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Consists of plates collected together in Besler's Hortus Eystettensis, a gardening book first published in 1613. Among the botanic gardens ... that of the Bishop of Eichstätt on the Willibaldsburg was outstanding; the Bishop ordered drawings of the flowers and plants to be made. Long considered one of the most ambitious and splendid books on ornamental flowering plants. Reproductions are in full colour and in the original size. With full notes and commentary on each plant in a new English translation.
In 367 exquisite plates, this treasure of botanical literature records the flowers of the palatial grounds at Eichstätt, Bavaria, once some of the most beautiful gardens in history. The illustrations are organized by season and, following the classification system used today, show plants belonging to a total of 90 families and covering 340 genera.
Art meets science in this far-reaching catalogue of botanical illustration. Drawn from the vaults of the National Library of Vienna, these exquisite color reproductions range from 6th-century manuscripts to 19th-century masterpieces and celebrate both the skill of botanical artists and the abundance of natural flora.
With the cooperation of the Dept. of Botany at the U. of Texas and the National Wildflower Research Ctr., Andrews does for wildflowers what she did for peppers in her Peppers: the Domesticated Capsicums-- namely combine her striking botanical art with an informative text to create a volume of both artistic and scientific value. She pairs 52 lovely American wildflowers with a treatise giving the common name, scientific name, family origin, range, description, bloom period, pollinators, habitat requirements, propagation, remarks and etymology, and references. 9.25x12". Annotation copyright by Book News, Inc., Portland, OR
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
Botany for Artists is an accessible introduction to the world of plant science. It is aimed at anyone who is interested in plants and flowers, especially those who wish to draw or paint them without sacrificing technical accuracy to aesthetic quality.
Hortus Eystettensis was published in 1613 to document a garden created by the Prince-Bishop of EichstStt which contained all the shrubs and flowering plants known at the time; 367 plates illustrate more than 1,000 species. It was printed from copper engravings in a very large format, and a few of th
A compact edition of Joseph Banks’ extraordinary botanical engravings of flora discovered on Captain Cook’s first voyage. Joseph Banks accompanied Captain Cook on his first voyage around the world from 1768 to 1771. A gifted and wealthy young naturalist, Banks collected exotic flora from Madeira, Brazil, Tierra del Fuego, the Society Islands, New Zealand, Australia, and Java, bringing back over 1,300 species that had never been seen or studied by Europeans. On his return, Banks commissioned over 700 engravings. Known collectively as Banks’ Florilegium, they are some of the most precise and exquisite examples of botanical illustration ever created. The Florilegium was never published in Banks’ lifetime, and it was not until 1990 that a complete set in color was issued under the direction of the British Museum. It is from these prints that the new compact edition of Joseph Banks’ Florilegium is selected, as directed by David Mabberley, who has provided expert botanical commentaries. Art historian Mel Gooding sets the works in context while an afterword by Joe Studholme describes the history of modern printing. Joseph Banks’ Florilegium is not only a great work of science, but also a major achievement in collaborative Enlightenment art and a volume of outstanding beauty.
With his 1543 herb catalog, botanical pioneer Leonhart Fuchs created a masterpiece of Renaissance botany and publishing. This fresh reprint is based on Fuchs's personal, hand-colored original and features over 500 illustrations, including the first visual record of New World plant types such as maize, cactus, and tobacco.
'The Book of Plants' is a pictorial document of the flowers grown in the greatest German garden of its time.