Download Free Bernard Shaw On Music Book in PDF and EPUB Free Download. You can read online Bernard Shaw On Music and write the review.

This is the first of three volumes of musical criticisms by Bernard Shaw reflecting his great breadth of knowledge of the works of Wagner, Bach and Mozart to more contemporary British composers such as Walton, Tippett and Britten.
This volume contains the best of Shaw's musical writing, including sections on Gluck, Handel, Mozart, Beethoven, Rossini, Verdi, Berlioz, pieces on opera, musical analysis, oratorios, Gilbert and Sullivan, plus a long autobiographical preface, one of Shaw's most self-revealing works. The result is a book of unparalleled brilliance and grace by a writer who, according to W.H. Auden, "was probably the greatest music critic who ever lived." "For all music collections." - Library Journal
(Applause Books). "With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his." - From SHAW ON SHAKESPEARE Celebrated playwright, critic and essayist George Bernard Shaw was more like the Elizabethan master that he would ever admit. Both men were intristic dramatists who shared a rich and abiding respect for the stage. Shakespeare was the produce of a tempestuous and enlightening era under the reign of his patron, Queen Elizabeth I; while G.B.S. reflected the racy and risque spirt of the late 19th century as the champion of modern drama by playwrights like Ibsen, and, later, himself. Culled from Shaw's reviews, prefaces, letters to actors and critics, and other writings, SHAW ON SHAKESPEARE offers a fascinating and unforgettable portrait of the 16th century playwright by his most outspoken critic. This is a witty and provocative classic that combines Shaw's prodigious critical acumen with a superlative prose style second to none (except, perhaps, Shakespeare!).
"Bernard Shaw's essays on music include some of the most scintillating ever written on the subject. In this volume, Louis Crompton has brought together Shaw's major articles on Bach, Handel, Mozart, Beethoven, Wagner, and a host of other composers, articles culled from six miscellaneous volumes of criticism made up largely of untitled reviews. Concert goers and opera enthusiasts will enjoy comparing Shaw's views of familiar works with their own, and professional music critics will find much to engage them in his pungent opinions. Throughout these pages Shaw's sparkling wit is everywhere in evidence, along with the intellectual vigor that him one of the mentors of his age. Crompton's extensive introduction discusses Shaw's views on musical greatness and traces connections between his thinking on music and the social and aesthetic currents of his time."--Publisher's description.
Bernard Shaw's "The Perfect Wagnerite: A Commentary on the Ring of the Niblung" is a major work. This book offers an in-depth examination of Richard Wagner's famous opera cycle "Der Ring des Nibelungen." Shaw's commentary delves into the complex strata of Wagner's magnum opus, providing a multidimensional assessment that goes beyond typical music analysis. He introduces readers to Wagnerian mythology, complex character relationships, and the overarching plot, frequently through the lens of socialism and revolutionary thought. Shaw's opinion that the Ring Cycle might be viewed as a parable for societal reform is one of his core arguments. He sees the demise of the gods and the return of the ring to the Rhine as a metaphor for the inevitable collapse of repressive society systems and the possibility of a more egalitarian future. Shaw's distinct wit and intellectual depth shine through throughout the book as he connects with Wagner's work. His commentary extends beyond musical criticism to include political and philosophical implications. Shaw's approach encourages readers to evaluate Wagner's music dramas in the light of a broader cultural and historical backdrop. In conclusion, George Bernard Shaw's "The Perfect Wagnerite" is a thought-provoking and enduring investigation of Wagner's vast operatic masterpiece, providing readers with a novel perspective that mixes musical analysis with socio-political criticism.
When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
A collection of critical writings on music from the Nobel Prize–winning playwright behind Saint Joan and Man and Superman. The Critical Shaw: On Music is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s extensive writings on a wide range of musical topics. Still recognized as one of Great Britain’s most important music critics, Shaw enriched London’s musical scene for some twenty years with his provocative, original, and penetrating reviews, before giving up music criticism to concentrate his talents on playwriting. His vast critical output encompassed opera, operetta, vocal and orchestral performance, musical theater, and oratorios, and took in major composers and performers as well as many long since forgotten names. Frequently embellished by his controversial political and social opinions, and delving as well into the nature of music criticism itself, Shaw’s reviews continue to stimulate and surprise, their depth and range setting standards that are rarely, if ever, matched today. Included in this edition is a previously unpublished draft on voice training prepared by Shaw for Vandeleur Lee, his mother’s singing teacher. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.
With his inimitable wit and sparkle, George Bernard Shaw brings us the character of Owen Jack, a salty non-conformist composer said to have been suggested by Beethoven. The relations between Jack and the other wayward bohemians of the story with the more conventional socialites around them offers shrewd insight into the nature of the artistic temperament, with its needs for a kind of commitment that overrides the everyday claims of the heart. A novel which anticipated Shaw's first plays by more than ten years, LOVE AMONG THE ARTISTS shows him already mocking the respectable morality of the Victorian society around him.