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How art has evolved from the Soviet era through modern Russia. The Way of Enthusiasts is a translation of the name of the Moscow landmark Shosse Entuziastov, an avenue that connects the city center to the residential districts. The romantic and impassioned foundations that were laid under this name in the 1920s-as well as the urban environment it designated-gradually changed as the Soviet social project evolved. The book features spatial commentaries by Russian artists over the last few decades and uses urban and architectural material as a parallel narrative to contextualize and depict the patterns underlying artistic practices since the shift from the Soviet era to a post-ideological society.
Over the centuries, glass has been relegated to a limited number of uses and contexts. It has taken great effort and imagination to free this material from the clichés imprisoning it. This book offers an in-depth view on those artists who have dared to push glass beyond its conventional uses, the results of which have been astonishing, exceptionally original and innovative. These artists are: Josef Albers, Arman, Jean Arp, Barbara Bloom, Louise Bourgeois, Sergio Bovenga, Daniel Buren, Lawrence Carroll, Csar, Soyeon Cho, Tony Cragg, Marie Louise Ekman, Jan Fabre, Lucio Fontana, Francesco Gennari, Dan Graham, Richard Hamilton, Mona Hatoum, Hye Rim Lee, Charlotte Hodes, Mimmo Jodice, Marya Kazoun, Joseph Kosuth, Jannis Kounellis, Raimund Kummer, Federica Marangoni, Orlan, Jean Michel Othoniel, Luca Pancrazzi, Anne Peabody, Giuseppe Penone, Anton Pevsner, Bettina Pousttchi, Robert Rauschenberg, Man Ray, Rene Rietmeyer, Silvano Rubino, Sandro Sergi, Kiki Smith, Jana Sterbak, Lino Tagliapietra, Koen Vanmechelen, Fred Wilson, Kimiko Yoshida and Chen Zhen.
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