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In many of his plays, Shaw writes a preface for the reader which, in some cases, has very little to do with the play itself, but, in some cases, as with Major Barbara, it comments directly on the ideas found in the play. And as with this play, the prefaces are often rather lengthy and are divided into sections.
In many of his plays, Shaw writes a preface for the reader which, in some cases, has very little to do with the play itself, but, in some cases, as with Major Barbara, it comments directly on the ideas found in the play. And as with this play, the prefaces are often rather lengthy and are divided into sections.
"Major Barbara" by George Bernard Shaw. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
George Bernard Shaw was born in Dublin in 1856. Before becoming a playwright he wrote music and literary criticism. Shaw used his writing to attack social problems such as education, marriage, religion, government, health care, and class privilege. Shaw was particularly conscious of the exploitation of the working class. Major Barbara has been called the most controversial of Shaw's works. His seeming criticism of Christianity and The Salvation Army caused some to accuse him of blasphemy, while others defended what they saw as his realistic presentation of religion. In Major Barbara a woman who has committed herself to work with the Salvation Army faces the dilemma that its support must come from the corrupt rich, a realization which shatters her faith. She finally finds a code by which she can live. Shaw wrote this preface in part to explain his reasons for writing Major Barbara and in part to answer his critics.
Preface to Major Barbara: First Aid to Critics by Bernard Shaw is a rare manuscript, the original residing in some of the great libraries of the world. This book is a reproduction of that original, typed out and formatted to perfection, allowing new generations to enjoy the work. Publishers of the Valley's mission is to bring long out of print manuscripts back to life.
This is George Bernard Shaw's satiric comedy about wealth and poverty. Major Barbara Undershaft, a major in the Salvation Army who is also a socialist and stridently attacks capitalists, in particular her father Andrew, the head of a munitions plant. In love with Barbara is the young Greek scholar Adolphus Cusins, whose attentions go unreturned since Barbara spends all her time on her crusade against wealth. To show up his daughter, Andrew donates 50,000 pounds to the Salvation Army which, to Barbara's horror, the Army's general happily accepts. Barbara, in protest, quits her post and it is left to Adolphus to take her on a tour of her father's munitions plant and prove to her the benefits of capitalism.
Major Barbara is a three-act play that premiered at the Court Theatre in 1905, and was subsequently published in 1907. It portrays idealist Barbara Undershaft, a Major in the Salvation Army, and her encounter with her long-estranged father who has made his fortune as a "dealer of death" in the munitions industry. Barbara doesn't wish to be associated with her father's ill-gotten wealth, but can't prevent him from donating to the Salvation Army and eventually converting her family to his capitalist views on how best to help the poor. In the preface, Shaw addresses his critics and explicates his actual attitudes towards the Salvation Army, versus the attitudes and fates portrayed by his characters and responded to by the critics. He continues on to discuss the issues of wealth and poverty, religion and science, and how they all fit into his views of society. Major Barbara is one of the most controversial of Shaw's work and was greeted with decidedly mixed reviews, yet it endures as one of his most famous plays.
A.M. Gibbs provides an authoritative and comprehensive account of the life, career and associations of George Bernard Shaw (1856-1950), one of the most eminent and influential literary figures of the modern age. Drawing on a wide range of published and unpublished material, this work illuminates the complex fabric of Shaw's extraordinary career as playwright, novelist, critic, orator, political activist, social commentator, avant-garde thinker and controversialist. Images of Shaw's daily private life, and of his tangled love affairs, flirtations and friendships, are intertwined with the records of his prodigiously productive career as public figure and creative writer, in a fully documented study which is both a scholarly resource and a lively biographical portrait. An introductory chapter explores theoretical issues in biography raised by the chronology form; and a chapter on Shaw's ancestry and family supplies new evidence about his Irish background. A Who's Who section contains thumbnail sketches of over two hundred contemporaries of Shaw who had significant associations with him.
Major Barbara. Bernard Shaw. Major Barbara is a three act play by George Bernard Shaw, written and premiered in 1905 and first published in 1907. An Officer of The Salvation Army, Major Barbara Undershaft, becomes disillusioned when her Christian denomination accepts money from an armaments manufacturer (her father) and a whisky distiller. She eventually decides that bringing a message of salvation to people who have plenty will be more fulfilling and genuine than converting the starving in return for bread. Although Barbara initially regards the Salvation Army's acceptance of Undershaft's money as hypocrisy, Shaw did not intend that it should be thought so by the audience. Shaw wrote a preface for the play's publication, in which he derided the idea that charities should only take money from "morally pure" sources. He points out that donations can always be used for good, whatever their provenance, and he quotes a Salvation Army officer, "they would take money from the devil himself and be only too glad to get it out of his hands and into God's."