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'Every man would like to be God, if it were possible; some few find it difficult to admit the impossibility.' - Bertrand Russell From 1931-1935 Bertrand Russell was one of the regular contributors to the literary pages of the New York American, together with other distinguished authors, such as Aldous Huxley and Vita Sackville-West. Mortals and Others Volume II presents a further selection of his essays, ranging from the politically correct, to the perfectly obscure: from The Prospects of Democracy to Men Versus Insects. Even though written in the politically heated climate of the 1930s, these essays are surprisingly topical and engaging for the present day reader. Volume II of Mortals and Others serves as a splendid, fresh introduction to the compassionate eclecticism of Bertrand Russell's mind.
'Engrossing and powerful . . . rich and thought-provoking' Fara Dabhoiwala, Guardian 'Path-breaking . . . a major rewriting of history' Mihir Bose, Irish Times 'Slave Empire is lucid, elegant and forensic. It deals with appalling horrors in cool and convincing prose.' The Economist The British empire, in sentimental myth, was more free, more just and more fair than its rivals. But this claim that the British empire was 'free' and that, for all its flaws, it promised liberty to all its subjects was never true. The British empire was built on slavery. Slave Empire puts enslaved people at the centre the British empire in the eighteenth and nineteenth centuries. In intimate, human detail, Padraic Scanlon shows how British imperial power and industrial capitalism were inextricable from plantation slavery. With vivid original research and careful synthesis of innovative historical scholarship, Slave Empire shows that British freedom and British slavery were made together.
In early nineteenth-century Britain, there was unprecedented interest in the subject of genius, as well as in the personalities and private lives of creative artists. This was also a period in which literary magazines were powerful arbiters of taste, helping to shape the ideological consciousness of their middle-class readers. Romantic Genius and the Literary Magazine considers how these magazines debated the nature of genius and how and why they constructed particular creative artists as geniuses. Romantic writers often imagined genius to be a force that transcended the realms of politics and economics. David Higgins, however, shows in this text that representations of genius played an important role in ideological and commercial conflicts within early nineteenth-century literary culture. Furthermore, Romantic Genius and the Literary Magazine bridges the gap between Romantic and Victorian literary history by considering the ways in which Romanticism was understood and sometimes challenged by writers in the 1830s. It not only discusses a wide range of canonical and non-canonical authors, but also examines the various structures in which these authors had to operate, making it an interesting and important book for anyone working on Romantic literature.
Follow Andrew Klavan to a deeper, richer understanding of the words of Jesus. Andrew Klavan believed what he read in the Gospels, but he often struggled to understand what Jesus really meant. So he began a journey of wrestling with the beautiful and often strange words of Jesus. He learned Greek in order to read the Gospels in their original languages, and he vowed to set aside any preconceptions about what the Scriptures say. But it wasn't until he began exploring how some of history's greatest writers wrestled with the same issues we confront today--political upheaval, rejection of social norms, growing disbelief in God--that he found a new way of understanding what Jesus meant. In The Truth and Beauty, Klavan combines a decades-long writing career with a lifetime of reading to discover a fresh understanding of the Gospels. By reading the words of Jesus through the life and work of writers such as William Wordsworth and John Keats, Mary Shelley and Samuel Taylor Coleridge--the English romantics--Klavan discovered a way to encounter Jesus in a deeper and more profound way than ever before. For readers seeking to find renewed meaning in the words of Jesus--and for those who are striving for belief in a materialistic world--The Truth and Beauty offers an intimate account of one man's struggle to understand the Gospels in all their strangeness, and so find his way to a life that is, as he says, "the most creative, the most joyful, and surely the most true."
"Society and Solitude, published in 1870, was the first collection of essays Ralph Waldo Emerson had put into press since The Conduct of Life ten years earlier. Of the twelve essays included in the volume, he had previously published seven in whole or in part: "Society and Solitude," "Civilization," "Art," "Eloquence," "Domestic Life," "Books," and "Old Age." Emerson added five previously unpublished lectures or essays, "Works and Days," "Clubs," "Courage," "Success," and "Farming." This edition is based on Emerson's holograph manuscripts and published sources. The text incorporates corrections and revisions he recorded in both sources, and thus restores for the reader the text he actually wrote. Although he is still visibly the insistent optimist of his early and middle career, here Emerson assumes a more pragmatic attitude than formerly toward the life of the mind and the imagination. Society and Solitude captures the penultimate expression of Emersonian Transcendentalism and Romanticism."--Publisher's website.
The volume explores how the Revolutionary and Napoleonic wars were experienced, perceived and narrated by contemporaries in Britain and Ireland, drawing on an extensive range of personal testimonies by soldiers, sailors and civilians to shed new light on the social and cultural history of the period and the history of warfare more broadly.