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"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons.
This generously illustrated book explores the connections between Thomas Hart Benton’s art and Hollywood movies from groundbreaking perspectives. Thomas Hart Benton was a thoroughly American artist. His regionally focused paintings and murals depicted everyday American life as well as the country’s history. This volume focuses on one of the most American of Benton’s associations: Hollywood. Not only did Benton create commissioned murals and portraits of film stars and movies, but he also developed a style that was highly theatrical and narrative. This volume is the first to collect all the works conceived by Benton for the film industry. It includes related ephemera, photographs, and documents of Benton at work, along with a series of thought-provoking essays that explore a diverse array of topics—from Benton’s engagement with American identity from the 1920s to the 1960s, to parallels between Benton’s use of Old Master methods and film production techniques. Fans of Thomas Hart Benton will find surprising insights into his career, while those fascinated by Hollywood history will discover how one of America’s most revered artists shaped and was in turn influenced by the film industry.
This lushly illustrated volume for the first time focuses specifically on the strong influence the South had on Benton's explorations of America and on his career as an artist. Thomas Hart Benton (1889-1975), a widely recognized American painter, muralist, printmaker, and illustrator, first attained prominence during the 1920s and 1930s as an artist, teacher, critic, writer, and outspoken art world personality. By 1934, when he was the first artist featured on the cover of Time magazine, he had become one of the most recognized artists in the United States. Beginning in the 1920s and continuing throughout his career, Benton traveled the breadth of the country, sketching and recording the details of the changing daily life he encountered on the backroads and in the isolated cultural pockets of America. Inspired by his early campaign travels in Missouri with his father, who had been elected to Congress as a Populist in 1897, and driven by his own conviction that the nation was sacrificing its unique culture and history in its rush to become a new, modern society, Benton set out to capture the essence of contemporary America. The American South held a special fascination for Benton, and from his travels and sketching trips throughout the region came many of his most noted images of America. Representing both the drawings Benton made during his travels to the South and the major paintings and murals that later incorporated details from these sketches and finished drawings, Thomas Hart Benton and the American South is a feast to the eye and reveals much about the artist and the South that so captivated him.
This timely textprovides a comprehensive overview of the dramatic and rapidly evolving issues confronting the cities of North America. Metropolitan areas throughout the United States and Canada face a range of dynamic and complex concerns—including the redistribution of economic activities, the continued decline of manufacturing, and a global growth in services. The contributors provide compelling examples: Inner cities have experienced both gentrification and continued areas of segregation and poverty. Downtown revitalization has created urban spectacles that include festivals, marketplaces, and sports stadiums. Older, inner-ring suburbs now confront decline and increased poverty, while the outer-ring suburbs and exurbs continue to expand, devouring green space. The book explores how the combined processes of urbanization and globalization have added new responsibilities for city governments at the same time leaders are grappling with planning, economic development and finance, justice, equity, and social cohesion. Cities have become the stage upon which new forms of ethnic, racial, and sexual identities are constructed and reconstructed. They are also connected to wider ecological processes as urban spaces are compromised by manmade and natural disasters alike. Introducing contemporary spatial arrangements and distributions of activities in metropolitan areas, this clear and accessible book covers economic, social, political, and ecological changes. It is also the only text to include the physical geography of urban areas. Bringing together leading geographers, it will be an ideal resource for courses on urban geography and geography of the city. Contributions by: Matthew Anderson, Lisa Benton-Short, Geoff Buckley, Christopher DeSousa, Bernadette Hanlon, Amanda Huron, Yeong-Hyun Kim, Nathaniel M. Lewis, Robert Lewis, Deborah Martin, Lindsey Sutton, John Tiefenbacher, Thomas J. Vicino, Katie Wells, and David Wilson.
"Thomas Hart Benton's autobiography first appeared in 1937 and met immediately with success. Thus presented, the opinions, judgments, and critical evaluations of this artist, whose works held the center of lively controversy, interested the general reader as well as the world of art. The book reappeared in 1951, bringing up to date the perspectives on life and art of a forthright participant and maker. Now, in his seventy-ninth year, Mr. Benton has added another chapter to his continuing comment on the world of art and the role of the artist in that world. His rare gift of cogent expression in letters as well as in color and line provides the reader with as vigorous and vital an experience as his paintings provide their viewers."--Dust jacket.
Lavish, heavily illustrated volume on this American genre painter and muralist.
After World War I, the US was flooded with newspapers, magazines, radio stations and movies. Many feared serious books would disappear altogether. The concern caused a boom in fine editions, valued for beauty, craftsmanship or rarity, rather than content, and this is their story.