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In his effort to detach the indispensable notion of the common good from its historical identification with the more closed, homogeneous, and static societies of the premodern past, the French political philosopher Bertrand de Jouvenel (1903-87) pointed the way towards a viable conservative liberalism. So argues Daniel J. Mahoney in this compelling introduction to the life and work of Jouvenel, one of twentieth-century France's most profound philosophers and political essayists. Although he vigorously defended the historical achievement of liberal society against its totalitarian critics, Jouvenel also challenged the modern conceit that man is an autonomous being beholden neither to the moral law nor to the humanizing inheritance of the past. Mahoney's study focuses on Jouvenel's three masterworks On Power (1945), Sovereignty (1955), and The Pure Theory of Politics (1963) and on his broader effort to defend civility and social friendship against rationalist individualism and its logical fruit, collectivist politics. Mahoney explores Jouvenel's affinities with and debts to Aristotle, Burke, Rousseau, and Tocqueville, and he contrasts Jouvenel's signal theoretical achievements with the twists and turns manifested in his (sometimes questionable) practical political engagements from the 1930s until his death. Mahoney's characteristically engaging appraisal of this important political philosopher, the fifth entry in the Library of Modern Thinkers series, is the first book on Jouvenel to appear in the English language.
Bertrand de Jouvenel examines the relationship between the distribution of power and the creation of an ethical society.
The Ethics of Redistribution was originally delivered as a Boutwood Lecture at Corpus Christi College, Cambridge, in the autumn of 1949. The Baron Bertrand de Jouvenel was then an already internationally regarded philosopher whose learned style was a calculated blend of moral. historical and political considerations. In this essay, split between discussions of the socialist ideal and state expenditure, he presents the fraught economic, societal and ethical implications attendant upon the question of income redistribution.
In this concluding volume in the trilogy that begins with On Power and moves to Sovereignty, Bertrand de Jouvenel proposes to remedy a serious deficiency in political science, namely: the lack of agreement on first principles, or 'elements'. The author's concern is with political processes as they actually exist, not as they are conjectured to be in hypothetical models.
Despite the recent rise in studies that approach fascism as a transnational phenomenon, the links between fascism and internationalist intellectual currents have only received scant attention. This book explores the political thought of Bertrand de Jouvenel and Alfred Fabre-Luce, two French intellectuals, journalists and political writers who, from 1930 to the mid-1950s, moved between liberalism, fascism and Europeanism. Daniel Knegt argues that their longing for a united Europe was the driving force behind this ideological transformation. While defeat and occupation led both intellectuals to fascination and intellectual collaboration with the German-led European order, the post-war period saw them affiliate with the extreme right and contribute to its intellectual renewal. Paradoxically at the same time, Jouvenel reinvented himself as a leading neoliberal theorist and founding member of the Mont Pèlerin Society. Provocative and innovative, this study traces the intellectual links between fascism, Europeanism and early neoliberalism.
In The Nature of Politics de Jouvenel's refreshing freedom from ideological blinders makes him worthy of comparison to Orwell, but his ambition stretches beyond the novelistic in that he attempts to develop a theory of the good state resting upon a clear-sighted understanding of the true nature of political behavior. Graced with a brilliant introduction by Dennis Hale and Marc Landy, this volume serves as an ideal introduction to de Jouvenel's thought.
This book is a critical inquiry into sovereignty and argues that the meaning and functions performed by this concept have changed significantly during the past decades, with profound implications for the ontological status of the state and the modus operandi of the international system as a whole. Although we have grown accustomed to regarding sovereignty as a defining characteristic of the modern state and as a constitutive principle of the international system, Sovereignty as Symbolic Form argues that recent changes indicate that sovereignty has been turned into something granted, contingent upon its responsible exercise in accordance with the norms and values of an imagined international community. Hence we need a new understanding of sovereignty in order to clarify the logic of its current usage in theory and practice alike, and its connection to broader concerns of social ontology: what kind of world do we inhabit, and of what kind of entities is this world composed? This book will be of interest to students of International Relations, Critical Security and International Politics.
Written between 1952 and 1980, the essays range from a discussion of technology to reflections on such fundamental economic concepts as "amenity" and "welfare." They include the deeply theoretical as well as the practical and the concrete. All are informed by de Jouvenel's insistence that a science which seeks to understand the production and distribution of "goods" must be concerned in the first place with the good itself. Economics and the Good Life is a companion volume to The Nature of Politics: Selected Essays of Bertrand de Jouvenel. Like the earlier volume, this collection is accompanied by an editors' introduction that places the essays in the wider context of de Jouvenel's work.
A vibrantly illustrated chain of entanglements (romantic and otherwise) between some of our best-loved writers and artists of the twentieth century--fascinating, scandalous, and surprising. Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles. Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger.