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The essential annual guide to the newest voices in literature Selected by Venita Blackburn, Richard Chiem, and Dantiel W. Moniz Best Debut Short Stories is an annual celebration of the most promising short story writers today. Selected by a panel of distinguished judges, these twelve stories are the 2023 winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes each writer’s outstanding debut in a literary magazine. The stories in this anthology encompass fraught family gatherings, death, inheritance, reproduction and birth, translation, secrets, and betrayals. They show us what we would rather not face: a grandmother’s repeated resurrection, the loss of a child, a family’s excuses for a predator. They direct our attention away from fluorescence and to the natural world: iguanas climbing into beds, a reflection in an orange, sweat like rain drops, gossamer petals, a child named Ant. They question how well we can ever know other people: partners reconsidering each other on the brink of divorce, an imaginary roommate. They remind us that some questions have no perfect answer: Why pretend not to understand someone in need? What can anyone do with anxieties over becoming a parent? This year’s stories were selected by judges Venita Blackburn, Richard Chiem, and Dantiel W. Moniz, innovators of the short story form. Each story is accompanied by an introduction from the journal editor who first published it, providing insight about what’s exciting in fiction right now, and recognizing the vital work literary magazines do in nurturing new voices.
“Without stories, we cannot live well,” shares guest editor Min Jin Lee, describing how storytelling affects and nurtures readers. The Best American Short Stories 2023 features twenty pieces of short fiction that reflect a world full of fractured relationships, but also wondrous hope. A lifelong friendship may become a casualty of the Russia-Ukraine war. Rejected by his lover, a man seeks to reconcile with his family. Twitter users miraculously muster enough empathy to help a lost cat find a forever home. Enlightening, poignant, and undeniably human, the stories in this anthology bravely confront societal darkness and offer, in Lee’s words, “our emotional truths, restoring our sanity and providing comfort for the days ahead.” The Best American Short Stories 2023 includes Cherline Bazile • Maya Binyam • Tom Bissell • Taryn Bowe • Da-Lin • Benjamin Ehrlich• Sara Freeman • Lauren Groff • Nathan Harris • Jared Jackson • Sana Krasikov • Danica Li • Ling Ma • Manuel Muñoz • Joanna Pearson • Souvankham Thammavongsa • Kosiso Ugwueze • Corinna Vallianatos • Azareen Van Der Vliet Oloomi • Esther Yi
The essential annual guide to the newest voices in short fiction, selected this year by Deesha Philyaw, Emily Nemens, and Sabrina Orah Mark This anthology celebrates the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding fiction debuts in literary magazines. This year’s selections were made by Sabrina Orah Mark, Emily Nemens, and Deesha Philyaw. The stories in Best Debut Short Stories 2022 explore the dangers and possibilities of protest in Multan, Pakistan, in 1978; in the well-to-do neighborhoods of Melbourne, Australia, at the end of the millennium; and in the outskirts of Ramallah, Palestine, in the present day. They describe toxic homes and precarious lives and refuge sought in unlikely places: a bowling alley, a work affair, a noisy club, a neoclassical sanatorium, a school-turned-hostel near a flooded brownfield. They feature a pork bun made with a perfect spiral of dough, a bucket of eggs swarmed by crows, a drink made of chilled chicken blood and rose water, and a pale pink worm with five hearts who lives at the edge of the universe. Each story is accompanied by a letter from the editor who first published it, providing insight about what's new and exciting in fiction today and recognizing the vital work of literary journals in nurturing new voices in literature.
Some things have nothing in common until you put them together, says artist and collector Patrick Pound about his series of found photographs in our latest issue. The writers in HEAT Series 3 Number 8 seem similarly drawn to overlooked meaning. In ‘Shopping’, a short story by Katerina Gibson, a young arts worker in Melbourne overcomes an obsession with designer clothing. The late Hong Kong writer Xi Xi, in a work of autobiographical fiction, processes a cancer diagnosis. Essayist Cameron Hurst finds herself attending a meeting of the Victorian Spiritualists’ Union after reading Henry Handel Richardson. And poets Judith Beveridge and Paul Muldoon transform unassuming animals, people and places into singular moments. Recent praise for HEAT: ‘So slender and elegant, nothing wasted, nothing grandiose — and beautiful work.’ — Helen Garner ‘Elegantly designed and thoughtfully curated, and including work from canonical Australian writers to emerging voices to authors in translation, [HEAT] reminds us how crucial such organs are to the vigour and health of our literary ecosystem.’ — The Saturday Paper ‘A very beautiful and stylish object…long may this new series of HEAT continue!’ — Sarah Holland-Batt ‘I welcome the return of HEAT. Readers and writers alike will revel in its daring audacity, bold exploration and innovative celebration of literature.’ — Alexis Wright
A MOST ANTICIPATED BOOK OF THE YEAR • An emotionally rich collection of short stories, painting a fascinating portrait of contemporary India and its diaspora and a yearning rendering of the people and places we call home, from a major new literary talent. “A full-hearted, brilliant debut of necessary beauty.” —Nana Kwame Adjei-Brenyah, author of Chain-Gang All-Stars and New York Times bestseller Friday Black "Injam's stories made me want to cast all else aside and return home.” —Megha Majumdar, author of A Burning Vivid, vibrant, and unwaveringly affecting, The Best Possible Experience brings us intimate, impeccably realized accounts of individuals living in one of the most populous countries in the world and in its American diaspora—all haunted, in every sense of the word, by a loss of home. Classically elegant in prose and consistently modern in outlook, Nishanth Injam’s stories ques­tion what it means to have a home and to return home, and show, above all, that home is not a place so much as it is people who are ready to accept you as you are. We see a young man trapped on a bus on the way to visit his parents as his fellow pas­sengers vanish into the restroom. A family, newly in America, determined to host a perfect luncheon for their son’s white classmate—with no idea what to serve him. A woman who returns to a small vil­lage in India every summer to visit the grandfather who raised her, a man who lives with the ghosts of his son and his wife. And a man preparing for his green card interview with the American woman he has paid to marry him. A sui generis talent, Injam first started writing after coming to the United States from India in his twenties. The Best Possible Experience, his profoundly personal debut collection, delivers a universal in­quiry into the idea of belonging and preserves in writing the home he left behind, before it was lost
The prestigious annual story anthology includes prize-winning stories by Jamil Jan Kochai, David Ryan, Kirstin Valdez Quade, Lisa Taddeo, Ling Ma, Catherine Lacey, and Cristina Rivera Garza. “[A] standout collection . . . . Dazzling performances from some of today’s most exciting writers. . . . This is one of the best fiction anthologies in years.” —Publishers Weekly starred review Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Lauren Groff has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices and including several stories in translation. The winning stories are accompanied by an introduction by Groff, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. AN ANCHOR BOOKS ORIGINAL. THE WINNING STORIES: “Office Hours,” by Ling Ma “Man Mountain,” by Catherine Lacey “Me, Rory and Aurora,” by Jonas Eika, translated from the Danish by Sherilyn Nicolette Hellberg “The Complete,” by Gabriel Smith “The Haunting of Hajji Hotak," by Jamil Jan Kochai “Wisconsin,” by Lisa Taddeo “Ira & the Whale,” by Rachel B. Glaser “The Commander’s Teeth,” by Naomi Shuyama-Gómez “The Mad People of Paris,” Rodrigo Blanco Calderón, translated from the Spanish by Thomas Bunstead “Snake & Submarine,” by Shelby Kinney-Lang “The Mother,” by Jacob M’hango “The Hollow,” by ’Pemi Aguda “Dream Man,” by Cristina Rivera Garza, translated from the Spanish by Francisca González-Arias “The Locksmith,” by Grey Wolfe LaJoie “After Hours at the Acacia Park Pool,” by Kirstin Valdez Quade “Happy Is a Doing Word,” by Arinze Ifeakandu “Elision,” by David Ryan “Xífù,” by K-Ming Chang “Temporary Housing,” by Kathleen Alcott “The Blackhills,” by Eamon McGuinness
A MOST ANTICIPATED BOOK OF THE YEAR • An emotionally rich collection of short stories, painting a fascinating portrait of contemporary India and its diaspora and a yearning rendering of the people and places we call home, from a major new literary talent. “A full-hearted, brilliant debut of necessary beauty.” —Nana Kwame Adjei-Brenyah, author of Chain-Gang All-Stars and New York Times bestseller Friday Black "Injam's stories made me want to cast all else aside and return home.” —Megha Majumdar, author of A Burning Vivid, vibrant, and unwaveringly affecting, The Best Possible Experience brings us intimate, impeccably realized accounts of individuals living in one of the most populous countries in the world and in its American diaspora—all haunted, in every sense of the word, by a loss of home. Classically elegant in prose and consistently modern in outlook, Nishanth Injam’s stories ques­tion what it means to have a home and to return home, and show, above all, that home is not a place so much as it is people who are ready to accept you as you are. We see a young man trapped on a bus on the way to visit his parents as his fellow pas­sengers vanish into the restroom. A family, newly in America, determined to host a perfect luncheon for their son’s white classmate—with no idea what to serve him. A woman who returns to a small vil­lage in India every summer to visit the grandfather who raised her, a man who lives with the ghosts of his son and his wife. And a man preparing for his green card interview with the American woman he has paid to marry him. A sui generis talent, Injam first started writing after coming to the United States from India in his twenties. The Best Possible Experience, his profoundly personal debut collection, delivers a universal in­quiry into the idea of belonging and preserves in writing the home he left behind, before it was lost
“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be. The Best American Science Fiction and Fantasy 2023 includes Nathan Ballingrud • KT Bryski • Isabel Cañas • Maria Dong • Kim Fu • Theodora Goss • Alix E. Harrow • S. L. Huang • Stephen Graham Jones • Shingai Njeri Kagunda • Isabel J. Kim • Samantha Mills • MKRNYILGLD • Malka Older • Susan Palwick • Linda Raquel Nieves Pérez • Sofia Samatar • Kristina Ten • Catherynne M. Valente • Chris Willrich
'One of the best science fiction short stories to be published in the 21st century so far' SFX Review 'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian 'A triumph of storytelling' i paper'A joy. 'Effortlessly stylish, funny and smart' Daily Mail____________The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the BardoMacArthur genius and Booker Prize-winner George Saunders returns with a collection of short stories that make sense of our increasingly troubled world, his first since the New York Times bestseller and National Book Award finalist Tenth of DecemberThe 'best short story writer in English' (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose - wickedly funny, unsentimental, and perfectly tuned - Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. 'Love Letter' is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the not-too-distant future, that reminds us of our obligations to our ideals, ourselves, and each other. 'Ghoul' is set in a Hell-themed section of an underground amusement park in Colorado, and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his 'reality.' In 'Mother's Day', two women who loved the same man come to an existential reckoning in the middle of a hailstorm. And in 'Elliott Spencer', our eighty-nine-year-old protagonist finds himself brainwashed - his memory 'scraped' - a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention as Saunders does, even in the most absurd of circumstances.____________'The only way to experience Saunders's oblique, farcical, tragic world is to dive right in. It will take the top of your head off, but it's worth it' The Times'The world's best short story writer ... Liberation Day is great art' Daily Telegraph