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Translated from more than 25 languages and highlighting the future luminaries and revolutionaries of international literature. Fans of the series will find everything they've grown to love, while new readers will discover what they've been missing!
Brings together many of the finest fiction writers from throughout Europe, representing thirty-two countries.
Now in its third year, the Best European Fiction series has become a mainstay in the literary landscape, each year featuring new voices from throughout Europe alongside more established names such as Hilary Mantel, Jean-Philippe Toussaint, Ingo Schulze, George Konrad, Victor Pelevin, and Enrique Vila-Matas. For 2012, Aleksandar Hemon introduces a whole new cross-section of European fiction, and there are a few editorial changes as well. For the first time, the preface will be by an American—Nicole Krauss—and the stories, one per country/language, will be arranged within themes (love, art, war, the body), to facilitate book club and reading group discussions.
The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
A book like this is long overdue because not many are aware of the numerous intersections between Philip Roth's fiction and world literature. In highlighting these intersections and uneasy passages, this comparative approach offers an important contribution to Philip Roth studies as well as to comparative literary study in general. The fourteen chapters on this book summon Roth's intertextual links to authors ranging from the anonymous writer of the medieval play Everyman, through Thoreau, Hawthorne, Crane, Ellison, Coover, and the New York intellectuals in the United States, to Swift, Chekhov, Svevo, Kafka, Schulz, Gombrowicz, Camus, and Klíma in Europe, and on to Coetzee in South Africa. The book does not deal with all the works in Roth's canon, but it offers a selection of works representing the different stages of Roth's development as a writer. By offering new readings of both well-studied and lesser-studied works, sometimes in unexpected company, the book discloses the critical difference that comparative scholarship can affect. The uneasy passages the book opens will not exhaust the numerous intersections between Roth and the work of other writers. The book's contribution is to place Roth's fiction firmly in a larger transnational context. Far from insular, Roth's work appears as deeply rooted in the American canon while at the same time showing a remarkable openness, a persistent need for contact with his European forebears, and true engagement with contemporary world literature. The transnational perspective of the book makes it important for the rapidly growing field of transatlantic and transnational American studies. The book will be value to collections in American literature and Jewish studies, comparative literature and criticism, and transatlantic and transnational American studies.
A lyrical extravaganza, evocative of personal experiences and unique insights, CAPITALS embodies a medley of harmonious notes struck across the globe, resulting in the confluence of poignant imagery and soulful verse. A remarkable anthology to acquaint you intimately with the Capital cities of the world, it describes in exquisite detail their undulating terrains and pulsating lifelines and their cities beckon even the most seasoned traveller with promises of discovery. Embark on a journey like never before, as Kwame Dawes in his poem Green Boy takes you to a night in Accra when the crescendo of drums finally overcomes the gunshots, or accompany Mark Mcwatt as he drifts down memory lane in the suburbs of Georgetown, and feel the raw emotion as Salah Al Hamdani laments of what has become of Baghdad. From Abuja to Zagreb, Seoul to Sucre, Ottawa to Wellington and Reykjavik to Cape Town, leave behind the trepidations of the unknown and the comforts of home, discard the frivolities of journeying to the physical facade of a beloved city-and set out to experience the world anew, for what this book offers you is a journey for the soul.
Edited by award winning novelist and short story writer Kevin Barry, this volume will once again mix established names with previously unpublished authors, and will seek to offer fresh renditions to the Irish story - new angles, new approaches, new modes of attack.Published in 2011, New Irish Short Stories, edited by Joseph O'Connor, has sold over 10,000 copies to date and featured Kevin Barry's 'Beer Trip to Llandudno' - winner of the 2012 Sunday Times EFG Short Story Prize - as well as stories by William Trevor, Dermot Bolger and Roddy Doyle which went on to be Afternoon Readings on BBC Radio 4.
Known only as 'the goalie', the novel's narrator is always taking the blame. He's just been released from jail, having kept schtum during a drugs bust at his local pub. The goalie is a sucker for a good story, he lives and breathes them, is forever telling stories to himself and anyone who'll listen. He returns to his hometown broke, falling in love with Regi, a barmaid. On a trip together to Spain, to hook up with his shady mates, Regi realises that this obsession with storytelling has its downsides, the goalie all too ready to believe the yarns his so-called friends spin. Naw Much of a Talker is a charming, hilarious tour through the goalie's anecdotes. Storytelling is his way of avoiding problems and conflict, his crowning achievement and tragic flaw. Regi concludes that it isn't a woman the goalie needs, but an audience. Inspired by a six month residency in Glasgow, Pedro Lenz harnesses his considerable powers as a performer and oral storyteller in this powerful and unforgettable celebration of the rhythms and musicality of the spoken word.
This new biography of famed American novelist Philip Roth offers a full account of his development as a writer. Philip Roth was much more than a Jewish writer from Newark, as this new biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with a number of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award, and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career that spanned almost fifty years, creating 31 works. But beneath the success was illness, angst, and anxiety often masked from his readers. This biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character, and even identity of the man.