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(Applause Books). Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.
“Kraus gets under your skin with brutal, elegant efficiency. Necessarily horrifying, devastatingly timely.”—Kiersten White, New York Times-bestselling author of The Dark Descent of Elizabeth Frankenstein and Slayer From New York Times-bestselling author Daniel Kraus comes a breakneck, genre-defying YA thriller perfect for fans of Kiersten White, Neal Shusterman, and M. T. Anderson. Liv Fleming’s father went missing more than two years ago, not long after he claimed to have been abducted by aliens. Liv has long accepted that he’s dead, though that doesn’t mean she has given up their traditions. Every Sunday, she and her lifelong friend Doug Monk trudge through the woods to check the traps Lee left behind, traps he set to catch the aliens he so desperately believed were after him. But Liv is done with childhood fantasies. Done pretending she believes her father’s absurd theories. Done going through the motions for Doug’s sake. However, on the very day she chooses to destroy the traps, she discovers in one of them a creature so inhuman it can only be one thing. In that moment, she’s faced with a painful realization: her dad was telling the truth. And no one believed him. Now, she and Doug have a choice to make. They can turn the alien over to the authorities...or they can take matters into their own hands. On the heels of the worldwide success of The Shape of Water, Daniel Kraus returns with a horrifying and heartbreaking thriller about the lengths people go to find justice and the painful reality of grief. “Bent Heavens is the darkest, angriest alien horror story that I've ever encountered. Hell. Yes.”—Stephanie Perkins, New York Times-bestselling author of There's Someone Inside Your House
A CATCH ME IF YOU CAN TALE FOR TODAY. Bent is the story of John J. Boseak's phenomenal life of crime. Inked from head to toe, with an addiction to strippers and fast Cadillacs, Boseak was not your typical computer geek. He was, however, one of the most cunning scammers, counterfeiters, identity thieves and escape artists alive-and a major thorn in the side of the U.S. Secret Service as they fought a war on cybercrime. With a savant-like ability to circumvent banking security and stay one step ahead of law enforcement, Boseak made millions of dollars in the international cyber underworld, with the help of the Chinese and the Russians. Then, leaving nothing but a John Doe warrant and a cleaned-out bank account in his wake, he vanished. Boseak's stranger-than-fiction tale of ingenious scams and impossible escapes, of brazen run-ins with the law and secret desires to straighten out and settle down, makes Bent a true crime con game that will keep you guessing.
Director of the Citizenship Education Program, Dorothy Cotton, recounts the accomplishments of the program and her experiences in the civil rights movement.
George Bent, the son of William Bent, one of the founders of Bent's Fort on the Arkansas near present La Junta, Colorado, and Owl Woman, a Cheyenne, began exchanging letters in 1905 with George E. Hyde of Omaha concerning life at the fort, his experiences with his Cheyenne kinsmen, and the events which finally led to the military suppression of the Indians on the southern Great Plains. This correspondence, which continued to the eve of Bent's death in 1918, is the source of the narrative here published, the narrator being Bent himself. Almost ninety years have elapsed since the day in 1930 when Mr. Hyde found it impossible to market the finished manuscript of the Bent life down to 1866. (The Depression had set in some months before.) He accordingly sold that portion of the manuscript to the Denver Public Library, retaining his working copy, which carries down to 1875. The account therefore embraces the most stirring period, not only of Bent's own life, but of life on the Plains and into the Rockies. It has never before been published. It is not often that an eyewitness of great events in the West tells his own story. But Bent's narrative, aside from the extent of its chronology (1826 to 1875), has very special significance as an inside view of Cheyenne life and action after the Sand Creek Massacre of 1864, which cost so many of the lives of Bent's friends and relatives. It is hardly probable that we shall achieve a more authentic view of what happened, as the Cheyennes, Arapahos, and Sioux saw it.
Trained as a photographer, Terry Border left the commercial world for story-telling. His complex vignettes are made of the simplest, everyday items: a jar of spices, a cigarette stub, a flower, a snack food. These sly photos range from whimsical scenes to sexy scenarios, the sad truths to the hilarious happenings in everyday life. In the tradition of bestselling humorous photography books like Chicks with Baggage, Play with Your Food, and Hello Cupcake!, this volume will surprise you with every viewing. A sunflower missing a petal becomes the tortured artist Van Gogh; an egg arrives to visit his mom only to discover roast chicken on the table; when confronted by a jar of peanut butter, peanuts hold a wake; and hot dogs leave behind their own brand of little presents. Marshmallows, wine corks, bread, soap, rocks, and tea bags—no common household item is safe from the twisted (wire) mind behind these uncommon creations!
Winner of the Edgar Award for Best First Novel "Don't be fooled by the novel's apparent simplicity: What emerges from the surface is a tale of extraordinary emotional power, one of longstanding pain set against the pulsating drumbeat of social change." -Sarah Weinman, NPR.org For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. But when the 1967 Detroit riots frighten him even more than his Kansas past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and the same small town where Eve mysteriously died. And then a local girl disappears, catapulting the family headlong into a dead man's curve. . . . On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; and a mother realizes she no longer knows how to protect her children. It is a place where people learn: Sometimes killing is the kindest way. Bent Road has been optioned for film in 2012 by Cross Creek Pictures with Mark Mallouk to adapt and Benderspink to produce.
Chris Grosz captures in words and pictures the adventuring life of sailor, soldier, deserter, outlaw and Hau Hau slave, Kimball Bent. After signing up for the Queen's shilling, Bent was sent to New Zealand in the 1860s, on the eve of the tumultuous Taranaki land wars. An act of defiance saw Bent deserting the army, and his eventual adoption by Maori tribes. Kimball Bent: Malcontent illustrates Bent's life as a Pakeha Maori, his assimilation into tribal life, his observation of secret war rites, including cannibalism, and being on the side of the Hau Hau at the famous battle at Te Ngutu o Manu where Gustav von Tempsky was killed. One of New Zealand's folk heroes, Bent's story encompasses romance, bloodshed and mayhem. His story has been recorded by James Cowan and fictionalised by Maurice Shadbolt. Rendered in scraperboard style, this graphic novel will have crossover appeal for teenagers and adults alike, bringing Bent's story to a new generation of New Zealanders.