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They'll take a leap into the unknown to protect the world. There's something seriously wrong with Earth's magic. A demon has appeared unsummoned out of thin air, familiars can't return Home, and as Grim points out, rats smell like summer in the middle of winter. Grim and Pip can deal with rats; Silas can banish one wayward demon. But soon there are other demons, more each day, and Silas's old mansion is full of mysteries. He and Darien will need their familiars, their friends, plus a whole lot of luck, as they search beyond Earth for the dark forces that have changed their world. And to have any chance of getting safely home, Silas will have to confront a past he's avoided for ten long years.
Explores this dark aspect of folklore and religion and the role that demons play in the modern world. Includes numerous entries documenting beliefs about demons and demonology from ancient history to the present.
The Sinhalese exorcism rituals are perhaps the most complex and the most magnificent in performance still extant. For this second edition, the author has written a new preface and introduction in which he argues that the techniques of healing in Sri Lanka and the aesthetics of this healing cannot be reduced to Western psychoanalytic or psychotherapeutic terms, and develops new and original approaches to ritual and the aesthetic in general.
Architecture and Modern Literature explores the representation and interpretation of architectural space in modern literature from the early nineteenth century to the present, with the aim of showing how literary production and architectural construction are related as cultural forms in the historical context of modernity. In addressing this subject, it also examines the larger questions of the relation between literature and architecture and the extent to which these two arts define one another in the social and philosophical contexts of modernity. Architecture and Modern Literature will serve as a foundational introduction to the emerging interdisciplinary study of architecture and literature. David Spurr addresses a broad range of material, including literary, critical, and philosophical works in English, French, and German, and proposes a new historical and theoretical overview of this area, in which modern forms of "meaning" in architecture and literature are related to the discourses of being, dwelling, and homelessness.
The Battlefield: Our MindsOur most powerful enemy has many names—Satan, the devil, the evil one, the serpent. No matter what you call him, he seeks to conquer and destroy your spirit, soul, and body. But the power God has made available to you is far greater than anything in Satan’s realm. Through this book, you will learn how to: Be empowered to resist Satan’s attacks Conquer entrenched sins and habits Overcome your temptations Pray and see miracles happen Release others from spiritual bondage Realize that Jesus drove out demons, and you can do the same. The time is now for you to defeat Satan and live a life of power and victory!
In this Ming-era novel, historical narrative, raucous humor, and the supernatural are interwoven to tell the tale of an unsuccessful attempt to overthrow the Song dynasty. A poor young girl meets an old woman who gives her a magic book that allows her to create rice and money. Her father, terrified that his daughter's demonic nature might be discovered, marries her off. Forced to flee, she and others with supernatural abilities find themselves in the midst of a grotesque version of a historical uprising, in which facts are intermingled with slapstick humor and wild fictions. Attributed to the writer Luo Guanzhong, Quelling the Demons' Revolt is centered on the events of the rebellion led by Wang Ze in 1047–48. But it is a distorted, humorous version, in which Wang Ze's lieutenants show up as a comical peddler and a mysterious Daoist priest and a celebrated warrior appears despite having died many years earlier. Rather than fantastic adventures and supernatural marvels, the author points to human vanities and fixations as well as social injustice, warning of the vulnerability of any pursuit of order in a world plagued by demonic forces as well as mundane corruption. Although the story takes place long before the era in which it was written, ultimately Quelling the Demons' Revolt is the story of the Ming dynasty in Song masquerade, presciently warning of the dynasty's downfall. The novel is divided into chapters, but in many ways it is an arrangement of self-contained stories that draw on vernacular storytelling. This translation offers English-speaking readers a spirited example of social critique combined with caustic humor from the era of Luo Guanzhong.
In contradistinction to the many monographs and edited volumes devoted to historical, cultural, or theological treatments of demonology, this collection features newly written papers by philosophers and other scholars engaged specifically in philosophical argument, debate, and dialogue involving ideas and topics in demonology. The contributors to the volume approach the subject from the perspective of the broadest areas of Western philosophy, namely metaphysics, epistemology, logic, and moral philosophy. The collection also features a plurality of religious, cultural, and theological views on the nature of demons from both Eastern and Western thought, in addition to views that may diverge from these traditional roots. Philosophical Approaches to Demonology will be of interest to philosophers of religion, theologians, and scholars working in philosophical theology and demonology, as well as historians, cultural anthropologists, and sociologists interested more broadly in the concept of demons.
Merezhkovsky's bold claim that "all Russian literature is, to a certain degree, a struggle with the temptation of demonism" is undoubtedly justified. And yet, despite its evident centrality to Russian culture, the unique and fascinating phenomenon of Russian literary demonism has so far received little critical attention. This substantial collection fills the gap. A comprehensive analytical introduction by the editor is follwed by a series of fourteen essays, written by eminent scholars in their fields. The first part explores the main shaping contexts of literary demonism: the Russian Orthodox and folk tradition, the demonization of historical figures, and views of art as intrinsically demonic. The second part traces the development of a literary tradition of demonism in the works of authors ranging from Pushkin and Lermontov, Gogol and Dostoevsky, through to the poets and prose writers of modernism (including Blok, Akhmatova, Bely, Sologub, Rozanov, Zamiatin), and through to the end of the 20th century.
In this series finale, forces of light and dark collide to control the keys to the demon prison.