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Bereavement is often treated as a psychological condition of the individual with both healthy and pathological forms. However, this empirically-grounded study argues that this is not always the best or only way to help the bereaved. In a radical departure, it emphasises normality and social and cultural diversity in grieving. Exploring the significance of the dying person’s final moments for those who are left behind, this book sheds new light on the variety of ways in which bereaved people maintain their relationship with dead loved ones and how the dead retain a significant social presence in the lives of the living. It draws practical conclusions for professionals in relation to the complex and social nature of grief and the value placed on the right to grieve in one’s own way – supporting and encouraging the bereaved person to articulate their own experience and find their own methods of coping. Based on new empirical research, Bereavement Narratives is an innovative and invaluable read for all students and researchers of death, dying and bereavement.
This collection shows what happens when facing the inevitable and sometimes expected death of a parent, and how such an ordinary part of life as parental death might connect with the children left behind. In many ways, individual deaths are extraordinary and leave a unique legacy – a kind of haunting. The authors' accounts seek to make sense of death through witnessing its enactment and recording its detail. All the authors are experienced researchers in the field of death studies, and their collective expertise encompasses ethnography, psychology, sociology and anthropology. The individual descriptions of death and grief capture the everyday practicalities of managing death and dying, including, for example, the difficulties of caring responsibilities and the realities of dealing with strained family relationships. These accounts show the raw detail of death; they are deeply personal observations framed within critical theories. As established scholars and practitioners that have researched and worked in end-of-life and bereavement care, the authors in this anthology offer a unique perspective on how identity is shaped by a close bereavement. The book employs a strong editorial narrative that blends memoir with theoretical engagement, and will be of interest to death studies scholars, as well as practitioners involved in end-of-life care and bereavement care and anyone who has experienced the death of a parent.
What would you say to a deceased loved one if they could come back for one day? What if you can’t just ‘move on’ from grief? At Home with Grief: Continued Bonds with the Deceased chronicles Blake Paxton’s autoethnographic study of his continued relationship with his deceased mother. In the 90s, Silverman, Klass, and Nickman argued that after the death of a loved one, the bond does not have to be broken and the bereaved can find many ways to connect with memories of the dead. Building on their work, many other bereavement scholars have discussed the importance of not treating these relationships as pathological and have suggested that more research is needed in this area of grief studies. However, very few studies have addressed the communal and everyday subjective experiences of continuing bonds with the deceased, as well as how our relationship with our grief changes in the long term. In this book, Blake Paxton shows how a community in southern Illinois continues a relationship with one deceased individual more than ten years after her death. Through this gripping autoethnographic account of his mother’s struggles with a rare cancer, her death, and his struggles with sexuality, he poses possibilities of what might happen when cultural prescriptions for grief are challenged, and how continuing bonds with the dead may help us continue or restore broken bonds with the living.
What do Dexter King, Condoleeza Rice, Mackenzie King, Corazon Aquino, Eleanor Roosevelt, Bill Cosby, Tony Dungy, Theodore Roosevelt, George H. W. and Barbara Bush, Caroline Kennedy, Arthur Ashe, Lady Bird Johnson, Colin Powell and C. S. Lewis have in common? They all have significant grief experiences that have shaped their lives in dramatic ways, stories that have also shaped our lives. Grieving individuals, through "borrowing narratives," look for inspiration in biographic, historical and memoir accounts of political and religious leaders, celebrities, sports figures, and cultural icons. In a time of diminishing trust in heroes and "sainted leaders", who will speak to us from their grief? In a diverse society grief counselors and educators need to identify and "mine" the experienced grief(s) of historical personalities for resources for reflection and meaning-making. This book will help readers: find, "read," evaluate, extract, and adapt historical/biographical materials create bio-narrative resources for use in grief counseling and grief education explore the wide diversity of experienced grief in biographical narratives identify ways to "harness" grief narratives for personal reflection.
This collection weaves together the personal narratives of a group of diverse scholars in academia in order to reflect on the ways that grief and hope matter for those situated within higher education. Each chapter explores a unique aspect of grief and loss, from experiencing a personal tragedy such as the loss of a loved one, to national and international grief such as campus shootings and refugee camp experiences, to experiencing racism and microaggressions as a woman of color in academia, to the implications of religious differences severing personal ties as an individual navigates research and academic studies. Unlike most resources examining grief, this collection pushes beyond notions of sorrow as solely individual, and instead situates moments of loss and hurt as ones that matter politically, academically, professionally, and personally. The editors and their authors offer pathways forward to academics, researchers, teachers, pedagogues, and thinkers who grapple with grief in a variety of forms, transforming this book into a critical resource of hope to those in the field of education (and others) who may feel the effects of an otherwise solitary journey of grief, to create an awareness of solidarity and support that some may not realize exists within academic circles.
Although there is extensive research on the loss of a spouse, predominantly focusing on the experiences of widows, much less attention is paid to bereaved partners not married to their significant other, whether or not the partners are of the same sex. This first-of-its-kind work explores both socially sanctioned and disenfranchised grief, highlighting similarities and differences. Combining a discussion of various theories of grief with personal narratives of grieving men and women drawn from numerous interviews, and detailed case study analysis, Carolyn Ambler Walter has produced a penetrating examination of the bereavement experiences of partners in varying types of relationships. She views narratives of widows, widowers, and bereaved domestic gay and lesbian partners from a postmodern perspective that breaks away from the traditional belief that the living must detach themselves from the dead in order to move on with their lives. Instead, building on the works of postmodern grief theorists such as Klass, Silverman, and Nickman, Walter views ongoing bonds with the dead as a resource for enriching functionality in the present, and as a key to looking to the future.
Filling the gap between the challenges to conventional grief psychology and the practice of bereavement counseling, this structured guide will also inspire readers with a new way of thinkingNincluding the stories and love that remain after death. Here is a model for folding the deceased person's values, legacies, meanings, and connections into the lives of the living.
The use of narrative methods has a long history in palliative care, pioneered by Dame Cicely Saunders, founder of the modern hospice movement, Narrative and Stories in Health Care provides a vibrant, multidisciplinary examination of work with narrative and stories in contemporary health and social care, with a focus on the care of people who are ill and dying. It animates the academic literature with provocative 'real-world' examples from international contributors, including palliative care service users and those working in the social and human sciences, medicine, theology, and the creative arts. Narrative and Stories in Health Care addresses and clarifies core issues: What is a narrative? What is a story? What are some of the main methods and models that can be used and for what purposes? What practical and ethical dilemmas can the methods entail in work with illness, death and dying? As well as highlighting the power of stories to create new possibilities, the book also acknowledges the conceptual, methodological and ethnical problems and challenges inherent in narrative work. As the hospice and palliative care movement evolves to meet the challenges of 21st century health care, this fascinating book highlights how narratives and stories can be attended to in ways that are productive, ethical, and caring.
This books presents valuable information on the role of music therapy with respect to a number of issues common to end-of-life care and bereavement with a focus on grief and loss. The purpose of the book is to provide information and examples of ways of working in music therapy with the dying and bereaved for students, professional music therapists, as well as those in related healthcare roles and companions on the journey of the dying. The co-authors practice in an eclectic model of music therapy that is humanistic and client -centered at its core. Part one provides a thematic review of literature describing the use of music in end-of-life care, as well as a summary of music therapy techniques commonly implemented in these environments. This is followed by the presentation of 3 case study chapters based on Clements-Cortes' work in palliative care. Each chapter is completed with a link back to the emerging themes in end-of-life care as outlined in chapter one. Part two presents a thematic review of literature describing the use of music in bereavement, and is followed by 3 case study chapters based on Klinck's work in bereavement care, illustrating the narrative experiences of her research study participants. Part two concludes with the presentation of an author developed Music Therapy Bereavement Group Model. Case studies are presented in narrative format, and in this way honor the voices of the dying and bereaved and fully illuminate the therapeutic process in work towards client identified goals.
The Disenfranchised: Stories of Life and Grief When an Ex-Spouse Dies offers an unprecedented anthology of never-before-published, first-person life histories by ex-spouses whose grief has endured as disenfranchised: socially unacknowledged, untold, and unrecognised. Each story of disenfranchised grief is fiercely honest and courageously made public. This anthology has no parallels in current texts, academic literature or mainstream publications. Contributors present personal histories, revealing that the dimensions of disenfranchised grief are as individual as the writers who have endured this neglected aspect of grief and bereavement. In many narratives, the healing power of their creative processes through art and poetry is further revealed. The anthology is compiled and edited by Peggy Sapphire, MS (Guidance and Counseling), a writer living in Vermont. Over the span of five years, through phone conversations and written communications, Ms. Sapphire established trusting relationships with the contributors, who, though choosing to submit their work, often struggled with reluctance, even dread, at revisiting previously private events in their lives and finally committing their stories to paper, and ultimately to publication. Each narrative is accompanied by a clinical commentary, written by Shirley Scott, MS, certified Thanatologist, which provides readers, whether academic, practitioner, student, or lay, with reflections on the issues and patterns of disenfranchised grief, as reflected by each narrative. Included in each commentary are bibliographic references for further and advanced study. The contributors represent an extraordinary range of professional achievements and academic credentials--well-published writers, poets, working artists, educators, academics, mental health practitioners, and health professionals.