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Winner of College Art Association’s Wyeth Foundation for American Art Publication Grant Epic Landscapes is the first study devoted to architect Benjamin Henry Latrobe’s substantial artistic oeuvre from 1795, when he set sail from Britain to Virginia, to late 1798, when he relocated to Pennsylvania. Thus, this book offers the only extended consideration of Latrobe’s Virginian watercolors, including a series of complex trompe l’oeil studies and three significant illustrated manuscripts. Though Latrobe’s architecture is well known, his watercolors have received little critical attention. Epic Landscapes rediscovers Latrobe’s watercolors as an ambitious body of work and reconsiders the close relationship between the visual and spatial sensibility of these images and his architectural designs. It also offers a fresh analysis of Latrobe within the context of creative practice in the Atlantic world at the end of the eighteenth century as he explored contemporary ideas concerning the form of art for Republican society and the social impacts of revolution.
The 161 drawings, sketches, and watercolors in the volume cover a wide variety of subjects: rivers, roads, bridges, canals, towns, flora and fauna, people in their homes and at work and play.
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
In this natural history and guidebook, Choukas-Bradley presents a fascinating blend of local, natural, and historical detail that transports readers simultaneously onto the slopes of today's mountain and into the region's past. 26 illustrations.
Perhaps most interesting is the range of buildings and machines that Mills designed - from monuments and local courthouses, to prisons and churches, bridges and canals, to rotary piston engines and fireproof masonry vaults - all during a revolutionary era of building technology in America.".
A collection of diary entries, notes, and other writings by Benjamin Henry Boneval Latrobe, often recognized as the founder of architecture in America, on his impressions and recollections of New Orleans from 1818-1820.
This handsome book explores in depth a group of stunning painted and gilded furniture designed by the architect Benjamin Henry Latrobe (1764-1820), best known for originating the plans for the United States Capitol. The furniture was made in Philadelphia for one of the city's finest houses--the home of William and Mary Wilcocks Waln, which Latrobe also designed. Drawing on a multiyear conservation and research project, Classical Splendor reveals new insights into the patrons, makers, and history behind these extraordinary pieces. In addition to extensively documenting each item, the book attests to Latrobe's significant contributions to American furniture design--his pieces for the Waln house introduced, and served as exemplars of, a classical style rooted in ancient Greek and Roman design. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (09/03/16-01/01/17)
The first volume of a two-volume survey of American Architecture, this book covers architectural developments from Jamestown to the Civil War.