual, transgender, and same-gender-loving men's personal experiences with sex that lurk behind the stereotypes. Among the many topics that the essays, stories, and poems herein chronicle are: various facets of men's and women's experience with commercial sex, both as consumers and providers social and hormonal phenomena involved in transitioning from female to male handling the impact of white supremacy on male lust as a man of color the transformational possibilities of S/M women's responses to the lusts of the men in their lives coming of age with a “deviant” gender or sexual orientation healing from rape and other forms of sexual abuse coming to terms with loving and desiring women within a misogynist culture lust and desire within a disabled body Together, the contributors break the noisy silence surrounding male lust, challenge the dominant images of men as unemotional sexual predators, and expose the live, beating hearts, minds, and souls of real men loving, healing, and revealing themselves, each other, and the women in their lives. Male Lust heralds the next generation of thinking men--a must-read for anyone seeking cutting-edge ideas on sexuality and desire.
Telling Moments collects contemporary short stories by a diverse group of twenty-four lesbian writers. Engaging themes of life and death, aging, motherhood, race, love, work, and travel, the writers offer brief glimpses into lesbian lives. The stories are by well-known contemporary writers—Gloria Anzaldúa, Mary Cappello, Emma Donoghue, Jewelle Gomez, Karla Jay, Anna Livia, Valerie Miner, Lesléa Newman, Minnie Bruce Pratt, Ruthann Robson, Sarah Schulman, and Jess Wells—and exciting newer voices, such as Donna Allegra and Marion Douglas. There are also stories from performance artists Carmelita Tropicana, Peggy Shaw, and Maya Chowdhry. Anna Livia’s protagonist appreciates her mother’s artful garden creation. Ruthann Robson tells of a survivor of the health care system. In Marion Douglas’s story a teenager dances with an alluring classmate. Donna Allegra’s strong construction worker copes with the death of her mother. And Karla Jay sets her character forth to swim with sharks. Most of the stories are accompanied by an author photo, biographical sketch, and—a most significant feature—a commentary from the author on her writing process and the autobiographical nature of her story, illustrating the truth behind the fiction.
A Taste for Brown Sugar boldly takes on representations of black women's sexuality in the porn industry. It is based on Mireille Miller-Young's extensive archival research and her interviews with dozens of women who have worked in the adult entertainment industry since the 1980s. The women share their thoughts about desire and eroticism, black women's sexuality and representation, and ambition and the need to make ends meet. Miller-Young documents their interventions into the complicated history of black women's sexuality, looking at individual choices, however small—a costume, a gesture, an improvised line—as small acts of resistance, of what she calls "illicit eroticism." Building on the work of other black feminist theorists, and contributing to the field of sex work studies, she seeks to expand discussion of black women's sexuality to include their eroticism and desires, as well as their participation and representation in the adult entertainment industry. Miller-Young wants the voices of black women sex workers heard, and the decisions they make, albeit often within material and industrial constraints, recognized as their own.