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Berlin lies more than 100 miles behind the Iron Curtain within the Soviet-occupied zone of Germany. It is not, however, part of that zone. It is a separate political entity for which the four major allies of the war against Nazi tyranny are jointly responsible. Its special status stems from the fact that it was the capital not only of Hitler's Third Reich but of the German nation formed in the latter half of the 19th century. In essence, the four major allies agreed to hold Berlin, as the traditional capital, in trust for a democratic and united Germany. United States, Department of State Berlin-I96I (1961) The division of Germany, and with it the bifurcation of its one-time capital - Berlin - has produced one of the foremost political contro versies of the mid-twentieth century. There has long been a "German problem," and volumes have been written concerning the history and culture of the country, the Nazi era and World War II, the Allied occupation, and recent political and economic developments in Ger many. Yet, the "Berlin problem" - as part of the broader German question - is historically of the current era.
Berlin is poised to emerge as one of the world's most exciting centers of contemporary art. As artists from different countries flock to the new capital of re-unified Germany, its major museums are undergoing a massive renovation while grant programmes and inexpensive studio space are giving new talents the chance to create and display their art. Published in conjunction with a major exhibition at the Phoenix Museum of Art, this catalogue is the first comprehensive survey of the artistic renaissance of post-wall Berlin. Many of the works - which include paintings, sculpture, photography, film, installation sound and performance art - were completed in this century. In addition to colour illustrations of each of the works, this volume includes essays on the Berlin art scene, the city's recent architecture, and what the future may hold for this exciting nexus of creativity.
For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions. Berlin Contemporary explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Besides New York, Berlin has the highest concentration of art galleries in the world-- well over 400 venues for contemporary art. In this second edition of the successful Berlin gallery guide, a selection of galleries--showing work by international artists like Neo Rauch, Thomas Demand and Dash Snow--are presented with profiles.
Located in the geographical center of Berlin, the neighboring boroughs of Friedrichshain and Kreuzberg shared a history and identity until their fortunes diverged dramatically following the construction of the Berlin Wall, which placed them within opposing political systems. This revealing account of the two municipal districts before, during and after the Cold War takes a microhistorical approach to investigate the broader historical trajectories of East and West Berlin, with particular attention to housing, religion, and leisure. Merged in 2001, they now comprise a single neighborhood that bears the traces of these complex histories and serves as an illuminating case study of urban renewal, gentrification, and other social processes that continue to reshape Berlin.
"Each topic is very thoroughly documented, weaving together historical information and current political debates surrounding memorial sites ... Highly valuable as a chronicle of the politics of memory. ... Recommended."---Choice, March 2009 --
Contemporary Archaeology and the City foregrounds the archaeological study of post-industrial and other urban transformations through a diverse, international collection of case studies. Over the past decade contemporary archaeology has emerged as a dynamic force for dissecting and contextualizing the material complexities of present-day societies. Contemporary archaeology challenges conventional anthropological and archaeological conceptions of the past by pushing temporal boundaries closer to, if not into, the present. The volume is organized around three themes that highlight the multifaceted character of urban transitions in present-day cities - creativity, ruination, and political action. The case studies offer comparative perspectives on transformative global urban processes in local contexts through research conducted in the struggling, post-industrial cities of Detroit, Belfast, Indianapolis, Berlin, Liverpool, Belém, and post-Apartheid Cape Town, as well as the thriving urban centres of Melbourne, New York City, London, Chicago, and Istanbul. Together, the volume contributions demonstrate how the contemporary city is an urban palimpsest comprised by archaeological assemblages - of the built environment, the surface, and buried sub-surface - that are traces of the various pasts entangled with one another in the present. This volume aims to position the city as one of the most important and dynamic arenas for archaeological studies of the contemporary by presenting a range of theoretically-engaged case studies that highlight some of the major issues that the study of contemporary cities pose for archaeologists.