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En billedmæssig skildring af en lang række flyvehavarier.
The story of smalltime Ugandan Indian landlord Naranbhai, who likes to think big-big -- big house, big business schemes, two wives -- unfolds when two strangers, who share a childhood fairy tale, meet thirty years after the Asian Expulsion
Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hard-nosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana’s “Smells Like Teen Spirit,” his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and often from the world at large. In the freewheeling spirit of Pauline Kael, Lester Bangs, and Manny Farber, Hampton calls up the extremist, underground tendencies and archaic forces simmering beneath the surface of popular forms. Ranging from the kinetic poetry of Hong Kong cinema and the neo–New Wave energy of Irma Vep to the punk heroines of Sleater-Kinney and Ghost World, Born in Flames plays odd couples off one another: pitting Natural Born Killers against Forrest Gump, contrasting Jean-Luc Godard with Steven Spielberg, defending David Lynch against aesthetic ideologues, invoking The Curse of the Mekons against Fredric Jameson’s Postmodernism, and introducing D. H. Lawrence to Buffy the Vampire Slayer. “We are born in flames,” sang the incandescent Lora Logic, and here those flames are a source of illumination as well as destruction, warmth as well as consumption. From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents Plastic People of the Universe, Born in Flames is a headlong plunge into the passions and disruptive power of art.
Fourth Galaxy, 4 November 2052: in the black sparkle of deep space a figure in a blue overall tumbles over and over as it drifts towards the planet Badr-al-Budur. No space suit, no helmet, no oxygen. He can't be alive, can he? But he is. First Navigator Fremder Gorn is the only survivor when the Corporation tanker Clever Daughter disappears. Nobody knows how he did it, and everybody, including Fremder himself, wants to know. Caroline Lovecraft, Head of the Physio/ Psycho unit at Newton Centre, Hubble Straits finds that intimacy doesn't lead to answers and Fremder's own memories are resolutely obscure. Fremder's name means stranger, and his story, as one would expect from Russell Hoban, is full of strangeness and brilliant imagery.
101 classical music CD recital programmes on many disparate themes, most involving relevant anagrams or enigmas of varying complexity to solve with notes and/or anecdotes on each. A brief preface on early career selling Beatles records in to the Liverpool and North Wales dealers during the Beatles boom in the 60's and some valedictory and controversial musical musings at the end.
The annual Gathering of crows is disrupted by both an impulsive young crow named Kyp and an unexpected blizzard.
These pilots called themselves the 'Tokyo Club'. It was a simple task to become a member. All you had to do was strap yourself into a heavily loaded P-51 Mustang, take off from Iwo Jima, fly 650 miles north over the sea – often through monsoon storms – in your single-engined aircraft to Japan, attack a heavily defended target and then turn around and fly home despite a shrinking fuel supply and perhaps battle damage as well. Do it once and you earned membership in the club. Do it 15 times and you earned a trip home. But make one mistake or have one touch of bad luck, and you had a very good chance of ending up dead. This book tells the little-known story of these brave men and their efforts to defeat the aerial forces defending Japan.