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Outcast peasant girl searches for the compassion and strength to combat her loneliness.
In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself. Awarded the Grand Prix for Literature by the Academie Fran?aise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. A book of the utmost sensitiveness and compassion? it is a work of deep, subtle and singularly encompassing art.? ? New York Times Book Review
With the election of a new Abbot at the Abbey of Gethsemani, Merton enters a period of unprecedented freedom, culminating in the opportunity to travel to California, Alaska, and finally the Far East – journeys that offer him new possibilities and causes for contemplation. In his last days at the Abbey of Gethsemani, Merton continues to follow the tumultuous events of the sixties, including the assassinations of Martin Luther King, Jr., and Robert Kennedy. In Southeast Asia, he meets the Dalai Lama and other Buddhist and Catholic monks and discovers a rare and rewarding kinship with each. The final year is full of excitement and great potential for Merton, making his accidental death in Bangkok, at the age of fifth-three, all the more tragic.
Science fiction-roman.
One of the great mavericks of French literature, Georges Bernanos combined raw realism with a spiritual focus of visionary intensity. Mouchette stands with his celebrated Diary of a Country Priest as the perfection of his singular art. “Nothing but a little savage” is how the village school-teacher describes fourteen-year-old Mouchette, and that view is echoed by every right-thinking local citizen. Mouchette herself doesn’t bother to contradict it; ragged, foulmouthed, dirt-poor, a born liar and loser, she knows herself to be, in the words of the story, “alone, completely alone, against everyone.” Hers is a tale of “tragic solitude” in which despair and salvation appear to be inextricably intertwined. Bernanos uncompromising genius was a powerful inspiration to Flannery O’Connor, and Mouchette was the source of a celebrated movie by Robert Bresson.
In a small village in northern France, Monsieur Ouine, a retired professor, is taken in by the dull local squire, Anthelme de Näräis, and soon rules the life of both Anthelme and his wife, Ginette. A fourteen-year-old fatherless boy, Philippe Dorval, flees home and, on impulse, follows Madame de Näräis to her chÛteau. There the squire, who is dying, tells the boy that his father is actually alive and well?that despite what Philippe?s mother had told him, his father had not died in World War I. The forsaken boy finds himself on that fatal evening succumbing to Monsieur Ouine?s embrace after falling into a drunken sleep in the old professor?s bed. The events of the tempestuous night lead to upheaval in the village the next morning, when, at dawn, a boy?s body is found afloat in a stream near the chÛteau.
This new translation marks the seventy-fifth anniversary of Georges Bernanos's first novel, Under Satan's Sun, a powerful account of intense spiritual struggle that reflects the author's deeply-felt religion. The work develops a theme that persistently inspired Bernanos: the existence of evil as a spiritual force and its dramatic role in human destiny. ø This haunting novel follows the fortunes of a young, gauche, and fervent Catholic priest who is a misfit in the world and in his church, creating scandal and disharmony wherever he turns. His insight into the inner lives of others and his perception of the workings of Satan in the everyday are gifts that fatefully come into play in the priest's chance encounter with a young murderess, whose life and emotions he can see with a dreadful clarity, and whose destiny inexorably becomes entangled with his own.
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This book examines a corpus of frenetic novels - by Balzac, Barbey d'Aurevilly, Zola, Huysmans, Bloy and Bernanos - that foreground the motif of fever within a recurring master plot: a pious young woman, just discovering her sexuality, finds herself torn between two father-figures, a doctor (typically a blood-relative, often the biological father) and a priest (the spiritual father). She contracts a disease of uncertain origin, made manifest by a series of fevers that require interpretation in the light of contemporary religious, medical and literary discourses. Manzini traces the motifs of fever and frenzy back to Rousseau, the Gothic novel and Frenetic Romanticism, as well as forward to their recuperation within Surrealism, in order to produce an original history of Frenetic Catholicism in the age of realism. Francesco Manzini is a Stipendiary Lecturer in French at Christ Church, Oxford, and is the author of Stendhal's Parallel Lives (2004). He has also published numerous articles on nineteenth-century French literature.