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Benjamin is a friendly frog who is sent on a quest by the Great King. When he hears what is required of him, he thinks, that he is not big or strong enough to complete the quest and meet the many challenges along the way, but he finds that the most important thing he can offer the Great King is a willing heart.
"No one seems to be happy with the present. That loathing of the present is understandable. The present moment, in modern life, is hard to love, or even to grasp. For the modern present is a state of constant motion. Perpetual moral, social, and psychic revolution is the price we pay for our unprecedented liberty, equality, and prosperity. Though we rightly prize those great political goods, having our world turned upside down every morning makes us all of us uneasy and some of us miserable. We exacerbate our unease by our failure to recognize it. With our ritual insistence that we are perfectly content to "go with the flow," we deny even the existence of our disquiet. We refuse to see what time it is, and we refuse to see ourselves"--
The Quest for Health Reform: A Satirical History is an engaging historical book that recounts the chronology of efforts to reform the U.S. health system through the lens of political cartoons published as early as the 19th century through passage of the Affordable Care Act. Co-authored by Executive Director of the American Public Health Association and former Joan H. Tisch Distinguished Fellow in Public Health at Hunter College, Georges C. Benjamin, MD, medical historian Theodore M. Brown, PhD; Susan Ladwig, MPH and Elyse Berkman, The Quest for Health Reform adds narrative to more than 100 years of selected caricatures, extending from famous 1870s editorial cartoonist Thomas Nast - who drew the elephant that remains a symbol for the Republican Party - to modern artists such as Mike Luckovich, who parodies U.S. Presidents Harry S. Truman, Bill Clinton and Barack Obama. It is an amazing look at the evolution of health reform in the United States.
The result is a lively, diverse offering from an extraordinary intellect. --Richard Wolin, the Graduate Center, City University of New York, author of The Wind from the East: French Intellectuals, the Cultural Revolution, and the Legacy of the 1960s
'Benjamin's Arcades' is an innovative text for students and specialists on the intellectual and political context of Walter Benjamin's unfinished masterpiece, 'The Arcades Project'. It includes a special 'convoluted index' to aid the reader in discovering recurrent themes and ideas, both in the book itself and Benjamin's methods.
Book Summary Benjamin and Tammi Townsend were still searching for their parents. What had happened to them. They had found out that their parents were not deceased and were still alive. After defeating the evil Koranga during their first quest they must defeat the evil Nobunaga to get closer to finding their parents in this new quest. They must find the special samurai sword that will help them defeat all the evil that they encounter. They must travel through a portal that leads them to Old Japan. Benjamin and Tammi had learned along their second quest that they had gained new powers that were not common to the mortal man. These powers were different then the ones they had obtained during their first quest. They would need to use these powers along with the help of others to defeat Nobunaga. What will Benjamin and Tammi do and will their new powers defeat the evil Nobunaga? How will they find the portal that leads them back to Old Japan? Will they find their parents this time or will they have to wait for another quest?
Benjamin Flew is dead-- a suicide. And Sam Wood wants to understand. Two years ago, Sam (and seven others) received an enigmatic "goodbye world" email from Flew, one of Sam's former guitar students. Sam does not know any of the others who received the email, but his curiosity about the circumstances regarding Flew's death reaches a boiling point. After lying to his girlfriend and abandoning his studies, Sam embarks on a road trip--a quest for discovery--accompanied only by his laptop, his phone, and an esoteric collection of classical CDs. Outlook, the fifth book from the mind of Charlie Johns, follows Sam on his journey as he engages with Benjamin's old colleagues--and runs face-first into a startling revelation.
Drawing upon a wealth of journal writings and personal correspondence, Esther Leslie presents a uniquely intimate portrait of one of the intellectual giants of the twentieth century, Walter Benjamin. She sets his life in the context of his middle-class upbringing; explores the social, political, and economic upheaval in Germany during and after World War I; and recounts Benjamin’s eccentric love of toys, trick-books, travel, and ships. From the Frankfurt School and his influential friendships with Theodore Adorno, Gershom Scholem, and Bertolt Brecht, to his travels across Europe, Walter Benjamin traces out the roots of Benjamin’s groundbreaking writings and their far-reaching impact in his own time. Leslie argues that Benjamin’s life challenges the stereotypical narrative of the tragic and lonely intellectual figure—instead positioning him as a man who relished the fierce combat of competing theories and ideas. Closing with his death at the Spanish-French border in a desperate flight from the Nazis and Stalin, Walter Benjamin is a concise and concentrated account of a capacious intellect trapped by hostile circumstances.
In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities,’ and his work on The Arcades Project from 1927 up until his death in 1940. The two periods of Benjamin’s writing share a conception of the image as a potent sensuous force able to provide a frame of existential meaning. In the earlier period this function attracts Benjamin’s critical attention, whereas in the later he mobilises it for revolutionary outcomes. The book gives a critical treatment of the shifting assumptions in Benjamin’s writing about the image that warrant this altered view. It draws on hermeneutic studies of meaning, scholarship in the history of religions and key texts from the modern history of aesthetics to track the reversals and contradictions in the meaning functions that Benjamin attaches to the image in the different periods of his thinking. Above all, it shows the relevance of a critical consideration of Benjamin’s writing on the image for scholarship in visual culture, critical theory, aesthetics and philosophy more broadly.