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Named one of the Best Books of the Year by the Washington Post, Booklist, BookPage, Library Journal, and Library Reads A New York Times Book Review Editors’ Choice Selection An IndieNext Selection A People Magazine Pick of the Week Winner of the Rome Prize Winner of the American Initiative for Italian Culture “The Bridge” Book Award Longlisted for the International DUBLIN Literary Award Longlisted for the Andrew Carnegie Medal for Excellence (Fiction) "Raw and beautiful. . . . What rises and shines from the page is Todd Aaron, a hero of such singular character and clear spirit that you will follow him anywhere. You won’t just root for him, you will fight and push and pray for him to wrest control of his future. You will read this book in one sitting or maybe two, and, I promise, you will miss this man deeply when you are done.” —Ann Bauer, Washington Post Sent to a “therapeutic community” for autism at the age of eleven, Todd Aaron, now in his fifties, is the “Old Fox” of Payton LivingCenter. A joyous man who rereads the encyclopedia compulsively, he is unnerved by the sudden arrivals of a menacing new staffer and a disruptive, brain-injured roommate. His equilibrium is further worsened by Martine, a one-eyed new resident who has romantic intentions and convinces him to go off his meds to feel “normal” again. Undone by these pressures, Todd attempts an escape to return “home” to his younger brother and to a childhood that now inhabits only his dreams. Written astonishingly in the first-person voice of an autistic, adult man, Best Boy—with its unforgettable portraits of Todd’s beloved mother, whose sweet voice still sings from the grave, and a staffer named Raykene, who says that Todd “reflects the beauty of His creation”—is a piercing, achingly funny, finally shattering novel no reader can ever forget.
Edgar award winner Theresa Schwegel returns with The Good Boy, her most dramatic and emotional novel to date, a family epic that combines the hard-boiled grit of her acclaimed police thrillers with an intimate portrait of a young boy trying to follow his heart in an often heartless city. For Officer Pete Murphy, K9 duty is as much a punishment as a promotion. When a shaky arrest reignites a recent scandal and triggers a multimillion-dollar lawsuit, all eyes are on Pete as the department braces for another media firestorm. Meanwhile, Pete's eleven-year-old son Joel feels invisible. His parents hardly notice him—unless they're arguing about his "behavioral problems"—and his older sister, McKenna, has lately disappeared into the strange and frightening world of teenagerdom. About the only friend Joel has left is Butchie, his father's furry "partner." When Joel and Butchie follow McKenna to a neighborhood bully's party, illegal activity kicks the dog's police training into overdrive, and soon the duo are on the run, navigating the streets of Chicago as they try to stay one step ahead of the bad guys—bad guys who may have a very personal interest in getting some payback on Officer Pete Murphy.
A Newbery Honor Book * Booklist Editors’ Choice * BookPage Best Books * Chicago Public Library Best Fiction * Horn Book Fanfare * Kirkus Reviews Best Books * Publishers Weekly Best Books * Wall Street Journal Best of the Year * An ALA Notable Book A young outcast is swept up into a thrilling and perilous medieval treasure hunt in this award-winning literary page-turner by acclaimed bestselling author Catherine Gilbert Murdock. The Book of Boy was awarded a Newbery Honor. “A treat from start to finish.”—Wall Street Journal Boy has always been relegated to the outskirts of his small village. With a hump on his back, a mysterious past, and a tendency to talk to animals, he is often mocked by others in his town—until the arrival of a shadowy pilgrim named Secondus. Impressed with Boy’s climbing and jumping abilities, Secondus engages Boy as his servant, pulling him into an action-packed and suspenseful expedition across Europe to gather seven precious relics of Saint Peter. Boy quickly realizes this journey is not an innocent one. They are stealing the relics and accumulating dangerous enemies in the process. But Boy is determined to see this pilgrimage through until the end—for what if St. Peter has the power to make him the same as the other boys? This epic and engrossing quest story by Newbery Honor author Catherine Gilbert Murdock is for fans of Adam Gidwitz’s The Inquisitor’s Tale and Grace Lin’s Where the Mountain Meets the Moon, and for readers of all ages. Features a map and black-and-white art by Ian Schoenherr throughout.
Winner of the American Academy’s Rome Prize for Fiction and the McKitterick Prize, Eli Gottlieb’s tender, harrowing coming-of-age novel finally returns to print. Denny Graubart, child-narrator and “domestic surveillance expert,” is having some terrible suspicions about his mother and autistic brother. It’s the 1960s, aka the Diagnostic Dark Ages of Autism, and while his mother struggles to keep his brother out of an institution, signs of something more disturbing are beginning to emerge before young Denny’s eyes. Battered by his own tragicomic sexual awakening during a long, hot summer, Denny will eventually find his most horrified suspicions about his family confirmed. A powerfully drawn portrait of two brothers locked into an asymmetrical childhood and a family struggling against a weight of medical ignorance, The Boy Who Went Away is “shockingly, electrically alive” (Phillip Lopate). It is also an indispensable bookend to Gottlieb’s Best Boy, which recounts the impact of autism on the same family from the other side, many years later, in the voice of a middle-aged autistic man.
Presenting themselves to the world as an effortlessly excellent family, successful criminal lawyer Karen, her Parliament candidate husband, and her intelligent athlete son, Max, find their world crumbling in the wake of a friend's betrayal and the secretabout Max's intersexual identity.
Alexander tries his hand at behaving in this hilarious companion to the bestselling classic Alexander and the Terrible, Horrible, No Good, Very Bad Day. Last night somebody ate a whole box of jelly donuts. That somebody woke up with a terrible bellyache, and that somebody’s mom found the empty box and told that somebody that there are going to be consequences. That somebody is Alexander, and Alexander really hates consequences. So from now on, he is going to try his best to be the Best Boy Ever. For the complete and entire rest of his life. Starting right this very minute. But there are all sorts of things that you can’t do when you’re being the Best Boy Ever. Fun things. Very important things. Things that Alexander might—just might—like a little bit more than he hates consequences.
National Book Award Longlist * Bank Street Children's Book Committee Best Book of the Year "Beautifully written and elegantly structured, this fantasy is as real as it gets."—Franny Billingsley, author of Chime The Real Boy, Anne Ursu's follow-up to her widely acclaimed and beloved middle grade fantasy Breadcrumbs, is a spellbinding tale of the power we all wield, great and small. On an island on the edge of an immense sea there is a city, a forest, and a boy named Oscar. Oscar is a shop boy for the most powerful magician in the village, and spends his days in a small room in the dark cellar of his master's shop grinding herbs and dreaming of the wizards who once lived on the island generations ago. Oscar's world is small, but he likes it that way. The real world is vast, strange, and unpredictable. And Oscar does not quite fit in it. But now that world is changing. Children in the city are falling ill, and something sinister lurks in the forest. Oscar has long been content to stay in his small room in the cellar, comforted in the knowledge that the magic that flows from the forest will keep his island safe. Now even magic may not be enough to save it.
The first book in a funny, heartfelt, and irresistible young middle grade series starring an unforgettable young boy on the autism spectrum. For Bixby Alexander Tam (nicknamed Bat), life tends to be full of surprises—some of them good, some not so good. Today, though, is a good-surprise day. Bat’s mom, a veterinarian, has brought home a baby skunk, which she needs to take care of until she can hand him over to a wild-animal shelter. But the minute Bat meets the kit, he knows they belong together. And he’s got one month to show his mom that a baby skunk might just make a pretty terrific pet. "This sweet and thoughtful novel chronicles Bat’s experiences and challenges at school with friends and teachers and at home with his sister and divorced parents. Approachable for younger or reluctant readers while still delivering a powerful and thoughtful story" (from the review by Brightly, which named A Boy Called Bat a best book of the year). Elana K. Arnold's Bat trilogy is a proven winner in the home and classroom—kids love these short illustrated young middle grade books. The trilogy is A Boy Called Bat, Bat and the Waiting Game, and Bat and the End of Everything.
Sent to a “therapeutic community” for autism at the age of eleven, Todd Aaron, now in his fifties, is the “Old Fox” of Payton LivingCenter. A joyous man who rereads the encyclopedia compulsively, he is unnerved by the sudden arrivals of a menacing new staffer and a disruptive, brain-injured roommate. His equilibrium is further worsened by Martine, a one-eyed new resident who has romantic intentions and convinces him to go off his meds to feel “normal” again. Undone by these pressures, Todd attempts an escape to return “home” to his younger brother and to a childhood that now inhabits only his dreams. Written astonishingly in the first-person voice of an autistic, adult man, Best Boy—with its unforgettable portraits of Todd’s beloved mother, whose sweet voice still sings from the grave, and a staffer named Raykene, who says that Todd “reflects the beauty of His creation”—is a piercing, achingly funny, finally shattering novel no reader can ever forget.