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The #1 New York Times bestseller that has all America talking—with a new afterword on expanding your range—as seen on CNN's Fareed Zakaria GPS, Morning Joe, CBS This Morning, and more. “The most important business—and parenting—book of the year.” —Forbes “Urgent and important. . . an essential read for bosses, parents, coaches, and anyone who cares about improving performance.” —Daniel H. Pink Shortlisted for the Financial Times/McKinsey Business Book of the Year Award Plenty of experts argue that anyone who wants to develop a skill, play an instrument, or lead their field should start early, focus intensely, and rack up as many hours of deliberate practice as possible. If you dabble or delay, you’ll never catch up to the people who got a head start. But a closer look at research on the world’s top performers, from professional athletes to Nobel laureates, shows that early specialization is the exception, not the rule. David Epstein examined the world’s most successful athletes, artists, musicians, inventors, forecasters and scientists. He discovered that in most fields—especially those that are complex and unpredictable—generalists, not specialists, are primed to excel. Generalists often find their path late, and they juggle many interests rather than focusing on one. They’re also more creative, more agile, and able to make connections their more specialized peers can’t see. Provocative, rigorous, and engrossing, Range makes a compelling case for actively cultivating inefficiency. Failing a test is the best way to learn. Frequent quitters end up with the most fulfilling careers. The most impactful inventors cross domains rather than deepening their knowledge in a single area. As experts silo themselves further while computers master more of the skills once reserved for highly focused humans, people who think broadly and embrace diverse experiences and perspectives will increasingly thrive.
In a fragile alliance, the natives are stirring uneasily under their foreign rulers. Rebellion is brewing, and at the heart of the conflict lies the bloody and powerful cult of the god Aoun, whose followers will stop at nothing to rid their land of alien domination. So civil servant Renille vo Chaumelle, scion of a proud, conquering line mingled with native blood, is conscripted as a spy and ordered to penetrate the fortress-temple known as the Fastness of the Gods. There he is to discover the secrets of the priests of Aoun and - if the chance presents itself - assassinate the lead priest, named in legend as the god's own son. But in the holiest depths of the temple, Renille finds there is more to the cult than his superiors suspect - far more than they will ever believe. What he learns leads him to the beautiful princess Jathondi, daughter of the native ruler, who is fated to be the crux of a violent confrontation between the fanatic followers of a flesh-hungry god and their arrogant overlords. Together, Jathondi and Renille must brave a whirlwind of revolution and apocalyptic magic that could shatter a nation, and open the long-sealed portal between heaven and earth.
Gate: threshold, corridor, barrier. Sahar Muradi engages power, war, illness, and language to evoke the physical and literary passages that accompany individual and collective loss. In [ G A T E S ], the loss of a homeland meets the loss of a dying father meets the loss of meaning amidst war, racism, and environmental degradation. Muradi's highly charged, deeply transformative poems interrogate the contemporary moment's collapsing of space, where near and far, private and global are no longer distinct. In the sometimes elliptical, sometimes rapidly changing spaces inhabited by these sixteen poems, languages of politics and intimacy exist in constant tension so that the sweeping violence of an occupied Afghanistan cannot, for instance, be separated from the intimate violence of the dying of a loved one. Muradi's speakers call out to us from a world of tightly-braided oppressions to ask how language can be a function of (in)justice, how a life is valued, and how poetry, like a gate, may function as a passage from pain to pain, promise to promise, truth to truth. "These charged, elliptical poems make space for the unknown and unknowable, even as they vividly summon the tangible body of the world. Shot through with sudden glimpses of violence and beauty, Sahar Muradi's poems refuse us comfort or closure. They offer only what is-yet, paradoxically, haunt us with the sense that we're standing on holy ground."-Joan Larkin "I get the sense reading Sahar Muradi's richly layered and quietly transformative poems that what's there is all that has to be there, that the poetry depends on nothing outside of the various shapes it takes, and that complex life conditions and feeling spaces are in a constant dance with certainty and doubt at all points, always on the move. There is an unfettered, inviting, and wryly unconventional voice at work in [ G A T E S ], one capable of making the necessarily enigmatic turns scale demands when distances known and felt on numerous levels have to be closed in on. These poems animate and search through multiple lived-in centers that are real and imagined simultaneously, always open, and always irreducible."-Anselm Berrigan "If you open Sahar Muradi's [ G A T E S ] and follow each line into the entryways and departures, passed 'convention centers and expos / and festivals that begin at sunset, ' you will witness the poet's memories as tiny explosions of intimacies that devastate with their precision and candor. On images of Ferris wheels and 'prayer on the side of the road, ' the poet 'kneels and spreads [her] picnic' of wonder. Sahar Muradi makes sense of the fragments of memory, the broken buildings of Kabul, Mazar, and Panjsher, the innocence of childhood punctured by journey, a father's illness, losing a language, and the politics of a war uninvited. Muradi beckons you, asks how you 'authored poorer nations with the hope of freeing / others. The architects of what's left.' Indeed the political act of poetry in this fierce collection is a pained beauty that does not look away as it rebuilds the human starting with the heart."-Rajiv Mohabir
#1 New York Times bestseller “Barry will teach you almost everything you need to know about one of the deadliest outbreaks in human history.”—Bill Gates "Monumental... an authoritative and disturbing morality tale."—Chicago Tribune The strongest weapon against pandemic is the truth. Read why in the definitive account of the 1918 Flu Epidemic. Magisterial in its breadth of perspective and depth of research, The Great Influenza provides us with a precise and sobering model as we confront the epidemics looming on our own horizon. As Barry concludes, "The final lesson of 1918, a simple one yet one most difficult to execute, is that...those in authority must retain the public's trust. The way to do that is to distort nothing, to put the best face on nothing, to try to manipulate no one. Lincoln said that first, and best. A leader must make whatever horror exists concrete. Only then will people be able to break it apart." At the height of World War I, history’s most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease.
From the bestselling author of A Ladder to the Sky—“a darkly funny novel that races like a beating heart” (People)—comes a new novel that plays out across all of human history: a story as precise as it is unlimited. This story starts with a family. For now, it is a father and a mother with two sons, one with his father’s violence in his blood, one with his mother’s artistry. One leaves. One stays. They will be joined by others whose deeds will determine their fate. It is a beginning. Their stories will intertwine and evolve over the course of two thousand years. They will meet again and again at different times and in different places. From Palestine at the dawn of the first millennium and journeying across fifty countries to a life among the stars in the third, the world will change around them, but their destinies remain the same. It must play out as foretold. From the award-winning author of The Heart’s Invisible Furies comes A Traveler at the Gates of Wisdom, an epic tale of humanity. The story of all of us, stretching across two millennia. Imaginative, unique, heartbreaking, this is John Boyne at his most creative and compelling.
Now a major Lifetime movie event, from New York Times bestselling author and literary phenomenon V.C. Andrews (Flowers in the Attic, My Sweet Audrina) comes the fourth installment in the classic story of the Casteel family saga. Stunned by tragedy, a young woman finds herself desperate and alone, and clinging to the frailest of dreams. Can Heaven’s daughter find the inner strength to survive? The car crash that killed Heaven and Logan left Annie Casteel Stonewall orphaned and crippled. Whisked off to Farthinggale Manor by the possessive Tony Tatterton, Annie pines for her lost family, but especially for Luke, her half-brother. Friend of her childhood, her fantasy prince, her loving confidante…without the warm glow of Luke’s love, she is lost in the shadows of despair. When Annie discovers Troy’s cottage hidden in Farthinggale’s woods, the mystery of her past deepens. And even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell…treacherous, powerful, and evil.
After the sudden death of her birth parents, Marina Roeswood meets her Aunt Arachne, who is to be her new guardian. Slowly Marina realizes that her aunt is the embodiment of the danger her parents had been hiding her from in the backwoods of Cornwall. But can Marina unravel the secrets of her life in time to save herself from the evil that had been seeking her for nearly eighteen years?
Villagers were always warned that monsters live outside the gates, but when a young boy named Vren is cast out, he finds a home in the world beyond, in Whiting Award winner Molly Gloss’s classic fantasy novel. Vren has always been told that the world beyond the gates of his village is one filled with monsters, giants, and other terrifying creatures. But when he confides with his family about his ability to talk to animals, he’s outcast to the very world he’s been taught to fear his whole life. He expects to die alone, lost and confused, but he finds something different altogether—refuge in a community of shadowed people with extraordinary powers. Thirty years later, Molly Gloss’s dystopian fantasy novel is just as timely, poignant, and stirring as ever, in a brand-new edition!
On growing up in the American South of the 1960s—an all-American white boy—son of a long line of Methodist preachers, in the midst of the civil rights revolution, and discovering the culpability of silence within the church. By the Pulitzer Prize-winning journalist and columnist for The Birmingham News. "My dad was a Methodist preacher and his dad was a Methodist preacher," writes John Archibald. "It goes all the way back on both sides of my family. When I am at my best, I think it comes from that sermon place." Everything Archibald knows and believes about life is "refracted through the stained glass of the Southern church. It had everything to do with people. And fairness. And compassion." In Shaking the Gates of Hell, Archibald asks: Can a good person remain silent in the face of discrimination and horror, and still be a good person? Archibald had seen his father, the Rev. Robert L. Archibald, Jr., the son and grandson of Methodist preachers, as a moral authority, a moderate and a moderating force during the racial turbulence of the '60s, a loving and dependable parent, a forgiving and attentive minister, a man many Alabamians came to see as a saint. But was that enough? Even though Archibald grew up in Alabama in the heart of the civil rights movement, he could recall few words about racial rights or wrongs from his father's pulpit at a time the South seethed, and this began to haunt him. In this moving and powerful book, Archibald writes of his complex search, and of the conspiracy of silence his father faced in the South, in the Methodist Church and in the greater Christian church. Those who spoke too loudly were punished, or banished, or worse. Archibald's father was warned to guard his words on issues of race to protect his family, and he did. He spoke to his flock in the safety of parable, and trusted in the goodness of others, even when they earned none of it, rising through the ranks of the Methodist Church, and teaching his family lessons in kindness and humanity, and devotion to nature and the Earth. Archibald writes of this difficult, at times uncomfortable, reckoning with his past in this unadorned, affecting book of growth and evolution.
BOOK THREE IN THE NEW YORK TIMES BESTSELLING SERIES "Thrilling and hard to put down, readers will absolutely devour Tahir's latest." --BuzzFeed An Entertainment Weekly Summer Reads pick! "The perfect summer read." --The Washington Post The highly anticipated third book in #1 New York Times bestselling author Sabaa Tahir's EMBER QUARTET. Beyond the Martial Empire and within it, the threat of war looms ever larger. Helene Aquilla, the Blood Shrike, is desperate to protect her sister's life and the lives of everyone in the Empire. But she knows that danger lurks on all sides: Emperor Marcus, haunted by his past, grows increasingly unstable and violent, while Keris Veturia, the ruthless Commandant, capitalizes on the Emperor's volatility to grow her own power--regardless of the carnage she leaves in her path. Far to the east, Laia of Serra knows the fate of the world lies not in the machinations of the Martial court, but in stopping the Nightbringer. But in the hunt to bring him down, Laia faces unexpected threats from those she hoped would help her, and is drawn into a battle she never thought she'd have to fight. And in the land between the living and the dead, Elias Veturius has given up his freedom to serve as Soul Catcher. But in doing so, he has vowed himself to an ancient power that demands his complete surrender--even if that means abandoning the woman he loves.