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Welcome to 2020. Brexit, Trump, leadership challenges- those were the days. The Morrison government, after delivering its promised tax cuts, had only one thing on its policy mind- protecting its presumptive budget surplus. Sure, avoiding questions about such trifles as sports rorts, robodebt cock-ups, and water scams required an inordinate amount of energy. But, all in all, it must have seemed like a good time to take a holiday. Anyway, other people were on the fire hoses - terrified, exhausted, selfless - as south-east Australia gave us a glimpse of the looming slow-motion catastrophe of a rapidly heating world. Meanwhile, in a wet market in Wuhan, events were unfolding that would shake all our societies to the core and change our world forever. The mantle and burden of heroism was about to be passed to a new cast of ordinary people on a very different front line. Is this a time for joking? Too soon? Maybe we need the penetrating satirical intelligence and the dark, challenging humour of our political cartoonists more than ever. Featuring Dean Alston, Peter Broelman, Pat Campbell, Andrew Dyson, John Farmer, First Dog on the Moon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Alan Moir, David Pope, David Rowe, Andrew Weldon, Cathy Wilcox, and many more ...
The year in politics as observed by Australia's funniest and most perceptive political cartoonists. With Dean Alston, Peter Broelman, Pat Campbell, Andrew Dyson, John Farmer, First Dog on the Moon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Alan Moir, David Pope, David Rowe, Andrew Weldon, Cathy Wilcox, Paul Zanetti, and many more ...
A hilarious companion to the year’s political turmoil, featuring the work of Martin Rowson, Steve Bell, Peter Brookes, Nicola Jennings and many more . . . 2019 was the year of Brexit, obviously. But it was also the year that Donald Trump went haywire over Huawei, Theresa May got bounced by the backstop, Boris Johnson was hoisted into high office, and the country was corralled into a chaotic Christmas election. In Britain’s Best Political Cartoons 2019, our very finest satirists skewer everything from Kremlin collusion to no-deal confusion, offering a riotous ride through the last twelve months. And did we mention Brexit?
“A portrait of growing up in America, and a portrait of family, that pulls off the feat of being both intimately specific and deeply universal at the same time. I adored this book.”—Jonny Sun “[A] high-spirited graphical memoir . . . Gharib’s wisdom about the power and limits of racial identity is evident in the way she draws.”—NPR WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • Kirkus Reviews I Was Their American Dream is at once a coming-of-age story and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children. The daughter of parents with unfulfilled dreams themselves, Malaka navigated her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid. Malaka Gharib's triumphant graphic memoir brings to life her teenage antics and illuminates earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka's story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream. Praise for I Was Their American Dream “In this time when immigration is such a hot topic, Malaka Gharib puts an engaging human face on the issue. . . . The push and pull first-generation kids feel is portrayed with humor and love, especially humor. . . . Gharib pokes fun at all of the cultures she lives in, able to see each of them with an outsider’s wry eye, while appreciating them with an insider’s close experience. . . . The question of ‘What are you?’ has never been answered with so much charm.”—Marissa Moss, New York Journal of Books “Forthright and funny, Gharib fiercely claims her own American dream.”—Booklist “Thoughtful and relatable, this touching account should be shared across generations.”– Library Journal “This charming graphic memoir riffs on the joys and challenges of developing a unique ethnic identity.”– Publishers Weekly
The year in politics as seen by Australia’s wittiest and most perceptive political cartoonists. With Dean Alston, Peter Broelman, Warren Brown, Matt Davidson, Andrew Dyson, Firstdogonthemoon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Bill Leak, Alan Moir, Peter Nicholson, Vince O’Farrell, Ward O’Neill, Bruce Petty, David Pope, David Rowe, John Spooner, Ron Tandberg, Andrew Weldon, Cathy Wilcox, Paul Zanetti, and many more …
The year in politics as observed by Australia's funniest and most perceptive political cartoonists. With Dean Alston, Peter Broelman, Pat Campbell, Andrew Dyson, John Farmer, First Dog on the Moon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Bill Leak, Alan Moir, Peter Nicholson, Bruce Petty, David Pope, David Rowe, John Spooner, Ron Tandberg, Andrew Weldon, Cathy Wilcox, Paul Zanetti, and many more . . .
This book examines the multi-media explosion of contemporary political satire. Rooted in 18th century Augustan practice, satire’s indelible link with politics underlies today’s universal disgust with the ways of elected politicians. This study interrogates the impact of British and American satirical media on political life, with a special focus on political cartoons and the levelling humour of Australasian satirists.
'Freedom of speech is the freedom to offend and that means the freedom to offend anyone.' - Bill Leak. A new collection of the art and observations of cartoonist, painter and all-round contrarian - the incomparable Bill Leak. The public has rarely held politicians and the practice of politics in such contempt. Luckily Bill Leak is here to guide us through the darkness. UnAustralian of the Year contains Leak's best editorial cartoons since 2007 and is a satirical history of an extraordinary period in Australian politics: from the enthusiastic popular mandate enjoyed by Kevin Rudd's Labor after the 2007 federal election to the brutal merry-go-round of party leaders culminating in the rancour and instability surrounding Julia Gillard's minority government. In a series of reflections Leak writes with his customary directness and acerbic wit on a range of topics: his recent accident and recovery from brain damage; the blessings of manic-depression for the creative artist; the art of editorial cartooning and his commitment to free expression; portrait painting and the contemporary art scene.
Zest author/illustrator Shing Yin Khor, whose protest art went viral online after the 2016 election, creates 365 pieces of inspiring art as she explores American protest movements in the 20th and 21st centuries one day at a time. Each page includes a piece of art and a brief description of protests that took place on that day in history. Major protests are covered, such as the suffragettes movement, The March on Washington for Jobs and Freedom, anti-Vietnam War protests, The Solidarity Day March, equal rights marches, LGBTQ protests, The Million Man March, Black Lives Matter, and many others. Resist covers lesser known regional marches and protests as well. There are inspirational quotes and famous speeches from the "disrupters" who have made a difference. A very diverse range of social, political and racial marches and protests is covered.
A special edition of a book that is destined to become a classic. Inside a beautiful linen-covered box with magnetic closure is a copy of the book The Essential Leunig, which comprises 400 definitive works spanning five decades. Also linen-bound, and with a cover unique to this special edition, each copy - one of a print run of 250 - is individually numbered and signed by the artist. The boxed set also includes a wood engraving printed on 250gsm art stock measuring 23cm x 23cm, with the actual image measuring 11cm x 8.5cm. The print has been created specially for this edition and is limited to 250 units numbered and signed by the artist. Neither the print nor the book in this edition will be reprinted, so these are truly collectors' items.