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A frenzied German Expressionist tale of orgy as salvation in Weimar Berlin Originally published in German in 1919, Postdamer Platzwas Curt Corrinth's first novel to employ an expressionistic, frenetic prose and presented his excessive vision of free love. Inspired by the sex theories of Freud's controversial disciple Otto Gross, Corrinth preached the sexual orgy as a means to salvation and universal copulation as a new world religion. The book's provincial protagonist, Hans Termaden, arrives in Berlin, where he quickly evolves from city rube to sexual messiah as he converts prostitutes and virgins into sensual warriors and frees men of sexual inhibitions. As word of his exploits spreads, people flock to his headquarters in Potsdamer Platz, turning all buildings into brothels. Police and army attempt to bring order but themselves defect to take part in the spreading copulation as Corrinth's prose itself begins to fragment and melt on the page. Decried in its time, Postdamer Platzcan be read today as a portal into the cultural excesses of Weimar Berlin. This first English translation includes the original illustrations done by Paul Klee for the book's 1920 deluxe edition. Curt Corrinth(1894-1960) studied law until serving in the military in World War I, which resulted in his embracing an antiwar and anti-bourgeois stance through his poetry and then through a series of novels, three of which would be banned by the Nazis in 1933. In 1955, he moved to the GDR in East Berlin, where he died five years later.
Complete with relevant Bible verses, explanations, and exercises, this guide builds on the enormously popular 1-2-3 Magic discipline system by addressing the concerns of a Christian parent. Focused on the three main tasks of controlling obnoxious behavior, encouraging good behavior, and strengthening the parent-child relationship, this program is simple, effective, and can be implemented immediately. Addressing everything from homework and chores to more serious tantrums and fighting, Dr. Phelan and Pastor Webb teach parents to take charge—yet refrain from any physical discipline or yelling—leading to happier parents, better behaved children, and a more peaceful home environment. This revised edition includes tips from parents and expanded information on privacy, cyber safety, and social media.
In this quiet and devastating novel about the rise of fascism, Siggi Jepsen, incarcerated as a juvenile delinquent, is assigned to write a routine German lesson on the “The Joys of Duty.” Overfamiliar with these joys, Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, a constable, doggedly carry out orders from Berlin to stop a well-known Expressionist artist from painting and to seize all his “degenerate” work. Soon Siggi is stealing the paintings to keep them safe from his father. “I was trying to find out,” Lenz says, “where the joys of duty could lead a people.” Translated from the German by Ernst Kaiser and Eithne Wilkins
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.