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Australian Women’s Weekly Great Read Shortlisted Indie Book Awards for Debut Fiction Woman & Home Books of the Year Shortlisted MUD Literary Prize​ Shortlisted ABIA Award for General Fiction Shortlisted ABIA Matt Richell Award New Writer of the Year ‘Hannah Bent’s outstanding debut is a wise, wondrous celebration of life.’ – The Australian ‘Hannah Bent has created a literary heroine of such pure beauty she takes your breath away.’ – Australian Women’s Weekly ‘Read it if you like: Your sister, anything by Trent Dalton, having a good cry, and My Sister’s Keeper.’ – Mamamia Marlowe and Harper share a bond deeper than most sisters, shaped by the loss of their mother in childhood. For Harper, living with what she calls the Up syndrome and gifted with an endless capacity for wonder, Marlowe and she are connected by an invisible thread, like the hum that connects all things. For Marlowe, they are bound by her fierce determination to keep Harper, born with a congenital heart disorder, alive. Now twenty-five, Marlowe is living abroad when she receives the devastating call that Harper’s heart is failing and she is being denied a transplant by the medical establishment. Marlowe rushes to her childhood home in Hong Kong to be by Harper’s side and soon has to answer the question – what lengths would you go to save your sister? When Things are Alive They Hum poses profound questions about the nature of love and existence, the ways grief changes us, and how we confront the hand fate has dealt us. Intensely moving, exquisitely written and literally humming with wonder, it is a novel that celebrates life in all its guises, and what comes after. PRAISE FOR WHEN THINGS ARE ALIVE THEY HUM ‘When literature is alive it hums, and rattles and warms and hurts and heals. Hannah Bent and her wondrous Harper and Marlowe have changed the way I’ve been going about my days. What a gift.’ – Trent Dalton, author of Boy Swallows Universe and All Our Shimmering Skies ‘A simply beautiful novel.’ – Good Reading ‘...what stayed with me was the achingly beautiful portrayal of the love between the two sisters. If I had a sister, that is how I would like to feel.’ – Nicole Abadee, Sydney Morning Herald ‘heartbreakingly beautiful’ – Family Circle
Symona Brown is a 37-year old Jamaican British woman living in South London looking for her Mr. Right whilst her biological clock loudly ticks on. She announces to her close girlfriends after a boozy Sunday brunch, that she is ready to up her game and start actively dating, to their surprise and delight. After being consciously single for a number of years, Symona remembers what worked and what definitely did not in the dating arena. This time, she knows who she is and what she wants. As Symona reflects through her memories from one Mr. to another, she reveals her sensual, hilarious and downright frustrating encounters. She finds herself asking, "What does it mean to be a Black woman trying to exist, date and find love?" In her pursuit of love, she learns new lessons and different answers. Will these new revelations get her what she wants?
First published in 1915 by William Hugh Gordon and Ross F. George, The Speedball Textbook is the superlative resource for artists and letterers of all ages and skill levels. In celebration of the 100th year anniversary of the first edition's debut, Speedball is proud to feature content that provides readers with history, projects, an expanded section on Pressurized Lettering, including new alphabet styles Gothicized Italic and Fraktur, lettering for fonts and inspiration for techniques and styles ranging from medieval to modern and showcase the work of lettering artists from around the globe.
George Bent, the son of William Bent, one of the founders of Bent's Fort on the Arkansas near present La Junta, Colorado, and Owl Woman, a Cheyenne, began exchanging letters in 1905 with George E. Hyde of Omaha concerning life at the fort, his experiences with his Cheyenne kinsmen, and the events which finally led to the military suppression of the Indians on the southern Great Plains. This correspondence, which continued to the eve of Bent's death in 1918, is the source of the narrative here published, the narrator being Bent himself. Almost ninety years have elapsed since the day in 1930 when Mr. Hyde found it impossible to market the finished manuscript of the Bent life down to 1866. (The Depression had set in some months before.) He accordingly sold that portion of the manuscript to the Denver Public Library, retaining his working copy, which carries down to 1875. The account therefore embraces the most stirring period, not only of Bent's own life, but of life on the Plains and into the Rockies. It has never before been published. It is not often that an eyewitness of great events in the West tells his own story. But Bent's narrative, aside from the extent of its chronology (1826 to 1875), has very special significance as an inside view of Cheyenne life and action after the Sand Creek Massacre of 1864, which cost so many of the lives of Bent's friends and relatives. It is hardly probable that we shall achieve a more authentic view of what happened, as the Cheyennes, Arapahos, and Sioux saw it.
Poetry. BENT AT THE SPINE offers a "pronoun"-ced frolic where the "you" is a disconnected third party--the reader is left in the position of an eavesdropper, or a listener, or a karmasurplus author. Its relentless interrogation resonates at an invigorating pace: cultural difference, different bodies, diffident accents, deafening rhymes. Sometimes rapturous, often vulvy, the poems audaciously teach "you" how to read them, allowing the last-minute-cram-session to be a delving, a plunging, a repeating discovery. "Nicole Markotic has created a work of extravagant speech in BENT AT THE SPINE. As her title implies, the book is broken, the back contorted, yet the body o f language is recombined in new and surprising forms. In the tradition of Gertrude Stein's TENDER BUTTONS or Harryette Mullen's Muse & Drudge Markotic's book offers the pleasures of close listening and uncanny seeing. Or as she might say, 'a nod's as wonky as a tight-lipped pucker.'"--Michael Davidson
Winner of the Edgar Award for Best First Novel "Don't be fooled by the novel's apparent simplicity: What emerges from the surface is a tale of extraordinary emotional power, one of longstanding pain set against the pulsating drumbeat of social change." -Sarah Weinman, NPR.org For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. But when the 1967 Detroit riots frighten him even more than his Kansas past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and the same small town where Eve mysteriously died. And then a local girl disappears, catapulting the family headlong into a dead man's curve. . . . On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; and a mother realizes she no longer knows how to protect her children. It is a place where people learn: Sometimes killing is the kindest way. Bent Road has been optioned for film in 2012 by Cross Creek Pictures with Mark Mallouk to adapt and Benderspink to produce.
Born on the eve of China’s Cultural Revolution, Ping Fu was separated from her family at the age of eight. She grew up fighting hunger and humiliation and shielding her younger sister from the teenagers in Mao’s Red Guard. At twenty-five, she found her way to the United States; her only resources were $80 and a few phrases of English. Yet Ping persevered, and the hard-won lessons of her childhood guided her to success in her new homeland. Aided by her well-honed survival instincts, a few good friends, and the kindness of strangers, she grew into someone she never thought she’d be—a strong, independent, entrepreneurial leader. “She tells her story with intelligence, verve and a candor that is often heart-rending.” —The Wall Street Journal “This well-written tale of courage, compassion, and undaunted curiosity reveals the life of a genuine hero.” —Booklist (starred review) “Her success at the American Dream is a real triumph.” —The New York Post
An extraordinary "practical resource for beginners" looking to write their own memoir—​now new and revised (Kirkus Reviews)! The greatest story you could write is one you've experienced yourself. Knowing where to start is the hardest part, but it just got a little easier with this essential guidebook for anyone wanting to write a memoir. Did you know that the #1 thing that baby boomers want to do in retirement is write a book—about themselves? It's not that every person has lived such a unique or dramatic life, but we inherently understand that writing a memoir—whether it's a book, blog, or just a letter to a child—is the single greatest path to self-examination. Through the use of disarmingly frank, but wildly fun tactics that offer you simple and effective guidelines that work, you can stop treading water in writing exercises or hiding behind writer's block. Previously self-published under the title, Writing What You Know: Raelia, this book has found an enthusiastic audience that now writes with intent.
This riveting, New York Times bestselling biography illuminates the life of Otto von Bismarck, the statesman who unified Germany but who also embodied everything brutal and ruthless about Prussian culture. Jonathan Steinberg draws heavily on contemporary writings, allowing Bismarck's friends and foes to tell the story. What rises from these pages is a complex giant of a man: a hypochondriac with the constitution of an ox, a brutal tyrant who could easily shed tears, a convert to an extreme form of evangelical Protestantism who secularized schools and introduced civil divorce. Bismarck may have been in sheer ability the most intelligent man to direct a great state in modern times. His brilliance and insight dazzled his contemporaries. But all agreed there was also something demonic, diabolical, overwhelming, beyond human attributes, in Bismarck's personality. He was a kind of malign genius who, behind the various postures, concealed an ice-cold contempt for his fellow human beings and a drive to control and rule them. As one contemporary noted: "the Bismarck regime was a constant orgy of scorn and abuse of mankind, collectively and individually." In this comprehensive and expansive biography--a brilliant study in power--Jonathan Steinberg brings Bismarck to life, revealing the stark contrast between the "Iron Chancellor's" unmatched political skills and his profoundly flawed human character.
“Kraus gets under your skin with brutal, elegant efficiency. Necessarily horrifying, devastatingly timely.”—Kiersten White, New York Times-bestselling author of The Dark Descent of Elizabeth Frankenstein and Slayer From New York Times-bestselling author Daniel Kraus comes a breakneck, genre-defying YA thriller perfect for fans of Kiersten White, Neal Shusterman, and M. T. Anderson. Liv Fleming’s father went missing more than two years ago, not long after he claimed to have been abducted by aliens. Liv has long accepted that he’s dead, though that doesn’t mean she has given up their traditions. Every Sunday, she and her lifelong friend Doug Monk trudge through the woods to check the traps Lee left behind, traps he set to catch the aliens he so desperately believed were after him. But Liv is done with childhood fantasies. Done pretending she believes her father’s absurd theories. Done going through the motions for Doug’s sake. However, on the very day she chooses to destroy the traps, she discovers in one of them a creature so inhuman it can only be one thing. In that moment, she’s faced with a painful realization: her dad was telling the truth. And no one believed him. Now, she and Doug have a choice to make. They can turn the alien over to the authorities...or they can take matters into their own hands. On the heels of the worldwide success of The Shape of Water, Daniel Kraus returns with a horrifying and heartbreaking thriller about the lengths people go to find justice and the painful reality of grief. “Bent Heavens is the darkest, angriest alien horror story that I've ever encountered. Hell. Yes.”—Stephanie Perkins, New York Times-bestselling author of There's Someone Inside Your House