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In this pioneering study, the first substantial reassessment of the artist and his paintings to be written since 1901, Ruth Wood covers his personal and artistic life over a long career of more than seventy years. Working within the tradition of British landscape painting and influenced by his lifelong admiration of John Constable, Leader's extensive coverage of the British countryside and coastal scenes reveals the development of a distinctive and independent style. A master at exploiting the natural effects of water and light, the countryside after rain or the amber luminosity of the late afternoon sun, and these were features of his work which became his trademarks. Ruth Wood uncovers much hitherto unused material and corrects many errors and misconceptions about B.W. Leader and his work. Important sources include the artist's diaries, records of paintings sold, his letters, British and overseas exhibition catalogues, reviews and other archive material. Extensive and representative colour plat
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.